→ https://filmcentralen.dk/museum/island- ... inni-hluti
where is the iconic couple from the FIRST PART?
i miss them!
To form a mutual core

To counteract distance


https://www.fondation-langlois.org/html ... umPage=426
For these six urban capsules filmed in Minneapolis, Steina attached different lenses and mirrors to the camera. She also used a turntable to create a pan shot moving from left to right. These works are part of the Machine Vision (1975-) corpus and reproduce elements of Allvision (1975-). A platform was set atop a turntable, and the camera and the optical devices were placed at opposite ends. While the pan shot was being filmed, the camera, equipped with mirrors and lenses, also rotated vertically and moved sideways. Certain capsules present an unusual arrangement of the urban landscape by showing both the space that the contraption revolves around and the images reflected by the mirrors or deflected by the lenses. Overall, the capsules offer a typology of the angles that a camera can adopt to break the visible world down into its different components.
Episode I: Turntable/camera with zoom lens/mirror sphere.
Episode II: Turntable/camera with zoom lens/rotating prism.
Episode III: Turntable/camera with rotating lens/moving mirror.
Episode IV: Turntable/camera with zoom lens/moving mirror (horizontal).
Episode V: Turntable/camera with zoom lens/moving mirror (vertical).
Episode VI: Turntable/camera with rotating lens/mirror sphere.
The Abstract Art of Ásmundur Sveinsson (Hope Millington, 1988) #CoMoIcelandÁsmundarsafn (opened 1983) is dedicated to the sculptures and drawings of Ásmundur Sveinsson (1893–1982). The works to be seen there span Ásmundur's entire career and they are featured thematically as well as collectively with works of other artists. Ásmundur was one of Iceland's pioneers in the art of sculpture and his works are located both outdoors and indoors throughout the country.
Ásmundur's sculptures are exhibited inside as well as outside the museum, which is the artist's former home and studio. Ásmundur designed and built the house mostly by himself in the years 1942 to 1950. In the architecture he plays with a theme from the Arab culture along with a Mediterranean influence. A sculpture garden surrounding the museum with works by the artist stays open to the public all year round.
The Woman in the Art of Ásmundur Sveinsson (Hope Millington & Guðni Bragason, 1986) #CoMoIceland
https://pubs.usgs.gov/of/1997/of97-724/lavacool.html
It is the viscosity of the lava that governs its ultimate movement. Viscosity depends upon the chemical composition of the lava and the temperature of the molten lava; viscosity increases quickly as the lava cools. The mobility of basalt is at a maximum at temperatures of 1,000 to 1,200ºC when it emerges, but when the lava's temperature has decreased to 800 ºC it firmly solidifies and does not flow any more. How far the lava reaches before it solidifies depends, therefore, upon the velocity of flow and the rate of cooling.
it is fairly easy to calculate approximately how large a lava mass will solidify due to water cooling. As the water heats up from 10ºC to a temperature of 100ºC, the steam absorbs 630 kilocalories for each kilogram of water that evaporates. Each kilogram of lava that solidifies and cools from 1,100ºC to 800ºC gives off about 190 kilocalories, and it is safe to estimate that lava that has solidified and cooled all the way down to 100ºC releases a total of about 380 kilocalories. This means that each kilogram of water cools 1.7 kilograms of lava, or that each cubic meter of water cools about 0.7 m3 of lava.
https://pubs.usgs.gov/of/1997/of97-724/methods.html
On 23 January 1973, a volcanic eruption, which will not be easily forgotten, began on Heimaey in the Vestmannaeyjar archipelago. In a few hours most of the inhabitants had been evacuated to the mainland on ships and aircraft, and efforts were already underway to save their personal belongings. The purpose of this technical article is to report on the measures taken to prevent the lava from flowing over the town and into the harbor, namely the lava-cooling operations.
The first attempt to prevent the advance of the lava by water cooling was made two weeks [7 Feb 73] after the eruption began [23 Jan 73], but by then the lava was dangerously close to the entrance to the harbor. Firemen from the fire department in Vestmannaeyjar started to spray seawater on the headwall of creeping lava, and it soon appeared to have some effect on the lava flow. Soon thereafter, more powerful pumps were ordered from the [Icelandic] mainland and from other countries. Gradually the number of pumps was increased, but at this stage the capacity never was very significant (about 100 l s-1).
Inside Ásmundur Sveinsson's studio at Sigtún. Halldor Laxness comes to visit.
The natural beauty of mountainous areas is unbearable.
ha, it was great!
thx for sharing — not only this one but also the "lava porn" (BIRTH OF AN ISLAND) and "lava thriller" (FIRE ON HEIMAEY)!
okay, too tempting!Lencho of the Apes wrote: ↑Sat Jun 25, 2022 3:10 am the imagery of alien architectures that takes up 95% of the screen time*
*Plus 2% pictures of meadows and 3% cloud patterns.
Warned:Yes 27d to go wrote: ↑Wed Jun 01, 2022 9:54 pm all my recent (Iceland-related) viewing history...
3/
LAST AND FIRST MEN (Jóhann Jóhannsson, 2020)
... must admit i was mildly disappointed (probably due to high (irrational) expectations).
As Iceland faced all-out economic collapse in 2009, popular comedic personality Jón Gnarr conceived the idea of the Best Party. What began as a satirical statement, attempting to parody both left-wing and right-wing parties, took on a life of its own in the Reykjavik mayoral campaign. The film documents the frantic vigour and absurdity that was Gnarr’s unlikely rise to office.
oh, so lovely you find my senility adorable!