Every watchlist I have is always growing so big that I forget why I put certain films on there. Here I want to make a watchlist and describe the context of each film on it somehow. For example: ‘From the 1972 year poll’ or ‘By stalking Bure’s five star ratings’ or ‘researching technicolour adventure films’ or ‘DtC holdovers’ etc.
Maybe it’ll be useful for others too.
Bold = I have a digital copy
Red = can’t find copy
crossed = watched
promising looking DtC new entries 2020
Acht Stunden Sind Kein Tag (Rainer Werner Fassbinder, 1972)
Double Tide (Sharon Lockhart, 2009)
The Old Man in the Cottage (Nina Hedenius, 1996)
Narcissus and Psyche (Gabor Body, 1981)
Demons (Toshio Matsumoto, 1971)
Sleep Has Her House (Scott Barley, 2017)
Old Czech Legends (Jiri Trnka, 1953)
Turumba (Kidlat Tahamik, 1981)
Night is Short, Walk on Girl (Masaaki Yuasa, 2017)
promising looking DtC Holdovers 2020
Les Films Reves (Eric Pauwels, 2010)
Beyond The Mind’s Eye (Michael Boydstun, 1992)
'Rameau's Nephew' by Diderot (Thanx to Dennis Young) by Wilma Schoen (Michael Snow, 1974)
The Tatami Galaxy (Masaaki Yuasa, 2010)
Other films that caught the eye in the nominations
The Ritual (Hideaki Anno, 2000)
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Shame list of big classics; films from TSPDT top 100 I haven’t seen
Seven Samurai (Akira Kurosawa, 1954)
Singin’ in the Rain (Kelly, Donen, 1952)
Andrei Rublev (Andrey Tarkovsky, 1966)
Touch of Evil (Orson Welles, 1958)
Ordet (CT Dreyer, 1955)
Barry Lyndon (Stanly Kubrick, 1975)
Pather Panchali (Satyajit Ray, 1955)
Wild Strawberries (Ingmar Bergman, 1957)
Children of Paradise (Marcel Carné, 1945)
Viridiana (Luis Bunel, 1961)
La Strada (Federico Fellini, 1954)
Shoah (Claude Lanzmann, 1985)
The Wild Bunch (Sam Peckinpah, 1969)
The Gold Rush (Charlie Chaplin, 1925)
The Magnificent Ambersons (Orson Welles, 1942)
Gertrud (CT Dreyer, 1964)
Sansho the Bailiff (Kenji Mizoguchi, 1954)
Greed (Erich von Stroheim, 1924)
Once Upon a Time in America (Sergio Leone, 1984)
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Directors with more than 5 films in DtC of which I will watch one (more) film I haven’t seen yet. Taking the top pick in the SCFZ director’s poll if there was one
Mikio Naruse-10
Sound of the Mountain (nr2 SCFZ poll)
Satyajit Ray-9
The Music Room (nr1 SCFZ poll)
Éric Rohmer-8
The Marquis of O (nr 12 SCFZ poll)
Frederick Wiseman-8
Public Housing (nr2 SCFZ poll)
Fritz Lang-8
Moonfleet (nr3 SCFZ poll)
Yasujirô Ozu-8
An Autumn Afternoon (nr1 SCFZ poll)
James Benning-7
RR (nr1 SCFZ poll)
Manoel de Oliveira-7
Francisca (nr1 SCFZ poll)
Anthony Mann-6
Winchester 73’ (nr1 SCFZ poll)
Rainer Werner Fassbinder-6
The Bitter Tears of Petra von Kant (nr2 SCFZ poll)
Raoul Walsh-6
The Big Trail (nr1 SCFZ poll)
Bryan Forbes-5
<not interested>
Hiroshi Shimizu-5
The Masseurs and a Woman (nr2 SCFZ poll)
Ingmar Bergman-5
Wild Strawberries (nr4 SCFZ poll)
Jean Grémillon-5
The Lighthouse Keepers (nr1 SCFZ poll)
Mani Kaul-5
Mind of Clay (nr2 SCFZ poll)
Robert Siodmak-5
<waiting for poll results>
William Wyler-5
The Best Years of our Lives (nr1 SCFZ poll)
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Stalking user https://letterboxd.com/doyarka/ (taken from liked films)
Miami Blues (George Armitage, 1990)
Conquest (Lucio Fulci, 1983)
Simple Men (Hal Hartly, 1992)
Dirty Ho (Liu Chia-Liang, 1979)
The Love Eterne (Li Han-Hsiang, 1963)
Queen of Diamonds (Nina Menkes, 1991)
Iracema, Uma Transa Amazonica (Bodanzky & Senna, 1975)
Hide and Seek (Su Friedrich, 1997)
The Days I Don’t Exist (Jean-Charles Fitoussi, 2003)
Illuminated Texts (R. Bruce Elder, 1982)
Sewer (Sherad Anthony Sanchez)
Night Awake (Sandy Ding, 2016)
The Antiques of Rome (Jean-Claude Rousseau, 1991)
Kanchana Sita (Govindan Aravindan, 1977)
Life Lesson (Boris Lehman, 1995)
The Day Shall Dawn (A.J. Kardar, 1959)
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Stalking David Jenkins top 100 and other 5 star films (since we share many favorites)
https://letterboxd.com/daveyjenkins/lis ... 00-movies/
Carnival of Souls (Herk Harvey, 1962)
Jazz on a Summer’s Day (Bert Stern, 1960)
Violent Saturday (Richard Fleischer, 1955)
India Song (Marguerite Duras, 1975)
They All Laughed (Peter Bogdanovich, 1981)
The Trial (Eric Notarnicola, 2017)
Labyrinth of Cinema (Nobuhiko Ōbayashi, 2019)
