SCFZ

first the 349 films that got 6 points or more - at the end, the numbers next to the films are their letterboxd views, which i was using to rank them, i haven't bothered to erase that stuff. if anyone needs to see point totals for the top 250 films, i can post those here too separately


1. Celine and Julie Go Boating (Jacques Rivette, 1974)
2. Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)
3. Vertigo (Alfred Hitchcock, 1958)
4. The Apartment (Billy Wilder, 1960)
5. Playtime (Jacques Tati, 1967)
6. The Rules of the Game (Jean Renoir, 1939)
7. Seven Samurai (Akira Kurosawa, 1954)
8. Only Angels Have Wings (Howard Hawks, 1939)
9. 8½ (Federico Fellini, 1963)
10. 2001: A Space Odyssey (Stanley Kubrick, 1968)
11. Edvard Munch (Peter Watkins, 1974)
12. Stalker (Andrei Tarkovsky, 1979)
13. Casablanca (Michael Curtiz, 1942)
14. News From Home (Chantal Akerman, 1977)
15. Children of Paradise (Marcel Carne, 1945)
16. Nostos: The Return (Franco Piavoli, 1989)
17. Extraordinary Stories (Mariano Llinas, 2008)
18. The Last Dive (Joao Cesar Monteiro, 1992)
19. Le Bonheur (Agnes Varda, 1965)
20. Sans Soleil (Chris Marker, 1983)
21. M (Fritz Lang, 1931)
22. Modern Times (Charles Chaplin, 1936)
23. Psycho (Alfred Hitchcock, 1960)
24. The Godfather (Francis Ford Coppola, 1972)
25. The Naked Dawn (Edgar Ulmer, 1955)
26. Duvidha (Mani Kaul, 1973)
27. Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles (Chantal Akerman, 1975)
28. Notorious (Alfred Hitchcock, 1946)
29. City Lights (Charlie Chaplin, 1931)
30. Pestonjee (Vijaya Mehta, 1988)
31. The Lighthouse Keepers (Jean Gremillon, 1929)
32. Courage for Every Day (Evald Schorm, 1964)
33. The Pearl (Henri d'Ursel, 1929)
34. The Flowers of St. Francis (Roberto Rossellini, 1950)
35. All About Lily Chou-Chou (Shunji Iwai, 2001)
36. Le Trou (Jacques Becker, 1960)
37. Sansho the Bailiff (Kenji Mizoguchi, 1954)
38. Picnic at Hanging Rock (Peter Weir, 1975)
39. The Umbrellas of Cherbourg (Jacques Demy, 1964)
40. It's A Wonderful Life (Frank Capra, 1946)
41. Manuel on the Island of Wonders (Raul Ruiz, 1984)
42. The Masseurs and a Woman (Hiroshi Shimizu, 1938)
43. Blue Spring (Toshiaki Toyoda, 2001)
44. Eureka (Shinji Aoyama, 2000)
45. L’Argent (Robert Bresson, 1983)
46. The Shop Around the Corner (Ernst Lubitsch, 1940)
47. Harakiri (Masaki Kobayashi, 1962)
48. Contempt (Jean-Luc Godard, 1963)
49. The Third Man (Carol Reed, 1949)
50. Heat (Michael Mann, 1995)
51. The Godfather: Part II (Francis Ford Coppola, 1974)
52. The Man Who Sleeps (Bernard Queysanne, 1974)
53. Fire in Castilla (Jose Val del Omar, 1961)
54. The Sun Shines Bright (John Ford, 1953)
55. City of Pirates (Raul Ruiz, 1983)
56. Some Came Running (Vincente Minnelli, 1958)
57. Our Hospitality (Buster Keaton, John Blystone, 1923)
58. They Live by Night (Nicholas Ray, 1948)
59. Stroszek (Werner Herzog, 1977)
60. L’Atalante (Jean Vigo, 1934)
61. A Brighter Summer Day (Edward Yang, 1991)
62. Last Year at Marienbad (Alain Resnais, 1961)
63. Alphaville (Jean-Luc Godard, 1965)
64. Hiroshima mon Amour (Alain Resnais, 1959)
65. Persona (Ingmar Bergman, 1966)
66. Your Name (Makoto Shinkai, 2016)
67. Mulholland Drive (David Lynch, 2001)
68. A River Called Titash (Ritwik Ghatak, 1973)
69. The Parallel Street (Ferdinand Khittl, 1962)
70. Femmes Femmes (Paul Vecchiali, 1974)
71. Doomed Love (Manoel de Oliveira, 1978)
72. The Parson's Widow (Carl Theodor Dreyer, 1920)
73. 0.5 mm (Momoko Ando, 2014)
74. Pirosmani (Giorgi Shengelaia, 1969)
75. Khroustaliov, My Car! (Alexei German, 1998)
76. Canyon Passage (Jacques Tourneur, 1946)
77. Day of the Outlaw (Andre de Toth, 1959)
78. Floating Clouds (Mikio Naruse, 1955)
79. Kanal (Andrzej Wajda, 1957)
80. On the Silver Globe (Andrzej Zulawski, 1986)
81. A Moment of Innocence (Mohsen Makhmalbaf, 1996)
82. The House Is Black (Forough Farrokhzad, 1963)
83. Early Summer (Yasujiro Ozu, 1951)
84. Hard to Be a God (Aleksey German, 2013)
85. Satantango (Bela Tarr, 1994)
86. The Best Years of Our Lives (William Wyler, 1946)
87. Au Hasard Balthazar (Robert Bresson, 1966)
88. Mysterious Skin (Gregg Araki, 2004)
89. The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
90. La Dolce Vita (Federico Fellini, 1960)
91. The Seventh Seal (Ingmar Bergman, 1957)
92. 12 Angry Men (Sidney Lumet, 1957)
93. 3 Women (Robert Altman, 1977)
94. The Green Ray (Eric Rohmer, 1986)
95. A Touch of Zen (King Hu, 1971)
96. Network (Sidney Lumet, 1976)
97. Jait re Jait (Jabbar Patel, 1977)
98. Tih Minh (Louis Feuillade, 1918)
99. Du Cote d’Orouet (Jacques Rozier, 1971)
100. Innocent Sorcerers (Andrzej Wajda, 1960)

101. The Other Side of the Underneath (Jane Arden, 1972)
102. Birds, Orphans and Fools (Juraj Jakubisko, 1969)
103. Rangeela (Ram Gopal Varma, 1995)
104. A Flor do Mar (Joao Cesar Monteiro, 1986)
105. Die Puppe (Ernst Lubitsch, 1919)
106. Devils on the Doorstep (Jiang Wen, 2000)
107. Dillinger is Dead (Marco Ferreri, 1969)
108. Sparrow (Johnnie To, 2008)
109. Small Change (François Truffaut, 1976)
110. Model Shop (Jacques Demy, 1969)
111. India Song (Marguerite Duras, 1975)
112. As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
113. Gertrud (Carl Theodor Dreyer, 1964)
114. The Sword of Doom (Kihachi Okamoto, 1966)
115. Chimes At Midnight (Orson Welles, 1965)
116. The Cranes Are Flying (Mikhail Kalatozov, 1957)
117. The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972)
118. I Walked with a Zombie (Jacques Tourneur, 1943)
119. My Man Godfrey (Gregory La Cava, 1936)
120. M Hulot's Holiday (Jacques Tati, 1953)
121. My Darling Clementine (John Ford, 1946)
122. Army of Shadows (Jean-Pierre Melville, 1969)
123. Pulse (Kiyoshi Kurosawa, 2001)
124. Meet Me in St Louis (Vincente Minnelli, 1944)
125. L’Avventura (Michelangelo Antonioni, 1960)
126. The Long Goodbye (Robert Altman, 1973)
127. Close-Up (Abbas Kiarostami, 1990)
128. Andrei Rublev (Andrei Tarkovsky, 1966)
129. A Tale of Two Sisters (Kim Jee-woon, 2003)
130. Tokyo Story (Yasujiro Ozu, 1953)
131. The Maltese Falcon (John Huston, 1941)
132. The Cabinet of Dr Caligari (Robert Wiene, 1920)
133. Chungking Express (Wong Kar-wai, 1994)
134. Annie Hall (Woody Allen, 1977)
135. Rear Window (Alfred Hitchcock, 1954)
136. Melo (Alain Resnais, 1986)
137. Night and the City (Jules Dassin, 1950)
138. F for Fake (Orson Welles, 1973)
139. Coup d'Etat (Yoshishige Yoshida, 1973)
140. The Heart of the World (Guy Maddin, 2000)
141. Simone Barbes or Virtue (Marie-Claude Treilhou, 1980)
142. Great Freedom No. 7 (Helmut Kautner, 1944)
143. Road (Alan Clarke, 1987)
144. Ornamental Hairpin (Hiroshi Shimizu, 1941)
145. Alone in the Wilderness (Dick Proenneke/Bob Swerer Jr./Bob Swerer Sr., 2004)
146. From What is Before (Lav Diaz, 2014)
147. We Won't Grow Old Together (Maurice Pialat, 1972)
148. Cluny Brown (Ernst Lubitsch, 1946)
149. Four Adventures of Reinette and Mirabelle (Eric Rohmer, 1987)
150. City Girl (FW Murnau, 1930)
151. Two English Girls (François Truffaut, 1971)
152. The Thief of Bagdad (Raoul Walsh, 1924)
153. Girlfriends (Claudia Weill, 1978)
154. Il Posto (Ermanno Olmi, 1961)
155. Marketa Lazarova (Frantisek Vlacil, 1967)
156. Juliet of the Spirits (Federico Fellini, 1965)
157. Letter from an Unknown Woman (Max Ophuls, 1948)
158. The Trial (Orson Welles, 1963)
159. The Turin Horse (Bela Tarr, 2011)
160. Ugetsu (Kenji Mizoguchi, 1953)
161. La Notte (Michelangelo Antonioni, 1961)
162. The Battle of Algiers (Gillo Pontecorvo, 1966)
163. Sunrise: A Song of Two Humans (FW Murnau, 1927)
164. Belle de Jour (Luis Bunuel, 1967)
165. 5 Centimeters per Second (Makoto Shinkai, 2007)
166. Aguirre, the Wrath of God (Werner Herzog, 1972)
167. Rebecca (Alfred Hitchcock, 1940)
168. The Tree of Life (Terrence Malick 2011)
169. Zodiac (David Fincher, 2007)
170. Out 1 (Jacques Rivette, 1971)
171. The Red Spectacles (Mamoru Oshii, 1987)
172. The Alley (Yanjin Yang, 1981)
173. Voices Through Time (Franco Piavoli, 1996)
174. Night of the Demon (Jacques Tourneur, 1957)
175. Only Yesterday (Isao Takahata, 1991)
176. The Travelling Ruffian (Masahiro Makino, 1958)
177. Bandhanam (MT Vasudevan Nair, 1978)
178. Length of War (Gonzalo Martinez Ortega, 1976)
179. To Each His Life (Julio Bracho, 1960)
180. Rabbit in the Pit (Roger Fritz, 1969)
181. Skid Row (Allan King, 1956)
182. The Silver Bullet (Joseph H Lewis, 1942)
183. Love Letter (Seijun Suzuki, 1958)
184. Fly High Run Far (Im Kwon-taek, 1991)
185. Percy (Pervez Mehrwanji, 1989)
186. Seasons of Our Love (Florestano Vancini, 1966)
187. Cruces Sobre El Yermo (Alberto Mariscal, 1967)
188. Cumbite (Tomas Gutierrez Alea, 1964)
189. Miracle of the Wolves (Raymond Bernard, 1924)
190. Summer's Tail (Wen-Tang Cheng, 2007)
191. Pleasure Cruise (Frank Tuttle, 1933)
192. Fraulein Else (Paul Czinner, 1929)
193. Naukri (Bimal Roy, 1954)
194. Os Faroleiros (Maurice Mariaud, 1922)
195. Zapata's Gang (Urban Gad, 1914)
196. Is Raat Ki Subah Nahin (Sudhir Mishra, 1996)
197. Utsav (Girish Karnad, 1984)
198. Banana Paradise (Wang Tung, 1989)
199. Robin Hood of El Dorado (William Wellman, 1936)
200. You Take Care Now (Ann Marie Fleming, 1989)
201. Nobody’s Calling (Kazimierz Kutz, 1960)
202. Film Portrait (Jerome Hill, 1972)
203. Os Lobos (Rino Lupo,1923)
204. Venus et Fleur (Emmanuel Mouret, 2004)
205. From Leadville to Aspen: A Hold-Up in the Rockies (Francis Marion , Wallace McCutcheon, 1906)
206. Melodies of the Vera Quarter (Giorgi Shengelaia, 1973)
207. Brutal Ardour (Manuel Huerga, 1978)
208. Passion (Allan Dwan, 1953)
209. Njan Gandharvan (P Padmarajan, 1991)
210. Hindered (Stephen Dwoskin, 1974)
211. Backstairs (Leopold Jessner, Paul Leni, 1921)
212. It Rains in My Village (Aleksander Petrovic, 1968)
213. The Surrogate Woman (Im Kwon-taek 1987)
214. Esthappan (Govindan Aravindan, 1980)
215. The Satin Slipper (Manoel de Oliveira, 1985)
216. Barcelona Park at Twilight (Segundo de Chomon, 1904)
217. Torch Singer (Alexander Hall/George Somnes, 1933)
218. The Mongols (Parviz Kimiavi, 1973)
219. The Elegant Life of Mr. Everyman (Kihachi Okamoto, 1963)
220. El Dorado (Marcel L'Herbier, 1921)
221. The Chrysanthemum and the Guillotine (Takahisa Zeze, 2018)
222. White Mountains (Melis Ubukeyev, 1965)
223. Contras’City (Djibril Diop Mambety, 1969)
224. Angel Guts: Red Classroom (Chusei Sone, 1979)
225. The Irresistible Piano (Alice Guy, 1907)
226. In Comparison (Harun Farocki, 2009)
227. Behind the Door (Irvin Willat, 1919)
228. Love in a Fallen City (Ann Hui, 1984)
229. The Dupes (Tewfik Saleh, 1973)
230. I’m Not Rappaport (Herb Gardner, 1996)
231. The Toth Family (Zoltan Fabri, 1969)
232. Ladies in Retirement (Charles Vidor, 1941)
233. Seisaku's Wife (Yasuzo Masumura, 1965)
234. Public Housing (Frederick Wiseman, 1997)
235. The Stone Wedding (Dan Pita, Mircea Veroiu, 1973)
236. Once Upon a Time, Cinema (Mohsen Makhmalbaf, 1992)
237. Side/Walk/Shuttle (Ernie Gehr, 1992)
238. The Wonderful Country (Robert Parrish, 1959)
239. Chow Hound (Chuck Jones, 1951)
240. Soft Fiction (Chick Strand, 1979)
241. Time Indefinite (Ross McElwee, 1993)
242. Jack's Dream (Joseph Cornell, 1938)
243. Bandits of Orgosolo (Vittorio de Seta, 1961)
244. An Inn At Osaka (Heinosuke Gosho, 1954)
245. A Day Off (Lee Man-hee, 1968)
246. Pithamagan (Bala, 2003)
247. Les Felins (Rene Clement, 1964)
248. My Young Auntie (Lau Kar-leung, 1981)
249. NY, NY (Francis Thompson, 1957)
250. Finis Terrae (Jean Epstein, 1929)

Smoking / No Smoking (Alain Resnais, 1993)
La Belle Captive (Alain Robbe-Grillet, 1983) - 645
Harmful Insect (Akihiko Shiota, 2001) - 670
I Can No Longer Hear the Guitar (Philippe Garrel, 1991) - 723
C/o Kancharapalem (Maha Venkatesh, 2018) - 764
Moving (Shinji Sômai, 1993) - 765
Nomad (Patrick Tam, 1982) - 778
Grbavica (Jasmila Zbanic, 2006) - 913
The Heart Is a Lonely Hunter (Robert Ellis Miller, 1968) - 1k
Mary Jane's Not a Virgin Anymore (Sarah Jacobson, 1996) - 1.1k
Always for Pleasure (Les Blank, 1978) - 1.1k
Eight Hours Don’t Make a Day (Rainer Werner Fassbinder, 1972) - 1.1k
It’s a Free World... (Ken Loach, 2007) - 1.1k
Heroic Purgatory (Yoshishige Yoshida, 1970) - 1.2k
Take Care of My Cat (Jeong Jae-eun, 2001) - 1.2k
The Man from Planet X (Edgar Ulmer, 1951) - 1.3k
Origins of the 21st Century (Jean-Luc Godard, 2000) - 1.3k
Peppermint Frappe (Carlos Saura, 1967) - 1.4k
Times Square (Allan Moyle, 1980) - 1.4k
Helas pour moi (Jean-Luc Godard, 1993) - 1.4k
My Twentieth Century (Ildiko Enyedi, 1989) - 1.5k
Divine Intervention (Elia Suleiman, 2002) - 1.5k
Two in the Shadow (Mikio Naruse, 1967) - 1.5k
Hyenas (Djibril Diop Mambety, 1992) - 1.6k
Rouge (Stanley Kwan, 1987) - 1.6k
The Hour of the Furnaces (Fernando Solanas, Octavio Getino, 1968) - 1.7k
Housekeeping (Bill Forsyth, 1987) - 1.8k
The Big Sky (Howard Hawks, 1952) - 1.8k
Of Time and the City (Terence Davies, 2008) - 1.9k
The Browning Version (Anthony Asquith, 1951) - 1.9k
Goodbye South, Goodbye (Hou Hsiao-hsien, 1996) - 2.2k
Friday Night (Claire Denis, 2002) - 2.2k
The Hands of Orlac (Robert Wiene, 1924) - 2.2k
Daisy Kenyon (Otto Preminger, 1947) - 2.3k
The Bitter Tea of General Yen (Frank Capra, 1932) - 2.4k
Unknown Pleasures (Jia Zhangke, 2002) - 2.5k
Yeelen (Souleymane Cisse, 1987) - 2.6k
He Who Gets Slapped (Victor Sjostrom, 1924) - 2.6k
The Red and the White (Miklos Jancso, 1967) - 2.7k
Foolish Wives (Erich von Stroheim, 1922) - 2.7k
Faraway, So Close! (Wim Wenders, 1993) - 2.7k
In Vanda's Room (Pedro Costa, 2000) - 2.8k
Begone Dull Care (Norman McLaren/Evelyn Lambart, 1949) - 3k
Royal Space Force: The Wings of Honneamise (Hiroyuki Yamaga, 1987) - 3k
Ryan’s Daughter (David Lean, 1970) - 3.1k
The Gunfighter (Henry King, 1950) - 3.3k
Platform (Jia Zhangke, 2000) - 3.3k
21 Up (Michael Apted, 1977) - 3.3k
The Taste of Tea (Katsuhito Ishii, 2004) - 3.6k
First Name: Carmen (Jean-Luc Godard, 1983) - 3.6k
Love Letter (Shunji Iwai, 1995) - 3.6k
Machuca (Andres Wood, 2004) - 3.9k
The Colour of Paradise (Majid Majidi, 1999) - 3.9k
Cafe de Flore (Jean-Marc Vallee, 2011) - 3.9k
The Aviator’s Wife (Eric Rohmer, 1981) 4.2k
Sons of the Desert (William Seiter, 1933) - 4.3k
Oedipus Rex (Pier Paolo Pasolini, 1967) - 4.6k
Kontroll (Nimrod Antal, 2003) - 4.6k
Your Vice Is a Locked Room and Only I Have the Key (Sergio Martino, 1972) - 4.9k
The Reflecting Skin (Philip Ridley, 1990) - 4.9k
Western (Valeska Grisebach, 2017) - 5.1k
Affliction (Paul Schrader, 1997) - 6k
Bait (Mark Jenkin, 2019) - 6.9k
Syndromes and a Century (Apichatpong Weerasethakul, 2006) - 7.3k
Pauline at the Beach (Eric Rohmer, 1983) - 7.4k
The Headless Woman (Lucrecia Martel, 2008) - 7.8k
Om Shanti Om (Farah Khan, 2007) - 8.1k
The Panic in Needle Park (Jerry Schatzberg, 1971) - 9k
The Ascent (Larisa Shepitko, 1977) - 9k
The Brown Bunny (Vincent Gallo, 2003) - 9.8k
Imitation of Life (Douglas Sirk, 1959) - 12k
The Last Days of Disco (Whit Stillman, 1998) - 12k
Werckmeister Harmonies (Bela Tarr, 2000) - 14k
Wake in Fright (Ted Kotcheff, 1971) - 14k
Red Desert (Michelangelo Antonioni, 1964) - 17k
Wendy and Lucy (Kelly Reichardt, 2008) - 19k
Rio Bravo (Howard Hawks, 1959) - 27k
The 39 Steps (Alfred Hitchcock, 1935) - 35k
Fallen Angels (Wong Kar-wai, 1995) - 42k
Pierrot le fou (Jean-Luc Godard, 1965) - 44k
Miami Vice (Michael Mann, 2006) - 45k
The Searchers (John Ford, 1956) - 50k
The Night of the Hunter (Charles Laughton, 1955) - 63k
The Conversation (Francis Ford Coppola, 1974) - 73k
The 400 Blows (Francois Truffaut, 1959) - 91k
Lawrence of Arabia (David Lean, 1962) - 94k
Metropolis (Fritz Lang, 1927) - 101k
Sunset Boulevard (Billy Wilder, 1950) - 109k
A.I. Artificial Intelligence (Steven Spielberg, 2001) - 153k

and next, the nearly 1000 additional films that got less than 6 points, grouped by point total. within each block, the ranking is totally random, i didn't use any tiebreaking criteria this deep into the list

5.2 pts
North by Northwest (Alfred Hitchcock, 1959)

5 pts
In the Mood for Love (Wong Kar-Wai, 2000)
The Arch (Tang Shu Shuen, 1968)
Lost in Translation (Sofia Coppola, 2003)
In the White City (Alain Tanner, 1983)
Il Sorpasso (Dino Risi, 1962)
Noroit (Jacques Rivette, 1976)
La Cienega (Lucretia Martel, 2001)
Insiang (Lino Brocka, 1976)
Kwaidan (Masaki Kobayashi, 1964)
Remorques (Jean Gremillon, 1941)
Nazareno Cruz and the Wolf (Leonardo Favio, 1975)
Ms 45 (Abel Ferrara, 1981)
La Jetee (Chris Marker, 1962)
Eight Diagram Pole Fighter (Liu Chia-Liang, 1984)
Port of Shadows (Marcel Carne, 1938)
Spirited Away (Hayao Miyazaki, 2001)
Le Samouraï (Jean-Pierre Melville, 1967)
Love in the Time of Twilight (Tsui Hark, 1995)
Nashville (Robert Altman, 1975)
The Texas Chainsaw Massacre (Tobe Hooper, 1974)
Barry Lyndon (Stanley Kubrick, 1975)
Once Upon a Time in the West (Sergio Leone, 1968)
Kings of the Road (Wim Wenders, 1976)
Two-Lane Blacktop (Monte Hellman, 1971)
Spring in a Small Town (Mu Fei, 1948)
Earth Light (Guy Gilles, 1970)
The Song of the Scarlet Flower (Teuvo Tulio, 1938)
Subida al cielo (Luis Bunuel, 1952)
Medea (Pier Paolo Pasolini, 1969)
Fargo (Coen Brothers, 1996)
Boogie Nights (Paul Thomas Anderson, 1997)
Magnolia (Paul Thomas Anderson, 1999)
The Great Beauty (Paolo Sorrentino, 2013)
Nathalie Granger (Marguerite Duras, 1972)
Detour (Edgar Ulmer, 1945)
Stranger On The Third Floor (Boris Ingster, 1940)
Fantomas (Louis Feuillade, 1913)
Judex (Louis Feuillade, 1916)
Solaris (Andrei Tarkovsky, 1972)
Fallen Angel (Otto Preminger, 1945)
Memories of Underdevelopment (Tomas Gutierrez Alea, 1968)
Cria cuervos (Carlos Saura, 1976)
Happy Together (Wong Kar-wai, 1997)
2046 (Wong Kar-wai, 2004)
The Dark Knight (Christopher Nolan, 2008)
They Shoot Horses, Don’t They? (Sydney Pollack, 1969)
The Good Fairy (William Wyler, 1935)
The Whole Shootin' Match (Eagle Pennell, 1978)
Ride the Pink Horse (Robert Montgomery, 1947)
Gone with the Wind (Victor Fleming, 1939)
The Skin I Live In (Pedro Almodovar, 2011)
The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979)
Under the Skin (Jonathan Glazer, 2013)
The General (Buster Keaton/Clyde Bruckman, 1926)
Fanny and Alexander (Ingmar Bergman, 1982)
One Froggy Evening (Chuck Jones, 1955)
Local Hero (Bill Forsyth, 1983)
Disintegration Loop 1.1. (William Basinski, 2001)
La Libertad (Lisandro Alonso, 2001)
Nothing But a Man (Michael Roemer, 1964)
Brand Upon the Brain! (Guy Maddin, 2006)
Eden and After (Alain Robbe-Grillet, 1970)
Mirror (Andrei Tarkovsky, 1975)
Chinese Roulette (Rainer Werner Fassbinder, 1976)
The Conformist (Bernardo Bertolucci, 1970)
The Long Day Closes (Terence Davies, 1992)
Perfect Blue (Satoshi Kon, 1997)
The Nightingale (Jennifer Kent, 2018)
Ghost in the Shell 2: Innocence (Mamoru Oshii, 2004)
King of New York (Abel Ferrara, 1990)
Beauty and the Beast (Jean Cocteau, 1946)
Closely Watched Trains (Jiri Menzel, 1966)
My Sassy Girl (Kwak Jae-yong, 2001)
Night of the Living Dead (George Romero, 1968)
Remember the Night (Mitchell Leisen, 1940)
Whisper of the Heart (Yoshifumi Kondo, 1995)
Through a Glass Darkly (Ingmar Bergman, 1961)
Van Gogh (Maurice Pialat, 1991)
The Wind Rises (Hayao Miyazaki, 2013)
Bicycle Thieves (Vittorio De Sica, 1948)
Pather Panchali (Satyajit Ray, 1955)
Sorcerer (William Friedkin, 1977)
Maya Darpan (Kumar Shahani, 1972)
Melodies of a Street Organ (Kira Muratova, 2009)
La guerre d’Algerie (Jean-Marie Straub 2014)
Benilde, or the Virgin Mother (Manoel de Oliveira, 1975)
Day for Night (Francois Truffaut, 1974)
Koyaanisqatsi (Godfrey Reggio, 1982)
The Wayward Cloud (Tsai Ming-Liang, 2005)
Destroy, She Said (Marguerite Duras, 1969)
Right Now, Wrong Then (Hong Sang-Soo, 2015)
The Blackout (Abel Ferrara, 1997)
Phantom Thread (Paul Thomas Anderson, 2017)
Targets (Peter Bogdanovich, 1968)
The Ballad of Cable Hogue (Sam Peckinpah, 1970)
Raavanan (Mani Ratnam, 2010)
The Prince of Homburg (Marco Bellocchio, 1997)
The Kingdom of Naples (Werner Schroeter, 1978)
Die Nibelungen (Fritz Lang, 1924)
Tennessee’s Partner (Allan Dwan, 1955)
Barabbas (Richard Fleischer, 1961)

4.7 pts
Strike! (Sergei Eisenstein, 1925)

4.6 pts
Daughter of the Nile (Hou Hsiao-Hsien, 1987)
A Confucian Confusion (Edward Yang, 1994)
As Bodas de Deus (Joao Cesar Monteiro, 1999)
The Idiot (Mani Kaul, 1991)
An Inn in Tokyo (Yasujiro Ozu, 1935)
Like Someone in Love (Abbas Kiarostami, 2012)
The Little Girl Who Sold the Sun (Djibril Diop Mambety, 1999)
Amadeus (Milos Forman, 1984)
Three Colours: Red (Krzysztof Kieslowski, 1994)
Once Upon a Time in America (Sergio Leone, 1984)
It's Such a Beautiful Day (Don Hertzfeldt, 2012)
Vampire's Kiss (Robert Bierman, 1988)

4.2 pts
Pariyerum Perumal (Mari Selvaraj, 2018)
The Big Lebowski (Coen Brothers, 1998)

4 pts
I Knew Her Well (Antonio Pietrangeli, 1965)
Charulata (Satyajit Ray, 1964)
That Obscure Object of Desire (Luis Buñuel, 1977)
The Phantom of Liberty (Luis Bunuel, 1974)
The Great Dictator (Charlie Chaplin, 1940)
The Thin Red Line (Terrence Malick, 1998)
Slacker (Richard Linklater, 1991)
Bonjour Tristesse (Otto Preminger, 1958)
Good Morning (Yasujiro Ozu, 1959)
Amarcord (Federico Fellini, 1973)
Nowhere (Gregg Araki, 1997)
Coeur Fidele (Jean Epstein, 1923)
Yojimbo (Akira Kurosawa, 1961)
Shadows in Paradise (Aki Kaurismaki, 1986)
L'Age d'Or (Luis Bunuel, 1930)
Oslo, August 31st (Joachim Trier, 2011)
Manila in the Claws of Light (Lino Brocka, 1975)
Drowning by Numbers (Peter Greenaway, 1988)
Four Nights of a Dreamer (Robert Bresson, 1971)
Such a Pretty Little Beach (Yves Allegret, 1949)
Marius (Alexander Korda, 1931)
Fanny (Marc Allegret, 1932)
Cesar (Marcel Pagnol, 1936)
Ajantrik (Ritwik Ghatak, 1958)
The Cloud-Capped Star (Ritwik Ghatak, 1960)
A Story Written with Water (Yoshishige Yoshida, 1966)
Arabian Nights (Pier Paolo Pasolini, 1974)
Love on the Ground (Jacques Rivette, 1984)
The Draughtsman's Contract (Peter Greenaway, 1982)
God's Comedy (Joao Cesar Monteiro, 1995)
The New World (Terrence Malick, 2005)
Spring Breakers (Harmony Korine, 2012)
American Gigolo (Paul Schrader, 1980)
Wild at Heart (David Lynch, 1990)
Seven Days in May (John Frankenheimer, 1964)
Spellbound (Alfred Hitchcock, 1945)
Veronika Voss (Rainer Werner Fassbinder, 1982)
Winter Light (Ingmar Bergman, 1963)
Chase a Crooked Shadow (Michael Anderson, 1958)
Melancholia (Lars von Trier, 2011)
Eyes Wide Shut (Stanley Kubrick, 1999)
Holiday Inn (Mark Sandrich, 1942)
Los Olvidados (Luis Buñuel, 1950)
Gosford Park (Robert Altman, 2001)
Touch of Evil (Orson Welles, 1958)
Kung Fu Hustle (Stephen Chow, 2004)
Neon Genesis Evangelion: The End of Evangelion (Hideaki Anno, 1997)
Amelie (Jean-Pierre Jeunet, 2001)
Scenes from a Marriage (Ingmar Bergman, 1974)
A Chinese Ghost Story (Ching Siu-Tung, 1987)
US Go Home (Claire Denis, 1994)
Ballad of Tara (Bahram Beizai, 1979)
Woman on the Run (Norman Foster, 1950)
Viaggio in Italia (Roberto Rossellini, 1954)
The Brick and the Mirror (Ebrahim Golestan, 1965)
Lucky Star (Frank Borzage, 1929)
The Seventh Victim (Mark Robson, 1943)
Blue Is the Warmest Color (Abdellatif Kechiche, 2013)
Jean de Florette (Claude Berri, 1986)
Lust, Caution (Ang Lee, 2007)
Manon des Sources (Claude Berri, 1986)
Rosemary’s Baby (Roman Polanski, 1968)
A Hard Day's Night (Richard Lester, 1964)
Mothlight (Stan Brakhage, 1963)
Duck Amuck (Chuck Jones, 1953)
There’s Always Tomorrow (Douglas Sirk, 1956)
Stage Door (Gregory La Cava, 1937)
Z (Constantin Costa-Gavras, 1969)
The Taking of Power by Louis XIV (Roberto Rossellini, 1966)
At Sea (Peter Hutton, 2007)
Careful (Guy Maddin, 1992)
Diary of a Country Priest (Robert Bresson, 1951)
Fitzcarraldo (Werner Herzog, 1982)
Ran (Akira Kurosawa, 1985)
Marriage Story (Noah Baumbach, 2019)
M/Other (Nobuhiro Suwa, 1999)
The Irishman (Martin Scorsese, 2019)
Aquarius (Kleber Mendonca Filho, 2016)
A Quiet Passion (Terence Davies, 2016)
Midnight (Mitchell Leisen, 1939)
Red Psalm (Miklos Jancso, 1972)
The Belly of an Architect (Peter Greenaway, 1987)
The Public Enemy (William Wellman, 1931)
Bringing Up Baby (Howard Hawks, 1938)
Easy Street (Charlie Chaplin, 1917)
Nosferatu (FW Murnau, 1922)
Hunger (Steve McQueen, 2008)
The Grapes of Wrath (John Ford, 1940)
The Wind That Shakes the Barley (Ken Loach, 2006)
The Wizard Of Oz (Victor Fleming, 1939)
Castle in the Sky Laputa (Hayao Miyazaki, 1986)
The Sting (George Roy Hill, 1973)
Water Lilies (Celine Sciamma, 2007)
When Marnie Was There (Hiromasa Yonebayashi, 2014)
Rebel Without a Cause (Nicholas Ray, 1955)
A Shot in the Dark (Blake Edwards, 1964)
High and Low (Akira Kurosawa, 1963)
The House in the Woods (Maurice Pialat, 1971)
In a Year with 13 Moons (Rainer Werner Fassbinder, 1978)
Daddy, Father Frost is Dead (Evgeny Yufit, 1991)
Weekend (Jean-Luc Godard, 1967)
The Burmese Harp (Kon Ichikawa, 1956)
The Lady Eve (Preston Sturges, 1941)
Before Sunset (Richard Linklater, 2004)
The Devils (Ken Russell, 1971)
A Separation (Asghar Farhadi, 2011)
The Cameraman (Buster Keaton, Edward Sedgewick, 1928)
Full Moon in Paris (Eric Rohmer, 1984)
The Passion of Anna (Ingmar Bergman, 1969)
Possession (Andrzej Zulawski, 1981)
First Reformed (Paul Schrader, 2017)
Post Tenebras Lux (Carlos Reygadas, 2012)
Dogtooth (Yorgos Lanthimos, 2009)
Daughters of Darkness (Harry Kumel, 1971)
Meeting a Milestone (Goutam Ghose, 1989)
Anwar Ka Ajab Kissa (Buddhadeb Dasgupta, 2013)
Antarmahal (Rituparno Ghosh, 2005)
Joker (Raju Murugan, 2016)
Kaala (Pa. Ranjith, 2018)
Aspern (Eduardo de Gregorio, 1982)
Le Fantome de Longstaff (Luc Moullet, 1996)
Pilotinnen (Christian Petzold, 1995)
Peaux de Vaches (Patricia Mazuy, 1989)

3.8 pts
The Big Combo (Joseph H Lewis, 1955)
Eraserhead (David Lynch, 1977)
Kiss Me Deadly (Robert Aldrich, 1955)
Whatever Happened To Baby Jane (Robert Aldrich, 1962)
Dr .Mabuse the Gambler (Fritz Lang, 1922)
A Time To Love And A Time To Die (Douglas Sirk, 1958)
Twilight (Julio Bracho, 1945)
The Salvation Hunters (Josef von Sternberg, 1925)

3.7 pts
Written on the Wind (Douglas Sirk, 1956)

3.2 pts
Budapest Portrait (Memories of a City) (Peter Hutton, 1986)
Sazen Tange and the Pot Worth a Million Ryo (Sadao Yamanaka, 1935)
Peking Opera Blues (Tsui Hark, 1986)
Acto da Primavera (Manoel de Oliveira, 1963)
Perfumed Nightmare (Kidlat Tahimik, 1977)
The Story of the Last Chrysanthemums (Kenji Mizoguchi, 1939)
The Age of the Medici (Roberto Rossellini, 1972)
Hideko the Bus Conductress (Mikio Naruse, 1941)
Hill of Freedom (Hong Sang-soo, 2014)
Frozen (Wang Xiaoshuai, 1997)
Camouflage (Krzysztof Zanussi, 1977)
Mathikukal (Adoor Gopalakrishnan, 1990)
Night and Fog in Japan (Nagisa Oshima, 1960)
Gang of Four (Jacques Rivette, 1989)
Rumble Fish (Francis Ford Coppola, 1983)
Songs from the Second Floor (Roy Andersson, 2000)
Tale of Tales (Yuri Norshteyn, 1979)
The Social Network (David Fincher, 2010)
Stolen Kisses (Francois Truffaut, 1968)
Gregory's Girl (Bill Forsyth, 1980)
Hannah and Her Sisters (Woody Allen, 1986)
Lady Bird (Greta Gerwig, 2017)
Inglourious Basterds (Quentin Tarantino, 2009)
Crank: High Voltage (Mark Neveldine + Brian Taylor, 2009)
Adventureland (Greg Mottola, 2009)
Deep Red (Dario Argento, 1975)
Morvern Callar (Lynne Ramsay, 2002)

3 pts
By the Law (Lev Kuleshov, 1926)
Bardelys the Magnificent (King Vidor, 1926)
The Chess Player (Raymond Bernard, 1927)
Dans la nuit (Charles Vanel, 1930)
Limite (Mario Peixoto, 1931)
The Black Cat (Edgar Ulmer, 1934)
Enamorada (Emilio Fernandez, 1946)
The Colour of Pomegranates (Sergei Parajanov, 1969)
Hope (Yilmaz Guney, 1970)
The Hourglass Sanatorium (Wojciech Has, 1973)
Stromboli (Roberto Rossellini, 1950)
Wagon Master (John Ford, 1950)
Stella (Mihalis Kakogiannis, 1955)
The Ogre of Athens (Nikos Koundouros, 1956)
Pyaasa (Guru Dutt, 1957)
Cairo Station (Youssef Chahine, 1958)
Messalina (Vittorio Cottafavi, 1960)
Late Autumn (Yasujiro Ozu, 1960)
The Executioner (Luis Garcia Berlanga, 1963)
Blow-Up (Michelangelo Antonioni, 1966)
Bullets Don't Come Back (Nikos Foskolos, 1967)
The Night of Counting the Years (Chadi Abdel Salam, 1969)
Night Train (Jerzy Kawalerowicz, 1959)
A Matter of Dignity (Mihalis Kakogiannis, 1958)
Merlusse (Marcel Pagnol, 1935)
In the Name of the Law (Pietro Germi, 1949)
The Travelling Players (Theo Angelopoulos, 1975)
In a Lonely Place (Nicholas Ray, 1950)
The Age of Innocence (Martin Scorsese, 1993)
Giants and Toys (Yasuzo Masumura, 1958)
Through the Olive Trees (Abbas Kiarostami, 1994)
Chunhyang (Im Kwon-taek, 2000)
Farewell, Home Sweet Home (Otar Iosseliani, 1999)
The Oak (Lucian Pintilie, 1992)
A Nest of Gentry (Andrei Konchalovsky, 1969)
A Fugitive from the Past (Tomu Uchida, 1965)
When a Woman Ascends the Stairs (Mikio Naruse, 1960)
Dust in the Wind (Hou Hsiao-hsien, 1986)
The Breaking Point (Michael Curtiz, 1950)
Moana (Robert Flaherty, 1926)
Grand Illusion (Jean Renoir, 1937)
Rocco and His Brothers (Luchino Visconti, 1960)
Samurai Rebellion (Masahiro Kobayashi, 1967)
A Distant Cry from Spring (Yoji Yamada, 1980)
The Asphalt Jungle (John Huston, 1950)
Larks on a String (Jiri Menzel, 1990)
Ashes and Diamonds (Andrzej Wajda, 1958)
A Cottage on Dartmoor (Anthony Asquith, 1929)
Vampyr (Carl Theodor Dreyer, 1932)
Sullivan's Travels (Preston Sturges, 1941)
Hellzapoppin' (HC Potter, 1941)
Scarface (Brian De Palma, 1983)
Naked (Mike Leigh, 1993)
Adaptation (Spike Jonze, 2002)
The Unknown (Tod Browning, 1927)
Neighbors (Edward Cline/Buster Keaton, 1920)
Only God Forgives (Nicolas Winding Refn, 2013)
Requiem for a Heavyweight (Ralph Nelson, 1962)
Transit (Christian Petzold, 2018)
The River (Frank Borzage, 1929)
The Meetings of Anna (Chantal Akerman, 1978)
Blood (Pedro Costa, 1989)
Meantime (Mike Leigh, 1983)
On the Occasion of Remembering the Turning Gate (Hong Sang-soo, 2002)
Blind Husbands (Erich von Stroheim, 1919)
Asphalt (Joe May, 1929)
Black God, White Devil (Glauber Rocha, 1964)
Dragon Inn (King Hu, 1967)
Fruit of Paradise (Vera Chytilova, 1970)
Fidelity (Andrzej Zulawski, 2000)
Innocence (Lucille Hadzihalilovic, 2004)
Watchmen (Zack Snyder, 2009)
The Killing of a Chinese Bookie (John Cassavetes, 1976)
JFK (Oliver Stone, 1991)
Goodfellas (Martin Scorsese, 1990)
Fail-Safe (Sidney Lumet, 1964)
The Diving Bell and the Butterfly (Julian Schnabel, 2007)
Jackie Brown (Quentin Tarantino, 1997)
L’Eclisse (Michelangelo Antonioni, 1962)
Les Enfants Terribles (Jean-Pierre Melville, 1950)
L'immortelle (Alain Robbe-Grillet, 1963)
In the City of Sylvia (Jose Luis Guerin, 2007)
The Moon in the Gutter (Jean-Jacques Beineix, 1983)
Enemy (Denis Villeneuve, 2013)
Dancer in the Dark (Lars von Trier, 2000)
Cleo from 5 to 7 (Agnes Varda, 1962)
Leaving Jerusalem by Railway (Alexandre Promio, 1897)
The Impossible Voyage (Georges Melies, 1904)
Suffragette Demonstration in London (June 1910) (Theophile Pathe & Charles Pathe, 1910)
The Land Beyond the Sunset (Harold M Shaw, 1912)
The Student of Prague (Paul Wegener, 1913)
Different from the Others (Richard Oswald, 1919)
The Oyster Princess (Ernst Lubitsch, 1919)
The Goat (Buster Keaton, 1921)
Soft Shoes (Lloyd Ingraham, 1925)
The Magician (Rex Ingram, 1926)
Autumn Mists (Dimitri Kirsanoff, 1929)
Little Caesar (Mervyn LeRoy, 1931)
Murders in the Rue Morgue (Robert Florey, 1932)
Trouble in Paradise (Ernst Lubitsch, 1932)
Gold Diggers of 1933 (Mervyn LeRoy, 1933)
Hold Your Man (Sam Wood, 1933)
Stop That Noise (Dave Fleischer, 1935)
Happiness (Aleksandr Medvedkin, 1935)
Wife! Be Like a Rose! (Mikio Naruse, 1935)
Cheer Up (Leo Mittler, 1936)
Spare Time (Humphrey Jennings, 1939)
The Famous Sword Bijomaru (Kenji Mizoguchi, 1945)
Black Narcissus (Michael Powell & Emeric Pressburger, 1947)
I Wouldn’t Be in Your Shoes! (William Nigh, 1948)
Bitter Rice (Giuseppe De Santis, 1949)
Passport to Pimlico (Henry Cornelius, 1949)
Godzilla (Ishiro Honda, 1954)
Ordet (Carl Theodor Dreyer, 1955)
All the World's Memory (Alain Resnais, 1956)
A Kiss Before Dying (Gerd Oswald, 1956)
Horrors of the Black Museum (Arthur Crabtree, 1959)
Air Hostess (Yi Wen, 1959)
The Fellowship of the Frog (Harald Reinl, 1959)
Blueprint of Murder (Kihachi Okamoto, 1961)
The Slave (Sergio Corbucci, 1962)
Murder at the Gallop (George Pollock, 1963)
The Whip and the Body (Mario Bava, 1963)
A Pistol for Ringo (Duccio Tessari, 1965)
Black Girl (Ousmane Sembene, 1966)
Flying Phantom Ship (Hiroshi Ikeda, 1969)
Fog Line (Larry Gottheim, 1970)
Super Inframan (Hua Shan, 1975)
The Contract (Michael Hui, 1978)
American Dreams (Lost and Found) (James Benning, 1984)
Yes, Madam! (Corey Yuen, 1985)
Switching Goals (David Steinberg, 1999)
The Docks of New York (Josef von Sternberg, 1928)
The Clock (Vincente Minnelli, 1945)
The Far Country (Anthony Mann, 1954)
Tropical Malady (Apichatpong Weerasethakul, 2004)
Mr Turner (Mike Leigh, 2014)
Baby Driver (Edgar Wright, 2017)
Rainbow Song (Naoto Kumazawa, 2006)
Romantic Prelude (Naoto Kumazawa, 2009)
My Right to Ravage Myself (Jeon Soo-il, 2005)
Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003)
Gran Torino (Clint Eastwood, 2008)
Filantropica (Nae Caranfil, 2002)
Woman They Almost Lynched (Allan Dwan, 1953)
Ratcatcher (Lynne Ramsay, 1999)
Rosetta (Dardenne Brothers, 1999)
Spring Parade (Henry Koster, 1940)
Elegia (Zoltan Huszarik, 1966)
Ulzana’s Raid (Robert Aldrich, 1972)
Man from Del Rio (Harry Horner, 1956)
Black Swan (Darren Aronofsky, 2010)
Ex Machina (Alex Garland, 2014)
High Heels (Pedro Almodovar, 1991)
Pulp Fiction (Quentin Tarantino, 1994)
Sex and Lucia (Julio Medem, 2001)
The Exorcist (William Friedkin, 1973)
The Postman Always Rings Twice (Tay Garnett, 1946)
Docks of Hamburg (Erich Waschneck, 1928)
Anna and Elizabeth (Frank Wisbar, 1932)
Rough Diamond (Humberto Mauro, 1933)
Police Officer (Tomu Uchida, 1933)
Swing Time (George Stevens, 1936)
Condottieri (Luis Trenker/Werner Klingler, 1937)
Michelangelo (Curt Oertel, 1940)
Manon (Henri-Georges Clouzot, 1949)
Merry-Go-Round (Zoltan Fabri, 1956)
The Girl from Flanders (Helmut Kautner, 1956)
Kisses (Yasuzo Masumura, 1957)
Monpti (Helmut Kautner, 1957)
Moderato cantabile (Peter Brook, 1960)
The Taste of Violence (Robert Hossein, 1961)
She and He (Susumu Hani, 1963)
Flora on the Sand (Ko Nakahira, Japan 1964)
Das Madchen mit dem Mini (Paul Milan, 1965)
The Nest of the Cuckoo Birds (Bert Williams, 1965)
Carmen from Kawachi (Seijun Suzuki, 1966)
Vulkan der hollischen Triebe (Peter Hauser, 1967)
Hang 'em High (Ted Post, 1968)
Nanami: The Inferno of First Love (Susumu Hani, 1968)
The Griller (George Moorse, 1968)
Aido: Slave of Love (Susumu Hani, 1969)
Running in Madness, Dying in Love (Koji Wakamatsu, 1969)
Road to Salina (Georges Lautner, 1970)
The Pacifist (Miklos Jancso, 1970)
Waterloo (Sergey Bondarchuk, 1970)
Le Mans (Lee Katzin, 1971)
Female Prisoner Scorpion: Beast Stable (Shunya Ito, 1973)
Procession of Memories (Nasir Hussain, 1973)
Secret Chronicle: She Beast Market (Noboru Tanaka, 1974)
Wife to Be Sacrificed (Masaru Konuma, 1974)
The Story of Sin (Walerian Borowczyk, 1975)
Monika und die Sechzehnjahrigen (Charly Steinberger, 1975)
Shuffle (Sogo Ishii, 1981)
Second Sight (Dominik Graf, 1982)
Breathless (Jim McBride, 1983)
Staying Alive (Sylvester Stallone, 1983)
The Man from Majorca (Bo Widerberg, 1984)
Reckless (James Foley, 1984)
Alpha City (Eckhart Schmidt, 1985)
American Flyers (John Badham, 1985)
Phenomena (Dario Argento, 1985)
Top Model (Joe D'Amato, 1988)
As Tears Go By (Kar-wai Wong, 1988)
The Tune (Bill Plympton, 1992)
Birth (Jonathan Glazer, 2004)
Beats Being Dead (Christian Petzold, 2011)
Inherent Vice (PT Anderson, 2014)
Sweeney Todd The Demon Barber of Fleet Street (Tim Burton, 2007)
The Adventures of Baron Munchausen (Terry Gilliam, 1988)
Topsy Turvy (Mike Leigh, 1999)
Intolerance (DW Griffith, 1916)
Lambchops (Murray Roth, 1929)
There Once Was A Singing Blackbird (Otar Iosseliani, 1970)
Stella Dallas (King Vidor, 1937)
Knight of Cups (Terrence Malick, 2015)
Battleship Potemkin (Sergei Eisenstein, 1925)
The Piano Teacher (Michael Haneke, 2001)
The Bad Sleep Well (Akira Kurosawa, 1960)
Dogville (Lars von Trier, 2003)
Irma Vep (Olivier Assayas, 1996)
All That Jazz (Bob Fosse, 1979)
Minding the Gap (Bing Liu, 2018)
Shin Godzilla (Hideaki Anno, 2016)
The Mad Fox (Tomu Uchida, 1962)
Interrogation (Ryszard Bugajski, 1982)
The River (Jean Renoir, 1951)
Police Story (Jackie Chan, 1985)
Donovan’s Reef (John Ford, 1963)
Audition (Takashi Miike, 1999)
Young Mr. Lincoln (John Ford, 1939)
Sanjuro (Akira Kurosawa, 1962)
Masculin Feminin (Jean-Luc Godard, 1966)
Uski Roti (Mani Kaul, 1970)
The Last House on the Left (Wes Craven, 1972)
The Eiger Sanction (Clint Eastwood, 1975)
Deewaar (Yash Chopra, 1975)
Lamhe (Yash Chopra, 1991)
Bhumika (Shyam Benegal, 1977)
The Deer Hunter (Michael Cimino, 1978)
Khubsoorat (Hrishikesh Mukherjee,1980)
Mouna Ragam (Mani Ratnam, 1986)
Ok Kanmani (Mani Ratnam, 2015)
Geethanjali (Mani Ratnam, 1989)
Bombay (Mani Ratnam, 1995)
Dil Se.. (Mani Ratnam, 1998)
From Beyond (Stuart Gordon, 1986)
Prince of Darkness (John Carpenter, 1987)
Twin Peaks: Fire Walk With Me (David Lynch, 1992)
Maqbool (Vishal Bhardwaj, 2003)
Million Dollar Baby (Clint Eastwood, 2004)
Spanglish (James Brooks, 2004)
Dejà Vu (Tony Scott, 2006)
Don't Touch the Axe (Jacques Rivette, 2007)
Two Lovers (James Gray, 2008)
The Bad Lieutenant: Port of Call New Orleans (Werner Herzog, 2009)
Eega (SS Rajamouli, 2012)
Blackhat (Michael Mann, 2015)
Paterson (Jim Jarmusch, 2016)
The 15:17 to Paris (Clint Eastwood, 2018)
Zero (Aanand Rai, 2018)
The Fallen Idol (Carol Reed, 1948)
Fools in the Mountains (Edith Carlmar, 1957)
The Sound of Music (Robert Wise, 1965)
The Endless Summer (Bruce Brown, 1966)
It's the Great Pumpkin, Charlie Brown (Bill Melendez, 1966)
Days of Heaven (Terrence Malick, 1978)
The Blue Planet (Franco Piavoli, 1981)
At the First Breath of Wind (Franco Piavoli, 2002)
Dead Poets Society (Peter Weir, 1989)
Night Sun (Paolo Taviani, Vittorio Taviani, 1990)
Point Break (Kathryn Bigelow, 1991)
Terminator 2: Judgment Day (James Cameron, 1991)
Groundhog Day (Harold Ramis, 1993)
Mulan (Tony Bancroft, Barry Cook, 1998)
The Iron Giant (Brad Bird, 1999)
The Emperor’s New Groove (Mark Dindal, 2000)
Sogobi (James Benning, 2002)
Birdsong (Albert Serra, 2008)
Un lac (Philippe Grandrieux, 2008)
Meek's Cutoff (Kelly Reichardt, 2010)
Long Day's Journey Into Night (Bi Gan, 2018)
I Know Where I’m Going! (Emeric Pressburger, Michael Powell, 1945)
Pygmalion (Leslie Howard, Anthony Asquith, 1938)
To Kill a Mockingbird (Robert Mulligan, 1962)
The Big Heat (Fritz Lang, 1953)
Les Vampires (Louis Feuillade, 1915)
Morocco (Josef von Sternberg, 1930)
The Big Trail (Raoul Walsh, 1930)
Steamboat Round the Bend (John Ford, 1935)
Stars in My Crown (Jacques Tourneur, 1950)
Hatari! (Howard Hawks, 1962)
Faces (John Cassavetes, 1968)
Cuadecuc, Vampir (Pere Portabella, 1971)
The Mother and the Whore (Jean Eustache, 1973)
Welfare (Frederick Wiseman, 1975)
Killer of Sheep (Charles Burnett, 1978)
Too Early/Too Late (Jean-Marie Straub, Daniele Huillet, 1981)
Landscape Suicide (James Benning, 1987)
RR (James Benning, 2007)
Route One/USA (Robert Kramer, 1989)
The Wind Will Carry Us (Abbas Kiarostami, 1999)
Certified Copy (Abbas Kiarostami, 2010)
A Summer's Tale (Eric Rohmer, 1996)
Beau Travail (Claire Denis, 1999)
The Day He Arrives (Hong Sang-soo, 2011)
Joint Security Area (Chan-wook Park, 2000)
Our Little Sister (Hirokazu Koreeda, 2015)
Young Frankenstein (Mel Brooks, 1974)
Nights of Cabiria (Federico Fellini, 1957)
Fear Strikes Out (Robert Mulligan, 1957)
Madadayo (Akira Kurosawa, 1993)
Cool Hand Luke (Stuart Rosenberg, 1967)
Ticket of No Return (Ulrike Ottinger, 1979)
From the Clouds to the Resistance (Daniele Huillet, Jean-Marie Straub, 1979)
Histoire(s) du cinema (Jean-Luc Godard, 1988)
The Enclosed Valley (Jean-Claude Rousseau, 1995)
Train of Shadows (Jose Luis Guerin, 1997)
From the Notebook of... (Robert Beavers, 2000)
Phoenix (Christian Petzold, 2014)
Sherlock, Jr. (Buster Keaton, 1924)
The Crowd (King Vidor, 1928)
A Day in the Country (Jean Renoir, 1936)
Angel (Ernst Lubitsch, 1937)
Lightning (Mikio Naruse, 1952)
Lola Montes (Max Ophüls, 1955)
Seconds (John Frankenheimer, 1966)
The Young Girls of Rochefort (Jacques Demy, 1967)
The Spirit of the Beehive (Víctor Erice, 1973)
A Woman Under the Influence (John Cassavetes, 1974)
Mikey and Nicky (Elaine May, 1976)
Mr. Klein (Joseph Losey, 1976)
Legend of the Mountain (King Hu, 1979)
L'Enfant Secret (Philippe Garrel, 1979)
A Winter’s Tale (Eric Rohmer, 1992)
The Day I Became a Woman (Marziyeh Meshkini, 2000)
Goodbye, Dragon Inn (Tsai Ming-liang, 2003)
The Best of Youth (Marco Tullio Giordana, 2003)
The Beaches of Agnes (Agnes Varda, 2008)
Happy Hour (Ryusuke Hamaguchi, 2015)
Lancelot du Lac (Robert Bresson, 1974)
Artemis’ Knee (Jean-Marie Straub, 2008)
To Our Loves (Maurice Pialat, 1983)
Rosa de Areia (Antonio Reis, 1989)
Defying Everybody (Yuri Ilyenko, 1973)
Come and See (Elem Klimov, 1985)
The Band Wagon (Vincente Minnelli, 1953)
The Swimmer (Frank Perry, 1968)
Cries and Whispers (Ingmar Bergman, 1972)
The Testament of Dr. Mabuse (Fritz Lang, 1933)
Red Sorghum (Zhang Yimou, 1987)
One Week (Buster Keaton, Edward Cline, 1920)
Holy Motors (Leos Carax, 2012)
Repentance (Tengiz Abuladze, 1984)
Even Dwarfs Started Small (Werner Herzog, 1970)
Tabu (Miguel Gomes, 2012)
His Girl Friday (Howard Hawks, 1940)
Big Wednesday (John Milius, 1978)
The Bill Douglas Trilogy (Bill Douglas, 1972-1978)
Bitter Moon (Roman Polanski, 1992)
La Ceremonie (Claude Chabrol, 1995)
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (Robert Altman, 1982)
Countryman (Dickie Jobson, 1982)
Duck, You Sucker (Sergio Leone, 1971)
Flowers of Shanghai (Hou Hsiao-hsien, 1998)
Green Snake (Tsui Hark, 1993)
Heaven's Gate (Michael Cimino, 1980)
The Horse Thief (Tian Zhuangzhuang, 1986)
I Was a Teenage Zombie (John Elias Michalakis, 1987)
Iguana (Monte Hellman, 1988)
Innocence (Zeki Demirkubuz, 1997)
Jauja (Lisandro Alonso, 2014)
Late Spring (Yasujiro Ozu, 1949)
Losing Ground (Kathleen Collins, 1982)
Love and Anarchy (Lina Wertmuller, 1973)
Magnet of Doom (Jean-Pierre Melville, 1963)
The Makioka Sisters (Kon Ichikawa, 1983)
Medium Cool (Haskell Wexler, 1969)
Mon Oncle Antoine (Claude Jutra, 1971)
Night Moves (Arthur Penn, 1975)
Over the Edge (Jonathan Kaplan, 1979)
Remember my Name (Alan Rudolph, 1978)
The Rose Seller (Victor Gaviria, 1998)
Sherman's March (Ross McElwee, 1985)
Some Call it Loving (James Harris, 1973)
Starman (John Carpenter, 1984)
Trances (Ahmed El-Maanouni. 1981)
Trimurti (Mukul Anand, 1995)
Two for the Road (Stanley Donen, 1967)
Ugly, Dirty and Bad (Ettore Scola, 1976)
Woman in the Dunes (Hiroshi Teshigahara, 1964)
Etoile Violette (Axelle Ropert, 2005)
Tea and Sympathy (Vincente Minnelli, 1956)
El Sacrificio de Nehuen Puyelli (Jose Celestino Campusano, 2016)
Valarthumrugangal (T Hariharan, 1981)
Imsai Arasan 23am Pulikesi (Chimbu Devan, 2006)
Rab Ne Bana Di Jodi (Aditya Chopra, 2008)
The Blind Owl (Raul Ruiz, 1990)
Nandha (Bala, 2001)
Cockfighter (Monte Hellman, 1974)
And Quiet Rolls the Dawn (Mrinal Sen, 1979)
Petition (Liang Zhao, 2009)
The New Babylon (Grigori Kozintsev/Leonid Trauberg, 1929)
Dishonored (Josef von Sternberg, 1931)
The Love Eterne (Li Han-Hsiang, 1963)
Recollections of the Yellow House (Joao Cesar Monteiro, 1989)
Another Sky (Gavin Lambert, 1954)
North on Evers (James Benning, 1992)
Alyonka (Boris Barnet, 1962)
I by Day, You by Night (Ludwig Berger, 1932)
Turumba (Kidlat Tahimik, 1981)
The Wolves (Kaneto Shindo, 1955)
The Whisperers (Bryan Forbes, 1967)
Adoption (Marta Meszaros, 1975)
A Free Woman (Vittorio Cottafavi, 1954)
PTU (Johnnie To, 2003)
The Savage Innocents (Nicolas Ray, 1960)
Dzhamilya (Irina Poplavskay, 1969)
A Borrowed Life (Wu Nien-jen, 1994)
Suzaki Paradise: Red Light (Yuzo Kawashima, 1956)
Los Angeles Plays Itself (Thom Anderson, 2003)
Aventurera (Alberto Gout, 1950)
The River Fuefuki (Keisuke Kinoshita, 1960)
Tlayucan (Luis Alcoriza, 1962)
La Casa del Angel (Leopoldo Torre Nilsson, 1957)
The Underworld Story (Cy Endfield, 1950)
State Fair (Henry King, 1933)
Guide (Vijay Anand, 1965)
Irezumi (Yasuzo Masumura, 1966)
It's Always Fair Weather (Stanley Donen/Gene Kelly, 1955)
Casa de Lava (Pedro Costa, 1994)
Les Films Reves (Eric Pauwels, 2010)
Romance in a Minor Key (Helmut Kautner, 1943)
Time Stood Still (Ermanno Olmi, 1959)
Two Days (Grigori Stobovoi, 1927)
A Woman's Revenge (Rita Azevedo Gomes, 2012)
Siberiade (Andrei Konchalovsky, 1979)

2.8 pts
Love Torn In A Dream (Raul Ruiz, 2000)
Dementia (John Parker, 1955)
Shock Corridor (Samuel Fuller, 1963)

2.7 pts
Ikiru (Akira Kurosawa, 1952)

2 pts
Paris, Texas (Wim Wenders, 1984)
The Shining (Stanley Kubrick, 1980)
Faust (Aleksandr Sokurov, 2011)
The Friends of Eddie Coyle (Peter Yates, 1973)
Mommy (Xavier Dolan, 2014)
Downhill Racer (Michael Ritchie, 1969)
Death in Venice (Luchino Visconti, 1971)
Walking the Streets of Moscow (Georgiy Daneliya, 1964)
Nightfall (Fred Kelemen, 1999)
Simple Men (Hal Hartley, 1992)
Selva. Un portrait de Parvaneh Navai (Maria Klonaris, 1982)
Le tempestaire (Jean Epstein, 1947)
The Nude Vampire (Jean Rollin, 1970)
Desperate Living (John Waters, 1977)
Carnival in Flanders (Jacques Feyder, 1935)
The Enchanted Isles (Carlos Vilardebo, 1965)
Vengeance of the Phoenix Sisters (Hung-Min Chen, 1968)
Ditirambo (Gonzalo Suarez, 1969)
Nirmalyam (MT Vasudevan Nair, 1973)
Cloud Atlas (Tom Tykwer, Lana Wachowski, Lilly Wachowski, 2012)
From Here to Eternity (Fred Zinnemann, 1953)
The Favourite (Yorgos Lanthimos, 2018)
The Bridge on the River Kwai (David Lean, 1957)
The Man Who Wasn't There (Coen Brothers, 2001)
Nosferatu the Vampyre (Werner Herzog, 1979)
Wild Strawberries (Ingmar Bergman, 1957)
2 or 3 Things I Know About Her (Jean-Luc Godard, 1967)
Blade Runner (Ridley Scott, 1982)
Juliette, or the Key of Dreams (Marcel Carne, 1951)
The Cook the Thief His Wife and Her Lover (Peter Greenaway, 1989)
Querelle (Rainer Werner Fassbinder, 1982)
Ritual in Transfigured Time (Maya Deren, 1946)
The Sorrow and the Pity (Marcel Ophuls, 1969)
Chinatown (Roman Polanski, 1974)
Tree of Knowledge (Nils Malmros, 1981)
Jacquot de Nantes (Agnes Varda, 1991)
Memories of Murder (Bong Joon-ho, 2003)
House (Nobuhiko Obayashi, 1977)
Whiplash (Damien Chazelle, 2014)
Still Walking (Hirokazu Koreeda, 2008)
Ong Bak (Prachya Pinkaew, 2003)
V for Vendetta (James McTeigue, 2005)
In Bruges (Martin McDonagh, 2008)
Nausicaa of the Valley of the Wind (Hayao Miyazaki, 1984)
Blue Mountains, or Unbelievable Story (Eldar Shengelaya, 1983)
The Burglar (Paul Wendkos, 1957)
Valley of the Bees (Frantisek Vlacil, 1968)
Electra, My Love (Miklos Jancso, 1974)
La Grande Vadrouille (Gerard Oury, 1966)
The King of Comedy (Martin Scorsese, 1982)
The Neon Demon (Nicolas Winding Refn, 2016)
The Purple Rose of Cairo (Woody Allen, 1985)
Stagecoach (John Ford, 1939)
Monty Python And The Holy Grail (Terry Jones/Terry Gilliam, 1975)
Pinocchio (Hamilton Luske/Ben Sharpsteen/et al, 1940)
The Lord Of The Rings (Peter Jackson, 2001-2003)
The Gold Rush (Charlie Chaplin, 1924)
Chuckles Bites The Dust: The Mary Tyler Moore Show (Joan Darling, 1974)
Menilmontant (Dimitri Kirsanoff, 1926)
Love Streams (John Cassavetes, 1984)
The Set-Up (Robert Wise, 1949)
Manhunter (Michael Mann, 1986)
Je t'aime, je t'aime (Alain Resnais, 1968)
Rebels of the Neon God (Tsai Ming-liang, 1992)
The White Ribbon (Michael Haneke, 2009)
Scarecrow (Jerry Schatzberg, 1973)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, 2014)
Teorema (Pier Paolo Pasolini, 1968)
Vereda Tropical (Joaquim Pedro de Andrade, 1977)
Routine Holiday (Li Hongqi, 2008)
Bhavni Bhavai (Ketan Mehta, 1980)
Attakathi (Pa. Ranjith, 2012)
The Merchant of Four Seasons (Rainer Werner Fassbinder, 1972)
The Sword (Patrick Tam, 1980)
Where Chimneys are Seen (Heinosuke Gosho, 1953)
Our Neighbor, Miss Yae (Yasujiro Shimazu, 1934)
Othello (Orson Welles, 1951)
Chupke Chupke (Hrishikesh Mukherjee, 1975)
Amrutham Gamaya (T Hariharan, 1987)
24 City (Jia Zhangke, 2008)
On the Beat (Ning Ying, 1995)
Paras Pathar (Satyajit Ray, 1958)
Garm Hava (M. S. Sathyu, 1973)
Oye Lucky! Lucky Oye! (Dibakar Banerjee, 2008)
Maheshinte Prathikaaram (Dileesh Pothan, 2016)
Kings and Queen (Arnaud Desplechin, 2004)
Opera (Dario Argento, 1987)
Johnny Guitar (Nicholas Ray, 1952)
Son of Saul (Laszlo Nemes, 2015)
Knife + Heart (Yann Gonzalez, 2018)
Mean Streets (Martin Scorsese, 1973)
Unforgiven (Clint Eastwood, 1992)
Eastern Promises (David Cronenberg, 2007)
The Last Bridge (Helmut Kautner, 1954)
Like Father, Like Son (Hirokazu Koreeda, 2013)
Sing a Song of Sex (Nagisa Oshima, 1967)
Ocean Waves (Tomomi Mochizuki, 1993)
A Town Called Panic (Stephane Aubier, Vincent Patar, 2009)
Goldfinger (Guy Hamilton, 1964)
Vamos a matar, companeros (Sergio Corbucci, 1970)
Ida (Pawel Pawlikowski, 2013)
Wings of Desire (Wim Wenders, 1987)
Before Sunrise (Richard Linklater, 1995)
Broadcast News (James Brooks, 1987)
Danger: Diabolik (Mario Bava, 1968)
Wanda Gosciminska – A Textile Worker (Wojciech Wizniewski, 1975)
25th Fireman’s Street (Istvan Szabo, 1973)
Twilight (Govindan Aravindan, 1982)
Triptych (Ali Khamraev, 1977)
One Day Before the Rainy Season (Mani Kaul, 1971)
Poem (Akio Jissoji, 1972)
American Postcard (Gabor Body, 1975)
A Zed and Two Naughts (Peter Greenaway, 1985)
The Ballad of Narayama (Keisuke Kinoshita, 1958)
The Return (Andrey Zvyagintsev, 2003)
Yi Yi (Edward Yang, 2000)
Head-on (Fatih Akin, 2004)
Dekalog (Krzystof Kieslowski, 1989)
The Cremator (Juraj Herz, 1969)
Struggle in the Valley (Youssef Chahine, 1954)
Bad Timing (Nicolas Roeg, 1980)
Chafed Elbows (Robert Downey Sr, 1969)
Once Upon A Time in Hollywood (Quentin Tarantino, 2019)
4 Months, 3 Weeks, 2 Days (Cristian Mungiu, 2007)
At Land (Maya Deren, 1944)
Police, Adjective (Corneliu Porumboiu, 2009)
Saagar (Ramesh Sippy, 1985)
Pudhupettai (Selvaraghavan, 2006)
Secret Beyond the Door (Fritz Lang, 1947)
The Pit and the Pendulum (Alexandre Astruc, 1964)
The Pit and the Pendulum (Roger Corman, 1961)
White Fang (Lucio Fulci, 1973)
Anniyan (Shankar, 2005)

1.7 pts
Umberto D (Vittorio De Sica, 1952)
Underworld (Josef von Sternberg, 1927)
The Kneeling Goddess (Roberto Gavaldon, 1947)
Godfather Mendoza (Fernando de Fuentes, Juan Bustillo Oro, 1934)
All That Heaven Allows (Douglas Sirk, 1955)
Macbeth (Orson Welles, 1948)

1 pt
Young Torless (Volker Schlondorff, 1966)
Portrait of a Lady on Fire (Celine Sciamma, 2019)
Synecdoche, New York (Charlie Kaufman, 2008)
Under the Roofs of Paris (Rene Clair, 1930)
Forbidden Games (Rene Clement, 1952)
The Wind (Victor Sjostrom, 1928)
Violent Summer (Valerio Zurlini, 1959)
Accident (Joseph Losey, 1967)
Ganja & Hess (Bill Gunn, 1973)
Mahler (Ken Russell, 1974)
Far from Home (Sohrab Shahid Saless, 1975)
Visa de Censure n°X (Pierre Clementi, 1976)
The Seashell and the Clergyman (Germaine Dulac, 1928)
Cross of Love (Teuvo Tulio, 1946)
Love Affair, or the Case of the Missing Switchboard Operator (Dusan Makavejev, 1967)
Silvestre (Joao Cesar Monteiro, 1981)
Munich (Steven Spielberg, 2005)
The Naked Kiss (Samuel Fuller, 1964)
Sling Blade (Billy Bob Thornton, 1996)
The Pawnbroker (Sidney Lumet, 1964)
Winter Sleep (Nuri Bilge Ceylan, 2014)
All the President’s Men (Alan Pakula, 1976)
La nuit fantastique (Marcel L'Herbier, 1942)
Diva (Jean-Jacques Beineix, 1981)
The Passenger (Michelangelo Antonioni, 1975)
The Man Who Left His Will on Film (Nagisa Oshima, 1970)
Nostalgia (Andrei Tarkovsky, 1983)
The Element of Crime (Lars von Trier, 1984)
The Kid Brother (Harold Lloyd, Ted Wilde, JA Howe, Lewis Milestone, 1927)
The Leopard (Luchino Visconti, 1963)
La Grande Bouffe (Marco Ferreri, 1973)
Bilbao (Bigas Luna, 1978)
The Tree of Wooden Clogs (Ermanno Olmi, 1978)
The South (Fernando Solanas, 1988)
The Master (Paul Thomas Anderson, 2012)
Neighboring Sounds (Kleber Mendonça Filho, 2012)
Last Life in the Universe (Pen-Ek Ratanaruang, 2003)
Invisible Waves (Pen-Ek Ratanaruang, 2006)
Singapore Dreaming (Colin Goh, Woo Yen Yen, 2006)
9 Souls (Toshiaki Toyoda, 2003)
The Prestige (Christopher Nolan, 2006)
Scott Pilgrim vs the World (Edgar Wright, 2010)
The World (Jia Zhangke, 2004)
Suzhou River (Lou Ye, 2000)
Sell Out! (Joon-han Yeo, 2008)
Showdown (RG Springsteen, 1963)
Suddenly, One Day (Mrinal Sen, 1989)
The Asthenic Syndrome (Kira Muratova, 1989)
The Wishing Tree (Tenghiz Abuladze, 1976)
Reality (Quentin Dupieux, 2014)
Spring for the Thirsty (Yuri Ilyenko, 1965)
Good Time (Joshua and Ben Safdie, 2017)
Le Collier Perdu de la Colombe (Nacer Khemir, 1991)
Smiley Face (Gregg Araki, 2007)
Girl with a Pearl Earring (Peter Webber, 2003)
I Want to Live! (Robert Wise, 1958)
One Flew over the Cuckoo’s Nest (Milos Forman, 1975)
The Children’s Hour (William Wyler, 1961)
The Remains of the Day (James Ivory, 1993)
The Rabbit Of Seville (Chuck Jones, 1950)
Twentieth Century (Howard Hawks, 1934)
Big Business (James Horne/Leo McCarey, 1929)
The Incredibles (Brad Bird, 2004)
The Battle Of The Century (Clyde Bruckman, 1927)
Fantasia (Walt Disney et al,1940)
Dinner At Eight (George Cukor, 1933)
Under The Bridges (Helmut Kautner, 1946)
Toni Erdmann (Maren Ade, 2016)
From the East (Chantal Akerman, 1993)
The Gleaners and I (Agnes Varda, 2000)
Mr. Thank You (Hiroshi Shimizu, 1936)
The Structure of Crystals (Krzystof Zanussi, 1969)
August in the Water (Sogo Ishii, 1995)
A Face in the Crowd (Elia Kazan, 1957)
The Blue Angel (Josef von Sternberg, 1930)
One from the Heart (Francis Ford Coppola, 1981)
Summer 1993 (Carla Simon, 2017)
A Clockwork Orange (Stanley Kubrick, 1971)
American Honey (Andrea Arnold, 2016)
Olympia (Leni Riefenstahl, 1938)
Crooklyn (Spike Lee, 1994)
The Shout (Jerzy Skolimowski, 1978)
Short Cuts (Robert Altman, 1993)
One Way Passage (Tay Garnett, 1932)
Fox and His Friends (Rainer Werner Fassbinder, 1975)
L'Inhumaine (Marcel L'Herbier, 1924)
Frankenstein (James Whale, 1931)
Pan’s Labyrinth (Guillermo del Toro, 2006)
Odd Man Out (Carol Reed, 1947)
Nothing Sacred (William Wellman, 1937)
The Tale of the Princess Kaguya (Isao Takahata, 2013)
Satyricon (Federico Fellini, 1969)
Waltz With Bashir (Ari Folman, 2008)
Unchain (Toshiaki Toyoda, 2000)
Dreams (Akira Kurosawa, 1990)
C.R.A.Z.Y. (Jean-Marc Vallee, 2005)
Imagine Me & You (Ol Parker, 2005)
And Then There was Light (Otar Iosseliani, 1989)
The Lion has Seven Heads (Glauber Rocha, 1970)
The Seventh Walk (Amit Dutta, 2013)
Fate (Zeki Demirkubuz, 2001)
Confessions Among Actresses (Yoshishige Yoshida, 1971)
Pastoral: To Die in the Country (Shuji Terayama, 1974)
Allegory (Kostas Sfikas, 1986)
Et Cetera (Ashish Avikunthak, 1997)
Sweet Love Remembered (Bruce Elder, 1980)
Komitas (Don Askarian, 1989)
Infernal Affairs (Andrew Lau, Alan Mak, 2002)
On the Waterfront (Elia Kazan, 1954)
The Illusionist (Sylvain Chomet, 2010)
Alexander Nevsky (Sergei Eisenstein, 1938)
My Neighbor Totoro (Hayao Miyazaki, 1988)
Black Orpheus (Marcel Camus, 1959)
The Man Who Shot Liberty Valance (John Ford, 1962)
Raging Bull (Martin Scorsese, 1980)
The Death of Mr. Lazarescu (Cristi Puiu, 2005)
Les Bonnes Femmes (Claude-Chabrol, 1960)
Videodrome (David Cronenberg, 1983)
A Serious Man (Coen Brothers, 2009)
The Florida Project (Sean Baker, 2017)
Tempting Heart (Sylvia Chang, 1999)
Matru Ki Bijlee Ka Mandola (Vishal Bhardwaj, 2013)
Avan Ivan (Bala, 2011)
His Motorbike, Her Island (Nobuhiko Obayashi, 1986)
La Mirage (Jean-Claude Guiguet, 1992)
Uma Pedro no Bolso (Joaquim Pinto, 1988)
His Highness Abdullah (Sibi Malayil, 1990)
The Red Light Bandit (Rogerio Sganzerla, 1968)
Gummo (Harmony Korine, 1997)
Tizoc (Ismael Rodriguez, 1957)
Liliom (Frank Borzage, 1930)
Ivan The Terrible, Part 1 (Sergei Eisenstein, 1944)

Woo-owwwwwwwwwwwww! Thanks a lot for this, Flip! I'll peruse this list for years to come and pick random films to watch from it.

If it's on a scfzer's list, odds are it's good.

wrote:Joint Security Area (Chan-wook Park, 2000)
Our Little Sister (Hirokazu Koreeda, 2015)
Young Frankenstein (Mel Brooks, 1974)
Nights of Cabiria (Federico Fellini, 1957)
Fear Strikes Out (Robert Mulligan, 1957)
Madadayo (Akira Kurosawa, 1993)
Cool Hand Luke (Stuart Rosenberg, 1967)

all my dudes here... mildly nearly surprised Cool Hand Luke didn't get another vote; just about surprised Nights of Cabiria didn't either! ...not surprised about the rest

Thanks for all the work, flip -- this is a delightful yearly exercise, and I love the final list.

Would somebody like to volunteer to make a chart comparing this year's top 100 with last year's top 100 (or even also include the 2018 poll), showing place-movements of films up or down, compared to the previous year's(') poll(s)?

eg

↑ 3 1 Julie vont en bateau
↓ 1 2 Snow White
- 3 Cinderella (no change in placings, or new entry to list)

etc.

It'd be fun to see how some films fare between polls and how fickle we are in taste from one year to the next.

it's definitely possible i miscounted, according to the list umbugbene posted to letterboxd of all the vote-getting films, 1331 films received votes (by my count there were 1337, but that could definitely be off slightly)

pabs wrote: ↑Tue Aug 11, 2020 10:39 am Would somebody like to volunteer to make a chart comparing this year's top 100 with last year's top 100 (or even also include the 2018 poll), showing place-movements of films up or down, compared to the previous year's(') poll(s)?

Good idea, I'd like to see that too.

Here's the extended list on Letterboxd:
https://boxd.it/7F8ow

I came up with 1331 instead of 1337. Hope I'm not missing any. There were a few discrepancies, but they should have increased the count:

1. I included each part of Die Nibelungen, the Bill Douglas Trilogy, Lord of the Rings, and Olympia;
2. Alone in the Wilderness was counted twice - Flip, does that change the results?
3. The episode of the Mary Tyler Moore Show wasn't on Letterboxd.

The task wasn't too bad, but I had to take a deep breath when I noticed Godzilla ranked above Ordet.

I've seen 154/250 and 763/1331 777/1350.

Thanks Umbugbene! Also thanks Evelyn for putting Switching Goals on there, absolute baller move. Can't remember if it's one of the ones I've seen, though, so I'm either on 375 or 376.

Thanks umbugbene, the LBD list is very useful! I'll be adding all the unseen oldies on the long list to my watchlist, and I'll have fun scouring it all summer

Umbugbene wrote: ↑Tue Aug 11, 2020 2:54 pm The task wasn't too bad, but I had to take a deep breath when I noticed Godzilla ranked above Ordet.

If it's any consolation, I'm the only one who voted for either film, and they're tied. I ordered mine in chronological order, so that's why Gojira shows up first.

To be sure, I believe Ordet is a more profound work of art than Gojira, but I like a diverse range of movies for diverse reasons, and I like that to be reflected in my ballot. These days I also tend to derive the most intellectual interest from watching genre movies, and while that's unusual for a cinephile intellectual type, it does come from a sincere, considered place, for what that's worth.

MrCarmady wrote: ↑Tue Aug 11, 2020 3:29 pm Also thanks Evelyn for putting Switching Goals on there, absolute baller move.

Glad you appreciate its inclusion ! I like to include at least one artless but beautiful girl-feels movie that carries personal significance.

Evelyn Library P.I. wrote: ↑Tue Aug 11, 2020 4:24 pm

MrCarmady wrote: ↑Tue Aug 11, 2020 3:29 pm Also thanks Evelyn for putting Switching Goals on there, absolute baller move.

Glad you appreciate its inclusion ! I like to include at least one artless but beautiful girl-feels movie that carries personal significance.

I know we're not making these lists to impress anyone, as discussed, and I don't believe in the concept of guilty pleasures but I would love to see each forum member's favourite 'artless' film, just something with great nostalgic value and a comfort-food taste to it.

Evelyn Library P.I. wrote: ↑Tue Aug 11, 2020 4:24 pmIf it's any consolation, I'm the only one who voted for either film, and they're tied. I ordered mine in chronological order, so that's why Gojira shows up first.

To be sure, I believe Ordet is a more profound work of art than Gojira, but I like a diverse range of movies for diverse reasons, and I like that to be reflected in my ballot. These days I also tend to derive the most intellectual interest from watching genre movies, and while that's unusual for a cinephile intellectual type, it does come from a sincere, considered place, for what that's worth.

Haha, funny that you voted for both! To be honest I haven't even watched Gojira yet.

Umbugbene wrote: ↑Tue Aug 11, 2020 4:42 pm Haha, funny that you voted for both! To be honest I haven't even watched Gojira yet.

My main complaint with Gojira is that it gets too overt in its latter sections, hammering home its pacifist meaning quite unnecessarily, but I love the first two-thirds. What I like most about it is that it takes the fifties sci-fi/horror creature feature format, a format likely to lead to US distribution, and puts a 'Hiroshima-Nagasaki was a war crime' message inside of it, a moral challenge to the American viewers it courts. Not sure if you'd like it, but you might find it at least modestly interesting for that aspect of it.

Ordet is one of my favourite movies because I found it really frustrating and thought I didn't like it, but I kept turning it over in my head the whole subway ride home from the (crackly old 35mm print!) screening, and suddenly on the walk home it struck me that I loved it and it was one of the greatest works of art I'd ever encountered That initial frustration is, I think, central to its greatness.

Of course I was just being facetiously snobby. I've actually meant to watch Gojira one of these days, and I wouldn't doubt that it has a certain value.

As for Ordet, I haven't even done justice to that either. I've watched Gertrud seven times and Vampyr nine, but Ordet only three. But I absolutely relate to your experience of working through the initial frustration. My favorite example is 2 or 3 Things I Know About Her, which I didn't even begin to like until my sixth viewing.

Umbugbene wrote: ↑Tue Aug 11, 2020 2:54 pm Alone in the Wilderness was counted twice - Flip, does that change the results?

oh rats, i somehow missed the second vote for that film. yes, that does change the results slightly, the film gains one point, i'll fix that later today

edit - i fixed the mistake in all the posts in this and the results thread, and will fix the letterboxd list now too

Evelyn Library P.I. wrote: ↑Tue Aug 11, 2020 4:24 pmI'll have fun scouring it all summer

Same here! I mean, if a film's on this list it means it's a top-tier recommendation from someone who's watched thousands of movies. I'm going to try to get up to 810 (60%) this year.

Umbugbene wrote: ↑Tue Aug 11, 2020 5:13 pm Of course I was just being facetiously snobby. I've actually meant to watch Gojira one of these days, and I wouldn't doubt that it has a certain value.

As for Ordet, I haven't even done justice to that either. I've watched Gertrud seven times and Vampyr nine, but Ordet only three. But I absolutely relate to your experience of working through the initial frustration. My favorite example is 2 or 3 Things I Know About Her, which I didn't even begin to like until my sixth viewing.

Ah, not a worry, facetiously snobby is my usual mode de vie, and watching and enjoying genre movies is funnily enough the one part of my day where I leave my hoity-toity cloister. Well, I'm joking in the wording, of course, but I do generally feel right at home among people who have intellectual or 'high-culture' interests and thus risk being accused of snobbery. (Incidentally, I'm excited to growl at the inevitable comment on the Letterboxd list accusing SCFZ members of snobbery for voting Rivette #1)

I really admire the patience of returning 6 times to 2 or 3 Things before liking it! That's an object lesson in persistent rewatching that I'll try to be inspired by In general, when a movie's acclaimed as a great work and/or belongs to a kind of cinema I'm not familiar with, I find that multiple viewings are necessary just to feel confident that I understand it. I maybe understood it the first time, but I probably didn't, so I should value returning to it. Don't know that I live up to that in practice as much I'd like, but it's certainly a lesson I keep coming back to, especially as I get older.

Evelyn Library P.I. wrote: ↑Tue Aug 11, 2020 7:37 pm(Incidentally, I'm excited to growl at the inevitable comment on the Letterboxd list accusing SCFZ members of snobbery for voting Rivette #1)

I really admire the patience of returning 6 times to 2 or 3 Things before liking it! That's an object lesson in persistent rewatching that I'll try to be inspired by In general, when a movie's acclaimed as a great work and/or belongs to a kind of cinema I'm not familiar with, I find that multiple viewings are necessary just to feel confident that I understand it. I maybe understood it the first time, but I probably didn't, so I should value returning to it. Don't know that I live up to that in practice as much I'd like, but it's certainly a lesson I keep coming back to, especially as I get older.

A few people have asked me why I'd watch a movie six times without liking it. One reason is I liked Godard's other films from that period, and it became a riddle that I had to crack. Another reason is that liking a film isn't everything.

I'm pretty happy with Céline and Julie winning. Not too surprised though. It blends a lot of contradictory qualities... messy but rigorous, frivolous yet serious, challenging and fun at the same time... that it seems like a good fit for our group.

@Flip... thanks a ton for all the work you put into this, and all the director polls too! You've singlehandedly brought a lot of fun to this community.