SCFZ

Tier 1-10

Love Streams (John Cassavetes. 1984)
A Woman Under the Influence (John Cassavetes, 1974)
Boyhood (Richard Linklater, 2014)
The Royal Tenenbaums (Wes Anderson, 2001)
The Wizard of Oz (Victor Fleming, 1939)
The Godfather (Francis Ford Coppola, 1972)
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (Chantal Akerman, 1975)
Cássia (Paulo Henrique Fontenelle, 2014)
Good Manners (Juliana Rojas, Marco Dutra, 2018)
The Visit (M. Night Shyamalan, 2015)

Tier 11-30

The Unknow (Tod Browning, 1927)
City Lights (Charlie Chaplin, 1932)
Cat People (Jacques Tourneur, 1942)
Sunset Boulevard (Billy Wilder, 1950)
The Cranes Are Flying (Mikhail Kalatozov, 1957)
The Umbrellas of Cherbourg (Jacques Demy, 1964)
Le Bonheur (Agnès Varda, 1965)
The Young Girls of Rochefort (Jacques Demy, 1967)
2001 (Stanley Kubrick, 1968)
Rosemary’s Baby (Roman Polanski, 1968)
Sem Essa, Aranha (Rogério Sganzerla, 1970)
Minnie and Moskowitz (John Cassavetes, 1971)
Ganja & Hess (Bill Gunn, 1973)
Annie Hall (Woody Allen, 1977)
Opening Night (John Cassavetes, 1977)
The Shining (Stanley Kubrick, 1980)
E.T. the Extra-Terrestrial (Steven Spielberg, 1982)
White Dog (Samuel Fuller, 1982)
Twenty Years Later (Eduardo Coutinho, 1984)
Grave of the Fireflies (Isao Takahata, 1988)

Tier 31-50

School on Fire (Ringo Lam, 1988)
Do The Right Thing (Spike Lee, 1989)
Looking For Langston (Isaac Julien, 1989)
Wild At Heart (David Lynch, 1990)
La Belle Noiseuse (Jacques Rivette, 1991)
Crooklyn (Spike Lee, 1994)
The Bridges of Madison County (Clint Eatwood, 1995)
Showgirls (Paul Verhoeven, 1995)
Lost Higway (David Lynch, 1997)
The Last Days of Disco (Whit Stillman, 1998)
New Rose Hotel (Abel Ferrara, 1998)
Central Station (Walter Salles, 1998)
Mulholland Drive (David Lynch, 2001)
Punch-Drunk Love (Paul Thomas Anderson, 2002)
Mysterious Skin ( Gregg Araki, 2004)
Speed Racer (Lana Wachowski, Lilly Wachowski, 2008)
Sinfonia da Necrópole (Juliana Rojas, 2014)
Chi-Raq (Spike Lee, 2015)
Get Out (Jordan Peele, 2017)
Good Time (Benny Safdie, Josh Safdie, 2017)

last chance to post or edit a ballot -- i'm going to start tallying this tomorrow unless someone requests more time (which would be fine, just let me know!).

finalizing my ballot now. will be done later today

i've copied all the ballots posted so far into another document, so if you edit your ballot, i won't notice. i can't promise (depends how complicated it would be) but i can probably accommodate edits if you want to make any - but you'd need to make a new post which spells out in detail all of the changes you want to make.

i'll definitely wait for thoxans' ballot, and i can accept new ballots up until i post the results (which will probably be in a few days).

the bill douglas trilogy (bill douglas, 1972-1978)
losing ground (kathleen collins, 1982)
magnet of doom (jean-pierre melville, 1963)
om shanti om (farah khan, 2007)
the quince tree sun (victor erice, 1992)

an autumn afternoon (yasujiro ozu, 1962)
the bitter tea of general yen (frank capra, 1932)
a brighter summer day (edward yang, 1991)
the brown bunny (vincent gallo, 2003)
la cienaga (lucrecia martel, 2001)
cracking up (jerry lewis, 1983)
dil se.. (mani ratnam, 1998)
flowers of shanghai (hou hsiao-hsien, 1998)
gertrud (carl theodor dreyer, 1964)
i knew her well (antonio pietrangeli, 1965)
iguana (monte hellman, 1988)
jauja (lisandro alonso, 2014)
model shop (jacques demy, 1969)
the naked dawn (edgar g. ulmer, 1955)
only yesterday (isao takahata, 1991)
peppermint frappe (carlos saura, 1967)
a poem is a naked person (les blank, 1974)
prince of darkness (john carpenter, 1987)
remember my name (alan rudolph, 1978)
satantango (bela tarr, 1994)
sherman's march (ross mcelwee, 1985)
some call it loving (james b. harris, 1973)
two for the road (stanley donen, 1967)
vengeance (chang cheh, 1970)
yeelen (souleymane cisse, 1987)

l'argent (robert bresson, 1983)
the ascent (larisa shepitko, 1977)
bitter moon (roman polanski, 1992)
canyon passage (jacques tourneur, 1946)
chimes at midnight (orson welles, 1965)
close-up (abbas kiarostami, 1990)
l'eclisse (michelangelo antonionio, 1962)
hatari! (howard hawks, 1962)
heaven's gate (michael cimino, 1980)
the homesman (tommy lee jones, 2014)
husbands (john cassvetes, 1970)
journey to italy (roberto rossellini, 1954)
the makioka sisters (kon ichikawa, 1983)
medium cool (haskell wexler, 1969)
my darling clementine (john ford, 1946)
new rose hotel (abel ferrara, 1998)
on the silver globe (andrzej zulawski, 1988)
one way passage (tay garnett, 1932)
the seventh victim (mark robson, 1943)
sleepaway camp (robert hiltzik, 1983)
stroszek (werner herzog, 1977)
there's always tomorrow (douglas sirk, 1956)
to be or not to be (ernst lubistch, 1942)
trances (ahmed el-maanouni, 1981)
us go home (claire denis, 1994)

brian d wrote: ↑Tue Jun 11, 2019 8:52 am El Dorado (Marcel L'Herbier, 1921)
Our Hospitality (Buster Keaton, 1923)
Whirlpool of Fate (Jean Renoir, 1925)
The Seashell and the Clergyman (Germaine Dulac, 1928)
Finis Terrae (Jean Epstein, 1929)
The Lighthouse Keepers (Jean Grémillon, 1929)
Asphalt (Joe May, 1929)
The Pearl (Henri d'Ursel, 1929)
City Girl (F.W. Murnau, 1930)
Limite (Mário Peixoto, 1931)

Blind Husbands (Erich von Stroheim, 1919)
Neighbors (Buster Keaton/Edward Kline, 1920)
The Indian Tomb 1: The Mission of the Yogi (Joe May, 1921)
The Indian Tomb 2: The Tiger of Bengal (Joe May, 1921)
Os Faroleiros (Maurice Mariaud, 1922)
Coeur Fidèle (Jean Epstein, 1923)
Whirlpool of Fate (Jean Renoir, 1925)
The Fall of the House of Usher (Jean Epstein, 1928)
Zvenigora (Alexandr Dovzhenko, 1928)
Spies (Fritz Lang, 1928)

brian - you have a duplicate film in your ballot. i'll count the higher ranked whirlpool, but you can add a new film to your ballot if you like. because i've already added your ballot to my running tally, the easiest thing would be if you'd add a new film to your second tier (maybe one non-silent film!), so nothing moves up or down. or you could just leave it as a 54-film ballot.

Dammit -- I missed out on SHERMAN'S MARCH. Hell.

i haven't factored in your ballot yet, roscoe, so if you wanted to edit it, i can wait - just let me know if you do, so i can overwrite the ballot i already copied into my tallying document. if i haven't heard anything within 24 hours, i'll go ahead with your older ballot.

oops! go with hintertreppe (leopold jessner/paul leni, 1921) in that second tier. i seem to have left it out and it should be fairly high up there anyway.

Thanks flip -- I'll let it stand as is.

greg x wrote: ↑Tue Jun 25, 2019 6:17 pm Probably have to change some stuff around later since I'm sure there's a bunch I missed and the order is pretty random, not sure about going ranked or unranked for points, don't want to short a movie's chances to make the final list after all.

unless you tell me otherwise (today probably), i'm going to assume your list is ranked, because it's in tiers and you put numbers next to everything. leaving it ranked will help some films make the final list, but also hurt a few, so it's a roughly even tradeoff from that perspective.

ranked is fine. if it helps or hurts some, so be it. I'm not worrying about it since there's so much whim involved already.