Haphazard topsy-turvy travels of the upside down Sirman Deville

[Holdrüholoheuho]

1946 poll:

watched a 1974 compilation film...
WALKABOUT: A JOURNEY WITH THE ABORIGINALS (Charles Mountford, 1974, 24 min)

made of the two 1946 films...
TJURUNGA: THE STORY OF STONE AGE MAN (Charles Mountford, 1946, 22 min)
WALKABOUT (Charles Mountford, 1946, 18 min)

In 1940 and 1942 well-known Australian anthropologist C P Mountford made scientific expeditions into central Australia for the University of Adelaide. He travelled in desert country to the west and southwest of Alice Springs and photographed material which, in 1946 he edited into two films, Walkabout and Tjurunga. Mountford's films are an irreplaceable ethnographic record of the life of the Pitjantjatjara people of this area, before extended contact with European culture. In Walkabout, he narrates his experiences on a journey through central Australia with a group of Pitjantjatjara people. Walkabout records food gathering and preparation, hunting, fire making and family life as well as scenes near and on the sacred rock formation, Uluru. In 1974, at the request of the local Aboriginal community, certain sequences showing ceremony were removed from the film, and the two films were combined into one. Mountford's original narration has been retained.

[Holdrüholoheuho]

moreover, watched NAMATJIRA THE PAINTER (Charles Mountford, Ralph Foster, 1947).
specifically, the revised version (from 1974).

A revised version of this film was made in 1974 (re-edition by Lee Robinson — to remove sacred material). At about 17 minutes, it runs about five minutes less than the original which ran at about 22 minutes.

Australian contemporary art has no more interesting tale to tell than that of Aboriginal watercolour artist, Albert Namatjira. Namatjira was thirty years old before his hand first held a paintbrush. In about 1934 Rex Battarbee, a well-known Australian artist, visited Hermannsberg mission near Alice Springs. He took with him into the field as cook and general assistant the Arunta tribesman, Namatjira. This film tells the story of Namatjira's preoccupation with Battarbee's work, how he was determined to learn to paint and how Battarbee, realising the talent of his friend and assistant, taught him the elements of his craft. Today Namatjira's watercolours sell for high prices. Despite controversy, the power of Namatjira's rendering of his beloved ancestral land is not denied. Throughout his life and despite his success, he remained in the bush with his people and his paints. In this film, we see Albert Namatjira at work in the glowing country that he knows so well.

https://en.wikipedia.org/wiki/Albert_Namatjira

His unique style of painting was denounced soon after his death by some critics as being a product of his assimilation into western culture, rather than his own connection to his subject matter or his natural style. This view has, however, been largely abandoned.

Although Namatjira's paintings appear similar to conventional European landscapes, his work was imbued with his feeling for country and sacred sites. He used repetition, intricate patterns and high horizons to blend the styles of the two worlds he lived in.