RESULTS - SCFZ 10th Anniversary Poll
RESULTS - SCFZ 10th Anniversary Poll
the results are in! first the top 10...
10. The Conformist (Bernardo Bertolucci, 1970)
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9. Last Year at Marienbad (Alain Resnais, 1961)
- marienbad.jpeg (194.17 KiB) Viewed 2467 times
8. Sherlock, Jr (Buster Keaton, 1924)
- sherlockjr.jpg (183.01 KiB) Viewed 2467 times
7. Contempt (Jean-Luc Godard, 1963)
- contempt.jpeg (92.93 KiB) Viewed 2467 times
6. As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
- asiwasmoving.jpeg (119.39 KiB) Viewed 2467 times
5. The Green Ray (Eric Rohmer, 1986)
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4. Die Parallelstrasse (Ferdinand Khittl, 1962)
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3. Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)
- shadowsforgottenancestors2.jpg (153.04 KiB) Viewed 2467 times
2. Celine and Julie Go Boating (Jacques Rivette, 1974)
- celineandjulie4.jpg (242.84 KiB) Viewed 2467 times
... and SCFZ's favourite film of all time, according to our tenth anniversary voting is...
1. Playtime (Jacques Tati, 1967)
- playtime.jpeg (126.71 KiB) Viewed 2466 times
i do my best with the images but i have no idea why some are smaller than others 
i'll post the top 400 films below. as in every poll, i break ties (and there were a lot of ties) using letterboxd views (less seen films rank higher). in the poll, 299 films got 7 points or more (a single vote could award at most 6 points, so all of those films had 2+ votes), and the films from 300-400 all had 6 points, which means a lot of them got one first-tier vote only. i haven't decided how long a list to post to letterboxd, happy to hear opinions, but we've posted a top 250 in the past, so i thought to do something longer for our tenth anniversary, which is why i ranked a full top 400.
i'll post the top 400 films below. as in every poll, i break ties (and there were a lot of ties) using letterboxd views (less seen films rank higher). in the poll, 299 films got 7 points or more (a single vote could award at most 6 points, so all of those films had 2+ votes), and the films from 300-400 all had 6 points, which means a lot of them got one first-tier vote only. i haven't decided how long a list to post to letterboxd, happy to hear opinions, but we've posted a top 250 in the past, so i thought to do something longer for our tenth anniversary, which is why i ranked a full top 400.
the top 100 films:
1. Playtime (Jacques Tati, 1967)
2. Celine and Julie Go Boating (Jacques Rivette, 1974)
3. Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)
4. Die Parallelstrasse (Ferdinand Khittl, 1962)
5. The Green Ray (Eric Rohmer, 1986)
6. As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
7. Contempt (Jean-Luc Godard, 1963)
8. Sherlock, Jr. (Buster Keaton, 1924)
9. Last Year at Marienbad (Alain Resnais, 1961)
10. The Conformist (Bernardo Bertolucci, 1970)
11. Stalker (Andrei Tarkovsky, 1979)
12. Manoel's Destinies (Raul Ruiz, 1984)
13. India Song (Marguerite Duras, 1975)
14. Limite (Mario Peixoto, 1931)
15. News From Home (Chantal Akerman, 1976)
16. Army of Shadows (Jean-Pierre Melville, 1969)
17. Persona (Ingmar Bergman, 1966)
18. Vertigo (Alfred Hitchcock, 1958)
19. Edvard Munch (Peter Watkins, 1974)
20. Satantango (Bela Tarr, 1994)
21. Le Bonheur (Agnes Varda, 1965)
22. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)
23. Nostos: The Return (Franco Piavoli, 1989)
24. Mr. Thank You (Hiroshi Shimizu, 1936)
25. M (Fritz Lang, 1931)
26. Under the Bridges (Helmut Kautner, 1946)
27. Fire in Castilla (Jose Val del Omar, 1961)
28. One Way Passage (Tay Garnett, 1932)
29. The Mother and The Whore (Jean Eustache, 1974)
30. The Shop Around the Corner (Ernst Lubitsch, 1940)
31. Hiroshima, Mon Amour (Alain Resnais, 1959)
32. At Sea (Peter Hutton, 2007)
33. Hovering Over the Water (Joao Cesar Monteiro, 1986)
34. Transit (Christian Petzold, 2018)
35. Los Olvidados (Luis Bunuel, 1951)
36. The Color of Pomegranates (Sergei Parajanov, 1969)
37. The Kidnapping (Dimitri Kirsanoff, 1934)
38. The Story of Marie and Julien (Jacques Rivette, 2003)
39. Duvidha (Mani Kaul, 1973)
40. Day Of the Outlaw (Andre de Toth, 1959)
41. Il Posto (Ermanno Olmi, 1961)
42. A Touch of Zen (King Hu, 1971)
43. A Moment of Innocence (Mohsen Makhmalbaf, 1996)
44. Journey to Italy (Roberto Rossellini, 1954)
45. Trouble in Paradise (Ernst Lubitsch, 1932)
46. The Spirit of the Beehive (Víctor Erice, 1973)
47. Possession (Andrzej Zulawski, 1981)
48. Eureka (Shinji Aoyama, 2000)
49. The Seventh Victim (Mark Robson, 1943)
50. Brief Encounter (David Lean, 1945)
51. Beau Travail (Claire Denis, 1999)
52. Daisies (Vera Chytilova, 1966)
53. La Dolce Vita (Federico Fellini, 1960)
54. Mirror (Andrei Tarkovsky, 1975)
55. A Cottage On Dartmoor (Anthony Asquith, 1929)
56. There Once Was a Singing Blackbird (Otar Iosseliani, 1970)
57. God's Comedy (Joao Cesar Monteiro, 1995)
58. Scattered Clouds (Mikio Naruse, 1967)
59. The Browning Version (Anthony Asquith, 1951)
60. The Sword of Doom (Kihachi Okamoto, 1966)
61. In A Lonely Place (Nicholas Ray, 1951)
62. Sunrise: A Song of Two Humans (FW Murnau, 1927)
63. Yi Yi (Ed Yang, 2000)
64. The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
65. The Godfather Part II (Francis Ford Coppola, 1974)
66. Pirosmani (Giorgi Shengelaia, 1969)
67. Extraordinary Stories (Mariano Llinas, 2008)
68. Mr. Klein (Joseph Losey, 1976)
69. Day of Wrath (Carl Theodor Dreyer, 1943)
70. Our Hospitality (Buster Keaton, John Blystone, 1923)
71. Les Enfants du Paradis (Marcel Carne, 1945)
72. Stroszek (Werner Herzog, 1978)
73. Only Angels Have Wings (Howard Hawks, 1939)
74. The Cameraman (Buster Keaton, Edward Sedgwick, 1928)
75. The Ascent (Larisa Shepitko, 1977)
76. Werckmeister Harmonies (Bela Tarr, 2000)
77. My Darling Clementine (John Ford, 1946)
78. Late Spring (Yasujiro Ozu, 1949)
79. The Rules of the Game (Jean Renoir, 1939)
80. Au Hasard Balthazar (Robert Bresson, 1966)
81. Amarcord (Federico Fellini, 1973)
82. Cries and Whispers (Ingmar Bergman, 1972)
83. Picnic at Hanging Rock (Peter Weir, 1975)
84. Wild Strawberries (Ingmar Bergman, 1957)
85. Solaris (Andrei Tarkovsky, 1972)
86. The Elegant Life of Mr. Everyman (Kihachi Okamoto, 1963)
87. Mind of Clay (Mani Kaul, 1985)
88. Mandala (Im Kwon-Taek, 1981)
89. A Year of the Quiet Sun (Krzysztof Zanussi, 1984)
90. Du Cote D’Orouet (Jacques Rozier, 1971)
91. Mexican Bus Ride (Luis Bunuel, 1952)
92. Agatha and the Limitless Readings (Marguerite Duras, 1981)
93. La Tempestaire (Jean Epstein, 1947)
94. The Other Side of the Underneath (Jane Arden, 1972)
95. Nazareno Cruz and the Wolf (Leonardo Favio, 1975)
96. Goodbye South, Goodbye (Hou Hsiao-hsien, 1996)
97. Eros + Massacre (Yoshishige Yoshida, 1969)
98. There’s Always Tomorrow (Douglas Sirk, 1956)
99. Medea (Pier Paolo Pasolini, 1969)
100. Cairo Station (Youssef Chahine, 1958)
1. Playtime (Jacques Tati, 1967)
2. Celine and Julie Go Boating (Jacques Rivette, 1974)
3. Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)
4. Die Parallelstrasse (Ferdinand Khittl, 1962)
5. The Green Ray (Eric Rohmer, 1986)
6. As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
7. Contempt (Jean-Luc Godard, 1963)
8. Sherlock, Jr. (Buster Keaton, 1924)
9. Last Year at Marienbad (Alain Resnais, 1961)
10. The Conformist (Bernardo Bertolucci, 1970)
11. Stalker (Andrei Tarkovsky, 1979)
12. Manoel's Destinies (Raul Ruiz, 1984)
13. India Song (Marguerite Duras, 1975)
14. Limite (Mario Peixoto, 1931)
15. News From Home (Chantal Akerman, 1976)
16. Army of Shadows (Jean-Pierre Melville, 1969)
17. Persona (Ingmar Bergman, 1966)
18. Vertigo (Alfred Hitchcock, 1958)
19. Edvard Munch (Peter Watkins, 1974)
20. Satantango (Bela Tarr, 1994)
21. Le Bonheur (Agnes Varda, 1965)
22. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)
23. Nostos: The Return (Franco Piavoli, 1989)
24. Mr. Thank You (Hiroshi Shimizu, 1936)
25. M (Fritz Lang, 1931)
26. Under the Bridges (Helmut Kautner, 1946)
27. Fire in Castilla (Jose Val del Omar, 1961)
28. One Way Passage (Tay Garnett, 1932)
29. The Mother and The Whore (Jean Eustache, 1974)
30. The Shop Around the Corner (Ernst Lubitsch, 1940)
31. Hiroshima, Mon Amour (Alain Resnais, 1959)
32. At Sea (Peter Hutton, 2007)
33. Hovering Over the Water (Joao Cesar Monteiro, 1986)
34. Transit (Christian Petzold, 2018)
35. Los Olvidados (Luis Bunuel, 1951)
36. The Color of Pomegranates (Sergei Parajanov, 1969)
37. The Kidnapping (Dimitri Kirsanoff, 1934)
38. The Story of Marie and Julien (Jacques Rivette, 2003)
39. Duvidha (Mani Kaul, 1973)
40. Day Of the Outlaw (Andre de Toth, 1959)
41. Il Posto (Ermanno Olmi, 1961)
42. A Touch of Zen (King Hu, 1971)
43. A Moment of Innocence (Mohsen Makhmalbaf, 1996)
44. Journey to Italy (Roberto Rossellini, 1954)
45. Trouble in Paradise (Ernst Lubitsch, 1932)
46. The Spirit of the Beehive (Víctor Erice, 1973)
47. Possession (Andrzej Zulawski, 1981)
48. Eureka (Shinji Aoyama, 2000)
49. The Seventh Victim (Mark Robson, 1943)
50. Brief Encounter (David Lean, 1945)
51. Beau Travail (Claire Denis, 1999)
52. Daisies (Vera Chytilova, 1966)
53. La Dolce Vita (Federico Fellini, 1960)
54. Mirror (Andrei Tarkovsky, 1975)
55. A Cottage On Dartmoor (Anthony Asquith, 1929)
56. There Once Was a Singing Blackbird (Otar Iosseliani, 1970)
57. God's Comedy (Joao Cesar Monteiro, 1995)
58. Scattered Clouds (Mikio Naruse, 1967)
59. The Browning Version (Anthony Asquith, 1951)
60. The Sword of Doom (Kihachi Okamoto, 1966)
61. In A Lonely Place (Nicholas Ray, 1951)
62. Sunrise: A Song of Two Humans (FW Murnau, 1927)
63. Yi Yi (Ed Yang, 2000)
64. The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
65. The Godfather Part II (Francis Ford Coppola, 1974)
66. Pirosmani (Giorgi Shengelaia, 1969)
67. Extraordinary Stories (Mariano Llinas, 2008)
68. Mr. Klein (Joseph Losey, 1976)
69. Day of Wrath (Carl Theodor Dreyer, 1943)
70. Our Hospitality (Buster Keaton, John Blystone, 1923)
71. Les Enfants du Paradis (Marcel Carne, 1945)
72. Stroszek (Werner Herzog, 1978)
73. Only Angels Have Wings (Howard Hawks, 1939)
74. The Cameraman (Buster Keaton, Edward Sedgwick, 1928)
75. The Ascent (Larisa Shepitko, 1977)
76. Werckmeister Harmonies (Bela Tarr, 2000)
77. My Darling Clementine (John Ford, 1946)
78. Late Spring (Yasujiro Ozu, 1949)
79. The Rules of the Game (Jean Renoir, 1939)
80. Au Hasard Balthazar (Robert Bresson, 1966)
81. Amarcord (Federico Fellini, 1973)
82. Cries and Whispers (Ingmar Bergman, 1972)
83. Picnic at Hanging Rock (Peter Weir, 1975)
84. Wild Strawberries (Ingmar Bergman, 1957)
85. Solaris (Andrei Tarkovsky, 1972)
86. The Elegant Life of Mr. Everyman (Kihachi Okamoto, 1963)
87. Mind of Clay (Mani Kaul, 1985)
88. Mandala (Im Kwon-Taek, 1981)
89. A Year of the Quiet Sun (Krzysztof Zanussi, 1984)
90. Du Cote D’Orouet (Jacques Rozier, 1971)
91. Mexican Bus Ride (Luis Bunuel, 1952)
92. Agatha and the Limitless Readings (Marguerite Duras, 1981)
93. La Tempestaire (Jean Epstein, 1947)
94. The Other Side of the Underneath (Jane Arden, 1972)
95. Nazareno Cruz and the Wolf (Leonardo Favio, 1975)
96. Goodbye South, Goodbye (Hou Hsiao-hsien, 1996)
97. Eros + Massacre (Yoshishige Yoshida, 1969)
98. There’s Always Tomorrow (Douglas Sirk, 1956)
99. Medea (Pier Paolo Pasolini, 1969)
100. Cairo Station (Youssef Chahine, 1958)
#101-#200
101. Marketa Lazarova (Frantisek Vlacil, 1967)
102. The Long Day Closes (Terence Davies, 1992)
103. Four Adventures of Reinette and Mirabelle (Eric Rohmer, 1987)
104. Love Streams (John Cassavetes, 1984)
105. My Man Godfrey (Gregory La Cava, 1936)
106. Ordet (Carl Theodor Dreyer, 1955)
107. L’Argent (Robert Bresson, 1983)
108. The Best Years of Our Lives (William Wyler, 1946)
109. The Young Girls of Rochefort (Jacques Demy, 1967)
110. All That Jazz (Bob Fosse, 1979)
111. Pierrot le Fou (Jean-Luc Godard, 1965)
112. Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988)
113. The Third Man (Carol Reed, 1949)
114. Rear Window (Alfred Hitchcock, 1954)
115. Blessings of the Land (Manuel Silos, 1959)
116. Ajantrik (Ritwik Ghatak, 1958)
117. Finis Terrae (Jean Epstein, 1929)
118. Train of Shadows (Jose Luis Guerin, 1997)
119. Blood of the Condor (Jorge Sanjines, 1969)
120. The Taking of Power by Louis XIV (Roberto Rossellini, 1966)
121. Ticket of No Return (Ulrike Ottinger, 1979)
122. Stage Door (Gregory La Cava, 1937)
123. The Gunfighter (Henry King, 1950)
124. Lola Montes (Max Ophuls, 1955)
125. The Draughtsman's Contract (Peter Greenaway, 1982)
126. The Life and Death of Colonel Blimp (Michael Powell and Emeric Pressburger, 1943)
127. Morvern Callar (Lynne Ramsay, 2002)
128. A Star Is Born (George Cukor, 1954)
129. That Obscure Object of Desire (Luis Bunuel, 1977)
130. The Sea Inside (Alejandro Amenabar, 2004)
131. Goodbye, Dragon Inn (Tsai Ming-liang, 2003)
132. The Cranes Are Flying (Mikhail Kalatozov, 1957)
133. Red Desert (Michelangelo Antonioni, 1964)
134. Sans Soleil (Chris Marker, 1983)
135. Good Morning (Yasujiro Ozu, 1959)
136. Ugetsu (Kenji Mizoguchi, 1954)
137. Vampyr (Carl Theodor Dreyer, 1932)
138. F for Fake (Orson Welles, 1973)
139. A Brighter Summer Day (Ed Yang, 1991)
140. Fanny and Alexander (Ingmar Bergman, 1982)
141. Meshes of the Afternoon (Maya Deren, Alexander Hammid, 1943)
142. Holy Motors (Leos Carax, 2012)
143. High and Low (Akira Kurosawa, 1963)
144. The Age of Innocence (Martin Scorsese, 1993)
145. Tokyo Story (Yasujiro Ozu, 1953)
146. La Jetee (Chris Marker, 1962)
147. The Cabinet of Dr. Caligari (Robert Wiene, 1920)
148. Magnolia (Paul Thomas Anderson, 1999)
149. Mulholland Drive (David Lynch, 2001)
150. Eyes Wide Shut (Stanley Kubrick, 1999)
151. Masquerade in Vienna (Willi Forst, 1934)
152. Kanchana Sita (Govindan Aravindan, 1978)
153. Blues in the Night (Anatole Litvak, 1941)
154. Tennessee's Partner (Allan Dwan, 1955)
155. Silvestre (Joao Cesar Monteiro, 1981)
156. Benilde or the Virgin Mother (Manoel de Oliveira, 1975)
157. Come and Go (Joao Cesar Monteiro, 2003)
158. Lucky Star (Frank Borzage, 1929)
159. Anne of the Indies (Jacques Tourneur, 1951)
160. In the White City (Alain Tanner, 1983)
161. Ornamental Hairpin (Hiroshi Shimizu, 1941)
162. The Flying Train (unknown director, 1902)
163. Moving (Shinji Somai, 1993)
164. Panic (Julien Duvivier, 1946)
165. The Cloud-Capped Star (Ritwik Ghatak, 1960)
166. The Criminal Life of Archibaldo de la Cruz (Luis Bunuel, 1955)
167. Menilmontant (Dimitri Kirsanoff, 1926)
168. The Third Part of the Night (Andrzej Zulawski, 1971)
169. Stromboli (Roberto Rossellini, 1950)
170. Early Summer (Yasujiro Ozu, 1951)
171. Monsieur Verdoux (Charlie Chaplin, 1947)
172. Shadows in Paradise (Aki Kaurismaki, 1986)
173. The Phantom of Liberty (Luis Bunuel, 1974)
174. Two-Lane Blacktop (Monte Hellman, 1971)
175. Girlfriends (Claudia Weill, 1978)
176, Kuroneko (Kaneto Shindo, 1968)
177. The Turin Horse (Bela Tarr, 2011)
178. Viridiana (Luis Bunuel, 1961)
179. Wendy and Lucy (Kelly Reichardt, 2008)
180. Le Cercle Rouge (Jean-Pierre Melville, 1970)
181. A Matter of Life and Death (Michael Powell, Emeric Pressburger, 1946)
182. 3 Women (Robert Altman, 1977)
183. McCabe and Mrs. Miller (Robert Altman, 1971)
184. The Remains of the Day (James Ivory, 1993)
185. Naked (Mike Leigh, 1993)
186. His Girl Friday (Howard Hawks, 1940)
187. Miami Vice (Michael Mann, 2006)
188. Vivre Sa Vie (Jean-Luc Godard, 1962)
189. The Great Beauty (Paolo Sorrentino, 2013)
190. Cure (Kiyoshi Kurosawa, 1997)
191. Salo, or the 120 Days of Sodom (Pier Paolo Pasolini, 1975)
192. Wild at Heart (David Lynch, 1990)
193. Lawrence of Arabia (David Lean, 1962)
194. Sunset Boulevard (Billy Wilder, 1950)
195. Whisper of the Heart (Yoshifumi Kondo, 1995)
196. The Big Lebowski (Coen Brothers, 1998)
197. 2001: A Space Odyssey (Stanley Kubrick, 1968)
198. The Banquet (Hasse Ekman, 1948)
199. White Mountains (Melis Ubukeyev, 1965)
200. The Congress Dances (Erik Charell, 1931)
101. Marketa Lazarova (Frantisek Vlacil, 1967)
102. The Long Day Closes (Terence Davies, 1992)
103. Four Adventures of Reinette and Mirabelle (Eric Rohmer, 1987)
104. Love Streams (John Cassavetes, 1984)
105. My Man Godfrey (Gregory La Cava, 1936)
106. Ordet (Carl Theodor Dreyer, 1955)
107. L’Argent (Robert Bresson, 1983)
108. The Best Years of Our Lives (William Wyler, 1946)
109. The Young Girls of Rochefort (Jacques Demy, 1967)
110. All That Jazz (Bob Fosse, 1979)
111. Pierrot le Fou (Jean-Luc Godard, 1965)
112. Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988)
113. The Third Man (Carol Reed, 1949)
114. Rear Window (Alfred Hitchcock, 1954)
115. Blessings of the Land (Manuel Silos, 1959)
116. Ajantrik (Ritwik Ghatak, 1958)
117. Finis Terrae (Jean Epstein, 1929)
118. Train of Shadows (Jose Luis Guerin, 1997)
119. Blood of the Condor (Jorge Sanjines, 1969)
120. The Taking of Power by Louis XIV (Roberto Rossellini, 1966)
121. Ticket of No Return (Ulrike Ottinger, 1979)
122. Stage Door (Gregory La Cava, 1937)
123. The Gunfighter (Henry King, 1950)
124. Lola Montes (Max Ophuls, 1955)
125. The Draughtsman's Contract (Peter Greenaway, 1982)
126. The Life and Death of Colonel Blimp (Michael Powell and Emeric Pressburger, 1943)
127. Morvern Callar (Lynne Ramsay, 2002)
128. A Star Is Born (George Cukor, 1954)
129. That Obscure Object of Desire (Luis Bunuel, 1977)
130. The Sea Inside (Alejandro Amenabar, 2004)
131. Goodbye, Dragon Inn (Tsai Ming-liang, 2003)
132. The Cranes Are Flying (Mikhail Kalatozov, 1957)
133. Red Desert (Michelangelo Antonioni, 1964)
134. Sans Soleil (Chris Marker, 1983)
135. Good Morning (Yasujiro Ozu, 1959)
136. Ugetsu (Kenji Mizoguchi, 1954)
137. Vampyr (Carl Theodor Dreyer, 1932)
138. F for Fake (Orson Welles, 1973)
139. A Brighter Summer Day (Ed Yang, 1991)
140. Fanny and Alexander (Ingmar Bergman, 1982)
141. Meshes of the Afternoon (Maya Deren, Alexander Hammid, 1943)
142. Holy Motors (Leos Carax, 2012)
143. High and Low (Akira Kurosawa, 1963)
144. The Age of Innocence (Martin Scorsese, 1993)
145. Tokyo Story (Yasujiro Ozu, 1953)
146. La Jetee (Chris Marker, 1962)
147. The Cabinet of Dr. Caligari (Robert Wiene, 1920)
148. Magnolia (Paul Thomas Anderson, 1999)
149. Mulholland Drive (David Lynch, 2001)
150. Eyes Wide Shut (Stanley Kubrick, 1999)
151. Masquerade in Vienna (Willi Forst, 1934)
152. Kanchana Sita (Govindan Aravindan, 1978)
153. Blues in the Night (Anatole Litvak, 1941)
154. Tennessee's Partner (Allan Dwan, 1955)
155. Silvestre (Joao Cesar Monteiro, 1981)
156. Benilde or the Virgin Mother (Manoel de Oliveira, 1975)
157. Come and Go (Joao Cesar Monteiro, 2003)
158. Lucky Star (Frank Borzage, 1929)
159. Anne of the Indies (Jacques Tourneur, 1951)
160. In the White City (Alain Tanner, 1983)
161. Ornamental Hairpin (Hiroshi Shimizu, 1941)
162. The Flying Train (unknown director, 1902)
163. Moving (Shinji Somai, 1993)
164. Panic (Julien Duvivier, 1946)
165. The Cloud-Capped Star (Ritwik Ghatak, 1960)
166. The Criminal Life of Archibaldo de la Cruz (Luis Bunuel, 1955)
167. Menilmontant (Dimitri Kirsanoff, 1926)
168. The Third Part of the Night (Andrzej Zulawski, 1971)
169. Stromboli (Roberto Rossellini, 1950)
170. Early Summer (Yasujiro Ozu, 1951)
171. Monsieur Verdoux (Charlie Chaplin, 1947)
172. Shadows in Paradise (Aki Kaurismaki, 1986)
173. The Phantom of Liberty (Luis Bunuel, 1974)
174. Two-Lane Blacktop (Monte Hellman, 1971)
175. Girlfriends (Claudia Weill, 1978)
176, Kuroneko (Kaneto Shindo, 1968)
177. The Turin Horse (Bela Tarr, 2011)
178. Viridiana (Luis Bunuel, 1961)
179. Wendy and Lucy (Kelly Reichardt, 2008)
180. Le Cercle Rouge (Jean-Pierre Melville, 1970)
181. A Matter of Life and Death (Michael Powell, Emeric Pressburger, 1946)
182. 3 Women (Robert Altman, 1977)
183. McCabe and Mrs. Miller (Robert Altman, 1971)
184. The Remains of the Day (James Ivory, 1993)
185. Naked (Mike Leigh, 1993)
186. His Girl Friday (Howard Hawks, 1940)
187. Miami Vice (Michael Mann, 2006)
188. Vivre Sa Vie (Jean-Luc Godard, 1962)
189. The Great Beauty (Paolo Sorrentino, 2013)
190. Cure (Kiyoshi Kurosawa, 1997)
191. Salo, or the 120 Days of Sodom (Pier Paolo Pasolini, 1975)
192. Wild at Heart (David Lynch, 1990)
193. Lawrence of Arabia (David Lean, 1962)
194. Sunset Boulevard (Billy Wilder, 1950)
195. Whisper of the Heart (Yoshifumi Kondo, 1995)
196. The Big Lebowski (Coen Brothers, 1998)
197. 2001: A Space Odyssey (Stanley Kubrick, 1968)
198. The Banquet (Hasse Ekman, 1948)
199. White Mountains (Melis Ubukeyev, 1965)
200. The Congress Dances (Erik Charell, 1931)
#201-#300:
201. The Stone Wedding (Mircea Veroiu/Dan Pita, 1973)
202. Esthappan (Govindan Aravindan, 1980)
203. The Ball at the Anjo House (Kozaburo Yoshimura, 1947)
204. Time Indefinite (Ross McElwee, 1993)
205. The Dupes (Tawfiq Saleh, 1972)
206. Cesar (Marcel Pagnol, 1936)
207. The Ogre of Athens (Nikos Koundouros, 1956)
208. The Prisoner of Zenda (John Cromwell, 1937)
209. Voices Through Time (Franco Piavoli, 1996)
210. Careful (Guy Maddin, 1992)
211. The Blazing Sun (Youssef Chahine, 1954)
212. Elvira Madigan (Bo Widerberg, 1967)
213. The Hypothesis of the Stolen Painting (Raul Ruiz, 1978)
214. Diaries, Notes, and Sketches (Jonas Mekas, 1968)
215. Celine (Jean-Claude Brisseau, 1992)
216. Walking the Streets of Moscow (Georgiy Daneliya, 1964)
217. Mysteries of Lisbon (Raul Ruiz, 2010)
218. Dillinger Is Dead (Marco Ferreri, 1969)
219. In Vanda’s Room (Pedro Costa, 2000)
220. The Red and the White (Miklos Jancso, 1967)
221. The Iron Rose (Jean Rollin, 1973)
222. Angel (Ernst Lubitsch, 1937)
223. French Cancan (Jean Renoir, 1955)
224. Wagon Master (John Ford, 1950)
225. He Who Gets Slapped (Victor Sjostrom, 1924)
226. Bitter Rice (Giuseppe De Santis, 1949)
227. Rain (Joris Ivens, Mannus Franken, 1929)
228. First Name: Carmen (Jean-Luc Godard, 1983)
229. The Wind (Victor Sjostrom, 1928)
230. On Dangerous Ground (Nicholas Ray, 1951)
231. August in the Water (Sogo Ishii, 1995)
232. Drowning by Numbers (Peter Greenaway, 1988)
233. Gertrud (Carl Theodor Dreyer, 1964)
234. Tokyo Twilight (Yasujiro Ozu, 1957)
235. The Golem: How He Came into the World (Paul Wegener and Carl Boese, 1920)
236. Dragon Inn (King Hu, 1967)
237. Hard to Be a God (Aleksey German, 2013)
238. Daughters of Darkness (Harry Kumel, 1971)
239. Swing Time (George Stevens, 1936)
240. Right Now, Wrong Then (Hong Sang-Soo, 2015)
241. An Autumn Afternoon (Yasujiro Ozu, 1962)
242. Sansho the Bailiff (Kenji Mizoguchi, 1954)
243. Weekend (Jean-Luc Godard, 1967)
244. Z (Costa-Gavras, 1969)
245. Forbidden Planet (Fred Wilcox, 1956)
246. Kwaidan (Masaki Kobayashi, 1964)
247. Phoenix (Christian Petzold, 2014)
248. Pather Panchali (Satyajit Ray, 1955)
249. The Exterminating Angel (Luis Bunuel, 1961)
250. A Man Escaped (Robert Bresson, 1956)
251. Meet Me In St. Louis (Vincente Minnelli, 1944)
252. Sorcerer (William Friedkin, 1977)
253. Belle de Jour (Luis Bunuel, 1967)
254. The Double Life of Veronique (Krzysztof Kieslowski, 1991)
255. Three Colors: Red (Krzysztof Kieslowski, 1994)
256. Three Colors: Blue (Krzysztof Kieslowski, 1993)
257. The Apartment (Billy Wilder, 1960)
258. A.I. Artificial Intelligence (Steven Spielberg, 2001)
259. Phantom Thread (Paul Thomas Anderson, 2017)
260. Goodfellas (Martin Scorsese, 1990)
261. Ala-Arriba! (Jose Leitao de Barros, 1942)
262. Mad About Music (Norman Taurog, 1938)
263. The Lighthouse Keepers (Jean Gremillon, 1929)
264. The Naked Dawn (Edgar Ulmer, 1955)
265. Consuming Spirits (Chris Sullivan, 2012)
266. Bound for the Fields, the Mountains and the Seacoast (Nobuhiko Obayashi, 1986)
267. Bandits of Orgosolo (Vittorio de Seta, 1961)
268. Earth Light (Guy Gilles, 1970)
269. Everybody's Woman (Max Ophuls, 1934)
270. Tange Sazen and the Pot Worth a Million Ryo (Sadao Yamanaka, 1935)
271. Noroit (Jacques Rivette, 1976)
272. Electra, My Love (Miklos Jancso, 1974)
273. Inspiration (Karel Zeman, 1949)
274. Alone in the Wilderness (Dick Proenneke, Bob Swerer Sr, Bob Swerer Jr, 2004)
275. Malmkrog (Cristi Puiu, 2020)
276. Coeur Fidele (Jean Epstein, 1923)
277. Les Bonnes Femmes (Claude Chabrol, 1960)
278. Khroustaliov, My Car! (Alexei German, 1998)
279. Toute Une Nuit (Chantal Akerman, 1982)
280. Wittgenstein (Derek Jarman, 1993)
281. Night Nurse (William Wellman, 1931)
282. Pyaasa (Guru Dutt, 1957)
283. The Unknown (Tod Browning, 1927)
284. Meantime (Mike Leigh, 1983)
285. Heaven’s Gate (Michael Cimino, 1980)
286. The Bad Sleep Well (Akira Kurosawa, 1960)
287. All That Heaven Allows (Douglas Sirk, 1955)
288. Woman in the Dunes (Hiroshi Teshigahara, 1964)
289. Birth (Jonathan Glazer, 2004)
290. Hannah and Her Sisters (Woody Allen, 1986)
291. The Red Shoes (Michael Powell and Emeric Pressburger, 1946)
292. Manhunter (Michael Mann, 1986)
293. The Umbrellas of Cherbourg (Jacques Demy, 1964)
294. City Lights (Charlie Chaplin, 1931)
295. The Thin Red Line (Terrence Malick, 1998)
296. Nosferatu (FW Murnau, 1922)
297. La Haine (Mathieu Kassovitz, 1995)
298. Citizen Kane (Orson Welles, 1941)
299. Psycho (Alfred Hitchcock, 1960)
300. The Deserter (Leonide Moguy, 1939)
201. The Stone Wedding (Mircea Veroiu/Dan Pita, 1973)
202. Esthappan (Govindan Aravindan, 1980)
203. The Ball at the Anjo House (Kozaburo Yoshimura, 1947)
204. Time Indefinite (Ross McElwee, 1993)
205. The Dupes (Tawfiq Saleh, 1972)
206. Cesar (Marcel Pagnol, 1936)
207. The Ogre of Athens (Nikos Koundouros, 1956)
208. The Prisoner of Zenda (John Cromwell, 1937)
209. Voices Through Time (Franco Piavoli, 1996)
210. Careful (Guy Maddin, 1992)
211. The Blazing Sun (Youssef Chahine, 1954)
212. Elvira Madigan (Bo Widerberg, 1967)
213. The Hypothesis of the Stolen Painting (Raul Ruiz, 1978)
214. Diaries, Notes, and Sketches (Jonas Mekas, 1968)
215. Celine (Jean-Claude Brisseau, 1992)
216. Walking the Streets of Moscow (Georgiy Daneliya, 1964)
217. Mysteries of Lisbon (Raul Ruiz, 2010)
218. Dillinger Is Dead (Marco Ferreri, 1969)
219. In Vanda’s Room (Pedro Costa, 2000)
220. The Red and the White (Miklos Jancso, 1967)
221. The Iron Rose (Jean Rollin, 1973)
222. Angel (Ernst Lubitsch, 1937)
223. French Cancan (Jean Renoir, 1955)
224. Wagon Master (John Ford, 1950)
225. He Who Gets Slapped (Victor Sjostrom, 1924)
226. Bitter Rice (Giuseppe De Santis, 1949)
227. Rain (Joris Ivens, Mannus Franken, 1929)
228. First Name: Carmen (Jean-Luc Godard, 1983)
229. The Wind (Victor Sjostrom, 1928)
230. On Dangerous Ground (Nicholas Ray, 1951)
231. August in the Water (Sogo Ishii, 1995)
232. Drowning by Numbers (Peter Greenaway, 1988)
233. Gertrud (Carl Theodor Dreyer, 1964)
234. Tokyo Twilight (Yasujiro Ozu, 1957)
235. The Golem: How He Came into the World (Paul Wegener and Carl Boese, 1920)
236. Dragon Inn (King Hu, 1967)
237. Hard to Be a God (Aleksey German, 2013)
238. Daughters of Darkness (Harry Kumel, 1971)
239. Swing Time (George Stevens, 1936)
240. Right Now, Wrong Then (Hong Sang-Soo, 2015)
241. An Autumn Afternoon (Yasujiro Ozu, 1962)
242. Sansho the Bailiff (Kenji Mizoguchi, 1954)
243. Weekend (Jean-Luc Godard, 1967)
244. Z (Costa-Gavras, 1969)
245. Forbidden Planet (Fred Wilcox, 1956)
246. Kwaidan (Masaki Kobayashi, 1964)
247. Phoenix (Christian Petzold, 2014)
248. Pather Panchali (Satyajit Ray, 1955)
249. The Exterminating Angel (Luis Bunuel, 1961)
250. A Man Escaped (Robert Bresson, 1956)
251. Meet Me In St. Louis (Vincente Minnelli, 1944)
252. Sorcerer (William Friedkin, 1977)
253. Belle de Jour (Luis Bunuel, 1967)
254. The Double Life of Veronique (Krzysztof Kieslowski, 1991)
255. Three Colors: Red (Krzysztof Kieslowski, 1994)
256. Three Colors: Blue (Krzysztof Kieslowski, 1993)
257. The Apartment (Billy Wilder, 1960)
258. A.I. Artificial Intelligence (Steven Spielberg, 2001)
259. Phantom Thread (Paul Thomas Anderson, 2017)
260. Goodfellas (Martin Scorsese, 1990)
261. Ala-Arriba! (Jose Leitao de Barros, 1942)
262. Mad About Music (Norman Taurog, 1938)
263. The Lighthouse Keepers (Jean Gremillon, 1929)
264. The Naked Dawn (Edgar Ulmer, 1955)
265. Consuming Spirits (Chris Sullivan, 2012)
266. Bound for the Fields, the Mountains and the Seacoast (Nobuhiko Obayashi, 1986)
267. Bandits of Orgosolo (Vittorio de Seta, 1961)
268. Earth Light (Guy Gilles, 1970)
269. Everybody's Woman (Max Ophuls, 1934)
270. Tange Sazen and the Pot Worth a Million Ryo (Sadao Yamanaka, 1935)
271. Noroit (Jacques Rivette, 1976)
272. Electra, My Love (Miklos Jancso, 1974)
273. Inspiration (Karel Zeman, 1949)
274. Alone in the Wilderness (Dick Proenneke, Bob Swerer Sr, Bob Swerer Jr, 2004)
275. Malmkrog (Cristi Puiu, 2020)
276. Coeur Fidele (Jean Epstein, 1923)
277. Les Bonnes Femmes (Claude Chabrol, 1960)
278. Khroustaliov, My Car! (Alexei German, 1998)
279. Toute Une Nuit (Chantal Akerman, 1982)
280. Wittgenstein (Derek Jarman, 1993)
281. Night Nurse (William Wellman, 1931)
282. Pyaasa (Guru Dutt, 1957)
283. The Unknown (Tod Browning, 1927)
284. Meantime (Mike Leigh, 1983)
285. Heaven’s Gate (Michael Cimino, 1980)
286. The Bad Sleep Well (Akira Kurosawa, 1960)
287. All That Heaven Allows (Douglas Sirk, 1955)
288. Woman in the Dunes (Hiroshi Teshigahara, 1964)
289. Birth (Jonathan Glazer, 2004)
290. Hannah and Her Sisters (Woody Allen, 1986)
291. The Red Shoes (Michael Powell and Emeric Pressburger, 1946)
292. Manhunter (Michael Mann, 1986)
293. The Umbrellas of Cherbourg (Jacques Demy, 1964)
294. City Lights (Charlie Chaplin, 1931)
295. The Thin Red Line (Terrence Malick, 1998)
296. Nosferatu (FW Murnau, 1922)
297. La Haine (Mathieu Kassovitz, 1995)
298. Citizen Kane (Orson Welles, 1941)
299. Psycho (Alfred Hitchcock, 1960)
300. The Deserter (Leonide Moguy, 1939)
and #301-#400:
301. The Adventure of Faustus Bidgood (Michael Jones/Andy Jones, 1986)
302. Homecoming (Joe May, 1928)
303. You Take Care Now (Ann Marie Fleming, 1989)
304. The Poem of Hayachine Valley (Sumiko Haneda, 1982)
305. Mr. Shosuke Ohara (Hiroshi Shimizu, 1949)
306. Travelling Circus (Viet Linh, 1988)
307. The Satin Slipper (Manoel de Oliveira, 1985)
308. Through and Through (Grzegorz Krolikiewicz, 1973)
309. Man from Del Rio (Harry Horner, 1956)
310. Taiga (Ulrike Ottinger, 1992)
311. ‘Rameau's Nephew' by Diderot (Thanx to Dennis Young) by Wilma Schoen (Michael Snow, 1974)
312. The Mongols (Parviz Kimiavi, 1973)
313. Topos (Antouanetta Angelidi, 1985)
314. Her Venetian Name in Calcutta Desert (Marguerite Duras, 1976)
315. Comrades (Bill Douglas, 1986)
316. A Story Written with Water (Yoshishige Yoshida, 1965)
317. Stemple Pass (James Benning, 2012)
318. The Enclosed Valley (Jean-Claude Rousseau, 1995)
319. Quick Billy (Bruce Baillie, 1971)
320. The Text of Light (Stan Brakhage, 1974)
321. Underground (Anthony Asquith, 1928)
322. Destroy She Said (Marguerite Duras, 1969)
323. The Wonderful Country (Robert Parrish, 1959)
324. Soft Fiction (Chick Strand, 1979)
325. The Love Eterne (Li Han-Hsiang, 1963)
326. The Toth Family (Zoltan Fabri, 1969)
327. Let Your Light Shine (Jodie Mack, 2013)
328. Hold Your Man (Sam Wood, 1933)
329. Change of Life (Paulo Rocha, 1966)
330. Harriet Craig (Vincent Sherman, 1950)
331. The Good Fairy (William Wyler, 1935)
332. Road (Alan Clarke, 1987)
333. The Wildcat (Ernst Lubitsch, 1921)
334. Woman of the Lake (Yoshishige Yoshida, 1966)
335. The Masseurs and a Woman (Hiroshi Shimizu, 1938)
336. Guide (Vijay Anand, 1965)
337. Origins of the 21st Century (Jean-Luc Godard, 2000)
338. Disintegration Loop 1.1 (William Basinski, 2001)
339. Innocent Sorcerers (Andrzej Wajda, 1960)
340. The Desert of the Tartars (Valerio Zurlini, 1976)
341. Francisca (Manoel de Oliveira, 1981)
342. Violent Summer (Valerio Zurlini, 1959)
343. A River Called Titash (Ritwik Ghatak, 1973)
344. La Libertad (Lisandro Alonso, 2001)
345. Anatahan (Josef von Sternberg, 1953)
346. Strange Voyage (Fernando Fernan Gomez, 1964)
347. No Way, Spider (Rogerio Sganzerla, 1970)
348. Recollections of the Yellow House (Joao Cesar Monteiro, 1989)
349. Heroic Purgatory (Yoshishige Yoshida, 1970)
350. Broken Lullaby (Ernst Lubitsch, 1932)
351. La Femme Infidele (Claude Chabrol, 1969)
352. The Oyster Princess (Ernst Lubitsch, 1919)
353. La Commune (Paris, 1871) (Peter Watkins, 2000)
354. L’Amour Braque (Andrzej Zulawski, 1985)
355. Absolute Giganten (Sebastian Schipper, 1999)
356. Humanity and Paper Balloons (Sadao Yamanaka, 1937)
357. Ride the Pink Horse (Robert Montgomery, 1947)
358. Different from the Others (Richard Oswald, 1919)
359. Pierrette’s Escapades (Alice Guy-Blache, 1900)
360. Nothing But a Man (Michael Roemer, 1964)
361. Ulzana’s Raid (Robert Aldrich, 1972)
362. Bridges-Go-Round (Shirley Clarke, 1958)
363. Random Harvest (Mervyn LeRoy, 1942)
364. Mes Petites Amoureuses (Jean Eustache, 1974)
365. The Time That Remains (Elia Suleiman, 2009)
366. Brand Upon the Brain! (Guy Maddin, 2006)
367. Isole di Fuoco (Vittorio De Seta, 1955)
368. Hyenas (Djibril Diop Mambety, 1992)
369. They Were Expendable (John Ford, 1945)
370. Tea and Sympathy (Vincente Minnelli, 1956)
371. Landscape Suicide (James Benning, 1986)
372. Small Change (Francois Truffaut, 1976)
373. Muriel (Alain Resnais, 1963)
374. Time Masters (Rene Laloux, 1982)
375. Dishonored (Josef von Sternberg, 1931)
376, Green Snake (Tsui Hark, 1993)
377. Some Came Running (Vincente Minnelli, 1958)
378. The Man Who Planted Trees (Frederic Back, 1987)
379. Rouge (Stanley Kwan, 1987)
380. Matewan (John Sayles, 1987)
381. Mystery of the Wax Museum (Michael Curtiz, 1933)
382. The Wayward Cloud (Tsai Ming-Liang, 2005)
383. Kings of the Road (Wim Wenders, 1976)
384. The Spiral Staircase (Robert Siodmak, 1946)
385. Tabu (Miguel Gomes, 2012)
386. Four Nights of a Dreamer (Robert Bresson, 1971)
387. Late Autumn (Yasujiro Ozu, 1960)
388. Memories of Underdevelopment (Tomas Gutierrez Alea, 1968)
389. Suspense (Phillips Smalley and Lois Weber, 1913)
390. Syndromes and a Century (Apichatpong Weerasethakul, 2006)
391. Heaven Can Wait (Ernst Lubitsch, 1943)
392. Odd Man Out (Carol Reed, 1947)
393. Jane B. par Agnes V. (Agnes Varda, 1988)
394. Bait (Mark Jenkin, 2019)
395. La Belle Noiseuse (Jacques Rivette, 1991)
396. A Town Called Panic (Stephane Aubier & Vincent Patar, 2009)
397. Goodbye to Language (Jean-Luc Godard, 2014)
398. They Live by Night (Nicholas Ray, 1948)
399. Modern Romance (Albert Brooks, 1981)
400. Vive L'Amour (Tsai Ming-Liang, 1994)
301. The Adventure of Faustus Bidgood (Michael Jones/Andy Jones, 1986)
302. Homecoming (Joe May, 1928)
303. You Take Care Now (Ann Marie Fleming, 1989)
304. The Poem of Hayachine Valley (Sumiko Haneda, 1982)
305. Mr. Shosuke Ohara (Hiroshi Shimizu, 1949)
306. Travelling Circus (Viet Linh, 1988)
307. The Satin Slipper (Manoel de Oliveira, 1985)
308. Through and Through (Grzegorz Krolikiewicz, 1973)
309. Man from Del Rio (Harry Horner, 1956)
310. Taiga (Ulrike Ottinger, 1992)
311. ‘Rameau's Nephew' by Diderot (Thanx to Dennis Young) by Wilma Schoen (Michael Snow, 1974)
312. The Mongols (Parviz Kimiavi, 1973)
313. Topos (Antouanetta Angelidi, 1985)
314. Her Venetian Name in Calcutta Desert (Marguerite Duras, 1976)
315. Comrades (Bill Douglas, 1986)
316. A Story Written with Water (Yoshishige Yoshida, 1965)
317. Stemple Pass (James Benning, 2012)
318. The Enclosed Valley (Jean-Claude Rousseau, 1995)
319. Quick Billy (Bruce Baillie, 1971)
320. The Text of Light (Stan Brakhage, 1974)
321. Underground (Anthony Asquith, 1928)
322. Destroy She Said (Marguerite Duras, 1969)
323. The Wonderful Country (Robert Parrish, 1959)
324. Soft Fiction (Chick Strand, 1979)
325. The Love Eterne (Li Han-Hsiang, 1963)
326. The Toth Family (Zoltan Fabri, 1969)
327. Let Your Light Shine (Jodie Mack, 2013)
328. Hold Your Man (Sam Wood, 1933)
329. Change of Life (Paulo Rocha, 1966)
330. Harriet Craig (Vincent Sherman, 1950)
331. The Good Fairy (William Wyler, 1935)
332. Road (Alan Clarke, 1987)
333. The Wildcat (Ernst Lubitsch, 1921)
334. Woman of the Lake (Yoshishige Yoshida, 1966)
335. The Masseurs and a Woman (Hiroshi Shimizu, 1938)
336. Guide (Vijay Anand, 1965)
337. Origins of the 21st Century (Jean-Luc Godard, 2000)
338. Disintegration Loop 1.1 (William Basinski, 2001)
339. Innocent Sorcerers (Andrzej Wajda, 1960)
340. The Desert of the Tartars (Valerio Zurlini, 1976)
341. Francisca (Manoel de Oliveira, 1981)
342. Violent Summer (Valerio Zurlini, 1959)
343. A River Called Titash (Ritwik Ghatak, 1973)
344. La Libertad (Lisandro Alonso, 2001)
345. Anatahan (Josef von Sternberg, 1953)
346. Strange Voyage (Fernando Fernan Gomez, 1964)
347. No Way, Spider (Rogerio Sganzerla, 1970)
348. Recollections of the Yellow House (Joao Cesar Monteiro, 1989)
349. Heroic Purgatory (Yoshishige Yoshida, 1970)
350. Broken Lullaby (Ernst Lubitsch, 1932)
351. La Femme Infidele (Claude Chabrol, 1969)
352. The Oyster Princess (Ernst Lubitsch, 1919)
353. La Commune (Paris, 1871) (Peter Watkins, 2000)
354. L’Amour Braque (Andrzej Zulawski, 1985)
355. Absolute Giganten (Sebastian Schipper, 1999)
356. Humanity and Paper Balloons (Sadao Yamanaka, 1937)
357. Ride the Pink Horse (Robert Montgomery, 1947)
358. Different from the Others (Richard Oswald, 1919)
359. Pierrette’s Escapades (Alice Guy-Blache, 1900)
360. Nothing But a Man (Michael Roemer, 1964)
361. Ulzana’s Raid (Robert Aldrich, 1972)
362. Bridges-Go-Round (Shirley Clarke, 1958)
363. Random Harvest (Mervyn LeRoy, 1942)
364. Mes Petites Amoureuses (Jean Eustache, 1974)
365. The Time That Remains (Elia Suleiman, 2009)
366. Brand Upon the Brain! (Guy Maddin, 2006)
367. Isole di Fuoco (Vittorio De Seta, 1955)
368. Hyenas (Djibril Diop Mambety, 1992)
369. They Were Expendable (John Ford, 1945)
370. Tea and Sympathy (Vincente Minnelli, 1956)
371. Landscape Suicide (James Benning, 1986)
372. Small Change (Francois Truffaut, 1976)
373. Muriel (Alain Resnais, 1963)
374. Time Masters (Rene Laloux, 1982)
375. Dishonored (Josef von Sternberg, 1931)
376, Green Snake (Tsui Hark, 1993)
377. Some Came Running (Vincente Minnelli, 1958)
378. The Man Who Planted Trees (Frederic Back, 1987)
379. Rouge (Stanley Kwan, 1987)
380. Matewan (John Sayles, 1987)
381. Mystery of the Wax Museum (Michael Curtiz, 1933)
382. The Wayward Cloud (Tsai Ming-Liang, 2005)
383. Kings of the Road (Wim Wenders, 1976)
384. The Spiral Staircase (Robert Siodmak, 1946)
385. Tabu (Miguel Gomes, 2012)
386. Four Nights of a Dreamer (Robert Bresson, 1971)
387. Late Autumn (Yasujiro Ozu, 1960)
388. Memories of Underdevelopment (Tomas Gutierrez Alea, 1968)
389. Suspense (Phillips Smalley and Lois Weber, 1913)
390. Syndromes and a Century (Apichatpong Weerasethakul, 2006)
391. Heaven Can Wait (Ernst Lubitsch, 1943)
392. Odd Man Out (Carol Reed, 1947)
393. Jane B. par Agnes V. (Agnes Varda, 1988)
394. Bait (Mark Jenkin, 2019)
395. La Belle Noiseuse (Jacques Rivette, 1991)
396. A Town Called Panic (Stephane Aubier & Vincent Patar, 2009)
397. Goodbye to Language (Jean-Luc Godard, 2014)
398. They Live by Night (Nicholas Ray, 1948)
399. Modern Romance (Albert Brooks, 1981)
400. Vive L'Amour (Tsai Ming-Liang, 1994)
haha, we're so against the norm that our favorite shimizu is mr. thank you 
which is a great film, of course, but not what i was expecting to see as his highest ranked film.
which is a great film, of course, but not what i was expecting to see as his highest ranked film."Most esteemed biographer of Peter Barrington Hutton"
control-f the cameraman #74 i was way off 
oh well sherlock jr is good too
i take credit for pushing die parallelstrasse to top 5
oh well sherlock jr is good too
i take credit for pushing die parallelstrasse to top 5
I barely made a dent in the overall results but I'm very happy with the top film and the fact that I can say I've seen half of the 400 that made the list!
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oOgiandujaOo
- Posts: 27
- Joined: Mon Mar 28, 2022 5:37 pm
Parallelstrasse and Celine and Julie are both in my 100-200 and had to resist the urge to not tactically vote them hehe. So nice to reminisce on Marienbad this morning, I remember sitting in the cinema as a student back in 1999, watching Marienbad thinking, "I'm hooked, this is something I'll be doing for the rest of my life", also have marvellous memories of seeing Le Mepris with my two brothers in the early 00s, perhaps the only thing we ever have done together was to go see that movie. Jack Palance with his little book, Bardot apricating, Lang pontificating, it's movie heaven.
It is just very nice to see so few movies with animal abuse in the results. There is nothing that shakes my faith in art as much as when an artist says, "Look how profound I am, I have killed a flock of sheep as a metaphor."
I bear a large responsibility for the placing so high of Mr Thank You, a piece of humanity, mysticism and good humour. The only other Shimizu I saw was the Ornamental Hairpin, where I could just not get used to the idea that the best way to heal a puncture wound on the foot was to keep on aggravating it. Sorry for this mental block, do we have any medics here to opine on that?
Soundtrack to reading the results, Beethoven's Diabelli variations.
It is just very nice to see so few movies with animal abuse in the results. There is nothing that shakes my faith in art as much as when an artist says, "Look how profound I am, I have killed a flock of sheep as a metaphor."
I bear a large responsibility for the placing so high of Mr Thank You, a piece of humanity, mysticism and good humour. The only other Shimizu I saw was the Ornamental Hairpin, where I could just not get used to the idea that the best way to heal a puncture wound on the foot was to keep on aggravating it. Sorry for this mental block, do we have any medics here to opine on that?
Soundtrack to reading the results, Beethoven's Diabelli variations.
Among these 400, I am curious to know the ones with the fewest votes at Letterboxd or IMDB.
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St. Gloede
- Posts: 712
- Joined: Sat Feb 09, 2019 5:50 pm
Wonderful to see the results!
And finally a poll that lists Le bonheur as Varda's best. Loved seeing that.
Really exciting results in general, though I have to admit I'm not a huge Tati fan. Having Die Parallelstrasse is the top 5 makes me love the list regardless though.
Feels like I had a decent degree of impact here, with Jane B. par Agnes V. even crashing the top 400. Was I the only voter?
Are you adding it to ICM and Letterboxd?
And finally a poll that lists Le bonheur as Varda's best. Loved seeing that.
Really exciting results in general, though I have to admit I'm not a huge Tati fan. Having Die Parallelstrasse is the top 5 makes me love the list regardless though.
Feels like I had a decent degree of impact here, with Jane B. par Agnes V. even crashing the top 400. Was I the only voter?
Are you adding it to ICM and Letterboxd?
so, all the films from 300-400 got six points, which means they either got one first-tier vote (on a ranked ballot), or they got two votes that added up to six points (in theory a film could get three 2-point bottom-tier votes, but i'm fairly sure that didn't happen). so if you put jane b in your top tier, then yes, you were the only vote.St. Gloede wrote: ↑Wed May 29, 2024 11:56 am Feels like I had a decent degree of impact here, with Jane B. par Agnes V. even crashing the top 400. Was I the only voter?
i sort of like making a list like this that does feature a few absolute favourites of just one member, it kind of captures the personality (and the eclectic tastes) of this place. the one thing i wish was different, if i list a full top 400 -- anyone who made a ranked ballot will see a lot of their favourites on the final list, but people who made unranked ballots, and who have unique preferences (that didn't overlap much with other ballots) won't see many of their films on the list.
if someone made an unranked ballot, they awarded 4 points per film. if i wanted to get all the 4-point films onto the final list, i'd need to make a top 1230, roughly -- a somewhat incredible 631 different films got exactly 4 points in this poll, so there is a 631-way tie for 610th place. 
yes and no, i think i'll be able to make a letterboxd list today. i don't think i'm able to make an ICM list (i've already made one, and i think that's the limit unless you pay them or something like that?), so if anyone else wanted to make an ICM list, that would be fine with me!
this was pretty funny.oOgiandujaOo wrote: ↑Wed May 29, 2024 7:33 am There is nothing that shakes my faith in art as much as when an artist says, "Look how profound I am, I have killed a flock of sheep as a metaphor."
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St. Gloede
- Posts: 712
- Joined: Sat Feb 09, 2019 5:50 pm
Awesome.flip wrote: ↑Wed May 29, 2024 12:36 pmyes and no, i think i'll be able to make a letterboxd list today. i don't think i'm able to make an ICM list (i've already made one, and i think that's the limit unless you pay them or something like that?), so if anyone else wanted to make an ICM list, that would be fine with me!
Re: ICM - They changed that, luckily. Free users can create multiple (possibly unlimited?) lists now.
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St. Gloede
- Posts: 712
- Joined: Sat Feb 09, 2019 5:50 pm
I was the only one then. Still happy, and agreed, makes it more interesting, dynamic and highlights individual tastes on the forum.flip wrote: ↑Wed May 29, 2024 12:31 pmso, all the films from 300-400 got six points, which means they either got one first-tier vote (on a ranked ballot), or they got two votes that added up to six points (in theory a film could get three 2-point bottom-tier votes, but i'm fairly sure that didn't happen). so if you put jane b in your top tier, then yes, you were the only vote.St. Gloede wrote: ↑Wed May 29, 2024 11:56 am Feels like I had a decent degree of impact here, with Jane B. par Agnes V. even crashing the top 400. Was I the only voter?
I sort of like making a list like this that does feature a few absolute favourites of just one member; it kind of captures the personality (and the eclectic tastes) of this place. the one thing i wish was different, if i list a full top 400 -- anyone who made a ranked ballot will see a lot of their favourites on the final list, but people who made unranked ballots, and who have unique preferences (that didn't overlap much with other ballots) won't see many of their films on the list.