For Pabs: all 1499 films that got votes in our poll

[flip]

* = number of ballots including the film

30 pts
Playtime (Jacques Tati, 1967) *******

25.2 pts
2001: A Space Odyssey (Stanley Kubrick, 1968) ******

24 pts
News From Home (Chantal Akerman, 1977) ******

21 pts
Edvard Munch (Peter Watkins, 1974) ****

20.2 pts
City Lights (Charlie Chaplin, 1931) *******

20 pts
Rules of the Game (Jean Renoir, 1939) *****

19.6 pts
L’Argent (Robert Bresson, 1983) *****

19 pts
Manoel’s Destinies (Raul Ruiz, 1984) ****
Stalker (Andrei Tarkovsky, 1979) ****

18.6 pts
A Brighter Summer Day (Edward Yang, 1991) *****

17.2 pts
Werckmeister Harmonies (Bela Tarr, 2000) ******

17 pts
Last Year at Marienbad (Alain Resnais, 1961) ****
L’Avventura (Michelangelo Antonioni, 1960) ****

16.6 pts
A Woman Under the Influence (John Cassavetes, 1974) *****
The Godfather (Francis Ford Coppola, 1972) ****

16 pts
Canyon Passage (Jacques Tourneur, 1946) ****
Shadows of Forgotten Ancestors (Sergei Parajanov, 1965) ****
Celine and Julie Go Boating (Jacques Rivette, 1974) ****

15 pts
Le Trou (Jacques Becker, 1960) ****
L'Atalante (Jean Vigo, 1934) *****
Notorious (Alfred Hitchcock, 1946) ****
The Apartment (Billy Wilder, 1960) ****
Seven Samurai (Akira Kurosawa, 1954) ****

14.6 pts
Love Streams (John Cassavetes, 1984) ****
Pulse (Kiyoshi Kurosawa, 2001) ***

14.2 pts
Andrei Rublev (Andrei Tarkovsky, 1966) ****

14 pts
Joker (Raju Murugan, 2016) ***
Die Parallelstrasse (Ferdinand Khittl, 1962) ***
Moving (Shinji Somai, 1993) ****
Psycho (Alfred Hitchcock, 1960) *****
The Godfather: Part II (Francis Ford Coppola, 1974) ****

13.6 pts
Green Snake (Tsui Hark, 1993) ****
Contempt (Jean-Luc Godard, 1963) ****

13.2 pts
Fire in Castilla (Jose Val del Omar, 1961) ***
Le Bonheur (Agnès Varda, 1965) ***
The Umbrellas of Cherbourg (Jacques Demy, 1964) ***

13 pts
Day Of the Outlaw (Andre de Toth, 1959) ****
Picnic at Hanging Rock (Peter Weir, 1975) ****

12 pts
Pestonjee (Vijaya Mehta, 1988) **
The Song of the Scarlet Flower (Teuvo Tulio, 1938) **
Femmes Femmes (Paul Vecchiali, 1974) ***
Nostos: The Return (Franco Piavoli, 1989) ***
We Won’t Grow Old Together (Maurice Pialat, 1972) ***
Syndromes and a Century (Apichatpong Weerasethakul, 2006) ***
Viaggio in Italia (Roberto Rossellini, 1954) ****
Only Angels Have Wings (Howard Hawks, 1939) ***
I Walked With A Zombie (Jacques Tourneur, 1943) ***
Seconds (John Frankenheimer, 1966) ****
Yi Yi (Edward Yang, 2000) ****
Days of Heaven (Terrence Malick, 1978) ***
Chungking Express (Wong Kar-wai, 1994) ***

11 pts
Avargal (K. Balachander, 1977) **
Goodbye South, Goodbye (Hou Hsiao-hsien, 1996) ***
There’s Always Tomorrow (Douglas Sirk, 1956) ***
The Ballad of Cable Hogue (Sam Peckinpah, 1970) **
M Hulot's Holiday (Jacques Tati, 1953) ***
Army of Shadows (Jean-Pierre Melville, 1969) ****
Sunrise: A Song of Two Humans (F.W. Murnau, 1927) ****
Once Upon a Time in the West (Sergio Leone, 1968) ****
Heat (Michael Mann, 1995) ***
Casablanca (Michael Curtiz, 1942) ***

10.2 pts
Close-Up (Abbas Kiarostami, 1990) ***

10 pts
Aag (Raj Kapoor, 1948) **
Attakathi (Pa. Ranjith, 2012) **
Du cote d’Orouet (Jacques Rozier, 1971) ***
Doomed Love (Manoel de Oliveira, 1978) **
Khroustaliov, My Car! (Alexei German, 1998) **
Small Change (Francois Truffaut, 1976) **
The Aviator’s Wife (Eric Rohmer, 1981) ***
Some Came Running (Vincente Minnelli, 1958) **
Kings of the Road (Wim Wenders, 1976) **
The Ascent (Larisa Shepitko, 1997) ***
Our Hospitality (Buster Keaton, 1923) **
Chimes at Midnight (Orson Welles, 1965) ***
Two-Lane Blacktop (Monte Hellman, 1971) **
My Darling Clementine (John Ford, 1946) ****
Alphaville (Jean-Luc Godard, 1965) **
Blow-Up ( Michelangelo Antonioni, 1966) **
Solaris (Andrei Tarkovsky, 1972) ***
8 1/2 (Federico Fellini, 1963) **
Barry Lyndon (Stanley Kubrick, 1975) ***
Spring Breakers (Harmony Korine, 2012) ***

9.6 pts
Kanchana Sita (Govindan Aravindan, 1977) ***

9.2 pts
Meeting a Milestone (Goutam Ghose, 1989) ***
L'Homme Atlantique (Marguerite Duras, 1981) **
An Inn At Osaka (Heinosuke Gosho, 1954) ***
Hyenas (Djibril Diop Mambety, 1992) **
Early Summer (Yasujiro Ozu, 1951) ***

9 pts
Earth Light (Guy Gilles, 1970) **
Angel Guts: Red Classroom (Chusei Sone, 1979) **
Bandits of Orgosolo (Vittorio de Seta, 1961) ***
Voices Through Time (Franco Piavoli, 1996) **
Rangeela (Ram Gopal Varma, 1995) ***
La Rupture (Claude Chabrol, 1970) **
Model Shop (Jacques Demy, 1969) **
Zorns Lemma (Hollis Frampton, 1970) **
India Song (Marguerite Duras, 1975) ***
City of Pirates (Raul Ruiz, 1983) **
He Who Gets Slapped (Victor Sjostrom, 1924) **
Il Posto (Ermanno Olmi, 1961) ***
Morocco (Josef von Sternberg, 1930) ***
The Mother and the Whore (Jean Eustache, 1973) **
A Moment of Innocence (Mohsen Makhmalbaf, 1996) **
A New Leaf (Elaine May, 1971) ****
The Sword of Doom (Kihachi Okamoto, 1966) **
The Band Wagon (Vincente Minnelli, 1953) ***
The Brown Bunny (Vincent Gallo, 2003) ***
An Autumn Afternoon (Yasujiro Ozu, 1962) **
Sansho the Bailiff (Kenji Mizoguchi, 1954) ***
3 Women (Robert Altman, 1977) ***
The Shop Around the Corner (Ernst Lubitsch, 1940) **
Crash (David Cronenberg, 1996) **
La Dolce Vita (Federico Fellini, 1960) ****
Lawrence of Arabia (David Lean, 1962) ***
Vertigo (Alfred Hitchcock, 1958) ***

8.6 pts
Ajantrik (Ritwik Ghatak, 1958) **

8.2 pts
Oxhide II (Liu Jiayin, 2009) **
Sunset Boulevard (Billy Wilder, 1950) **

8 pts
Nirmalyam (M.T. Vasudevan Nair, 1973) **
Rajnigandha (Basu Chatterjee, 1974) **
The Naked Dawn (Edgar Ulmer, 1955) **
Birds, Orphans and Fools (Juraj Jakubisko, 1969) **
Nothing But a Man (Michael Roemer, 1964) **
Toute une nuit (Chantal Akerman, 1982) **
Die Puppe (Ernst Lubitsch, 1919) **
Four Adventures of Reinette and Mirabelle (Eric Rohmer, 1987) **
Daisy Kenyon (Otto Preminger, 1947) **
City Girl (F.W. Murnau, 1930) **
Charulata (Satyajit Ray,1964) **
Hatari! (Howard Hawks, 1962) ***
A Summer's Tale (Eric Rohmer, 1996) **
Goodbye, Dragon Inn (Tsai Ming-liang, 2003) **
They Shoot Horses, Don’t They? (Sydney Pollack, 1969) **
Local Hero (Bill Forsyth, 1983) **
The Green Ray (Eric Rohmer, 1986) **
Letter from an Unknown Woman (Max Ophuls, 1948) ****
Trouble in Paradise (Ernst Lubitsch, 1932) ***
Stroszek (Werner Herzog, 1977) **
The Passenger (Michelangelo Antonioni, 1975) ***
A Man Escaped (Robert Bresson, 1956) **
The Conformist (Bernardo Bertolucci ,1970) **
In A Lonely Place (Nicholas Ray, 1950) **
Mysterious Skin (Gregg Araki, 2004) **
Showgirls (Paul Verhoeven, 1995) ***
La Jetee (Chris Marker, 1962) **
The General (Clyde Bruckman + Buster Keaton, 1926) **
Mommy (Xavier Dolan, 2014) **
Eyes Wide Shut (Stanley Kubrick, 1999) **
12 Angry Men (Sidney Lumet, 1957) **

7.6 pts
Mind of Clay (Mani Kaul, 1985) **
Raining in the Mountain (King Hu, 1979) **
Ornamental Hairpin (Hiroshi Shimizu, 1941) **
Dust in the Wind (Hou Hsiao-Hsien, 1986) **
The Wizard of Oz (Victor Fleming, 1939) **

7.2 pts
Too Early/Too Late (Jean-Marie Straub & Daniele Hulliet, 1982) **
The Shining (Stanley Kubrick, 1980) ****

7 pts
Jait re Jait (Jabbar Patel, 1977) **
Maya Darpan (Kumar Shahani, 1972) **
Lucky Star (Frank Borzage, 1929) **
Hovering Over the Water (Joao César Monteiro, 1986) **
At Sea (Peter Hutton, 2007) **
From What is Before (Lav Diaz, 2014) **
Demons (Toshio Matsumoto, 1971) **
Martha (Rainer Werner Fassbinder, 1974) **
Dil Se... (Mani Ratnam, 1998) **
Clean (Olivier Assayas, 2004) **
The Bitter Tea of General Yen (Frank Capra, 1933) **
Foolish Wives (Erich von Stroheim, 1922) ***
The Gunfighter (Henry King, 1950) **
Limite (Mario Peixoto, 1931) **
Neighbors (Buster Keaton/Edward Kline, 1920) **
New Rose Hotel (Abel Ferrara, 1998) ***
Seven Days in May (John Frankenheimer, 1964) **
Chinese Roulette (Rainer Werner Fassbinder, 1976) **
Stage Door (Gregory La Cava, 1937) **
The Thief of Bagdad (Raoul Walsh, 1924) **
The Seventh Victim (Mark Robson, 1943) **
Gertrud (Carl Theodor Dreyer, 1964) **
The River (Jean Renoir, 1951) **
Marketa Lazarova (Frantisek Vlacil, 1967) **
Jauja (Lisandro Alonso, 2014) **
La Cienaga (Lucrecia Martel, 2001) **
Satantango (Bela Tarr, 1994) **
Children of Paradise (Marcel Carne, 1945) **
Gun Crazy (Joseph H Lewis, 1950) **
Imitation of Life (Douglas Sirk, 1959) ***
Ordet (Carl Theodor Dreyer, 1955) ****
Wake in Fright (Ted Kotcheff, 1971) **
The Trial (Orson Welles, 1962) **
Meek's Cutoff (Kelly Reichardt, 2010) ***
La Notte (Michelangelo Antonioni, 1961) **
Only Yesterday (Isao Takahata, 1991) **
Pierrot le fou (Jean-Luc Godard, 1965) **
Mirror (Andrei Tarkovsky, 1975) **
Wild Strawberries ( Ingmar Bergman, 1957) ***
Memories of Murder (Joon-ho Bong, 2003) **
M (Fritz Lang, 1931) ***
A.I. Artificial Intelligence (Steven Spielberg, 2001) **
Mulholland Drive (David Lynch, 2001) **

6.2 pts
Seasons… (Phil Solomon/Stan Brakhage, 2002) **
Throw Down (Johnnie To, 2004) **
The Unknown (Tod Browning, 1927) **
The Cranes Are Flying (Mikhail Kalatozov, 1957) **
The Young Girls of Rochefort (Jacques Demy, 1967) **
Cat People (Jacques Tourneur, 1942) **
Miami Vice (Michael Mann, 2006) **

6 pts
Procession of Memories (Nasir Hussain, 1973) **
Woman They Almost Lynched (Allan Dwan, 1953) **
The Long Day Closes (Terence Davies, 1992) **
The 400 Blows (Francois Truffaut, 1959) ***
A Hero Never Dies (Johnnie To, 1998) **
One Way Passage (Tay Garnett, 1932) **
To Be or Not to Be (Ernst Lubitsch, 1942) **
The Searchers (John Ford, 1956) **
The Sacrifice (Andrei Tarkovsky, 1986) **
On the Silver Globe (Andrzej Zulawski, 1988) **
L’Eclisse (Michelangelo Antonioni, 1962) ***
Lightning (Mikio Naruse, 1952) **
Wagon Master (John Ford, 1950) **
Under The Bridges (Helmut Kautner, 1946) **
Samurai Rebellion (Masaki Kobayashi, 1967) **
Deseret (James Benning, 1995) **
Don't Look Now (Nicolas Roeg, 1973) **
Leon Morin, Priest (Jean-Pierre Melville, 1961) **
Pyaasa (Guru Dutt, 1957) **
Nostalgia (Andrei Tarkovsky, 1983) **
Four Nights of a Dreamer (Robert Bresson, 1971) **
Os Faroleiros (Maurice Mariaud, 1922) **
Anne of the Indies (Jacques Tourneur, 1951) **
Extraordinary Stories (Mariano Llinas, 2008) **
La Gueule Ouverte (Maurice Pialat, 1974) **
Die Nibelungen: Siegfried (Fritz Lang, 1924) **
Die Nibelungen: Kriemhild's Wrath (Fritz Lang, 1924) **
Sorcerer (William Friedkin, 1977) **
Menilmontant (Dimitri Kirsanoff, 1926) **
Devils on the Doorstep (Jiang Wen, 2000) **
A Matter of Dignity (Michael Cacoyannis, 1958) **
Main Hoon Na (Farah Khan, 2004) **
Day of Wrath (Carl Theodor Dreyer, 1943) **
Brouillard: Passage #14 (Alexandre Larose, 2014) **
A Town Called Panic (Stephane Aubier, Vincent Patar, 2009) **
A Winter's Tale (Eric Rohmer, 1992) **
Week-End (Jean-Luc Godard, 1967) **
Happy Hour (Ryusuke Hamaguchi, 2015) **
Meet Me in St. Louis (Vincente Minnelli, 1944) ***
Spring, Summer, Autumn, Winter... and Spring (Kim Ki-duk, 2003) **
La Belle Captive (Alain Robbe-Grillet, 1983) **
The Flowers of St. Francis (Roberto Rossellini, 1950) **
Un Homme Qui Dort (Bernard Queysanne, 1974) **
Adaptation (Spike Jonze, 2002) **
The Night of the Hunter (Charles Laughton, 1950) **
Veronika Voss (Rainer Werner Fassbinder, 1982) **
Wild at Heart (David Lynch, 1990) **
Carlito's Way (Brian De Palma, 1993) **
Come and See (Elem Klimov, 1985) **
Sherlock Jr. (Buster Keaton, 1924) **
In the Realm of the Senses (Nagisa Oshima, 1976) **
My Man Godfrey (Gregory La Cava, 1936) **
Insiang (Lino Brocka, 1976) **
Spirited Away (Hayao Miyazaki, 2001) **
The Tree of Life (Terrence Malick, 2011) **
Manhunter (Michael Mann, 1986) **
Rio Bravo (Howard Hawks, 1959) **
Titanic (James Cameron, 1997) **
The Virgin Spring (Ingmar Bergman, 1960) **
Picnic at Hanging Rock (Peter Weir, 1975) **
The Day of the Jackal (Fred Zinnemann, 1973) **
The Reflecting Skin (Philip Ridley, 1990)
Affliction (Paul Schrader, 1997)
I'm Not Rappaport (Herb Gardner, 1996)
The Heart Is a Lonely Hunter (Robert Ellis Miller, 1968)
La pied qui Etraint (Jacques Feyder, 1916)
Behind the Door (Irving Willat, 1919)
Os Lobos (Rino Lupo, 1923)
Celles qui s'ent font (Germaine Dulac, 1928)
Sangue Mineiro (Humberto Mauro, 1929)
Hindered (Stephen Dwoskin, 1974)
The Other Side of the Underneath (Jane Arden, 1972)
Young Werther (Jacques Doillon, 1993)
Wall Engravings (Guy Gilles, 1968)
Road (Alan Clarke, 1987)
The Ogre of Athens (Nikos Koundouros, 1956)
Time Indefinite (Ross McElwee, 1993)
Lili Marleen (Rainer Werner Fassbinder, 1981)
A Quiet Passion (Terence Davies, 2016)
The Insect Woman (Shohei Imamura, 1963)
Sieranevada (Cristi Puiu, 2016)
Beloved Sisters (Dominik Graf, 2014)
Jack's Dream (Joseph Cornell, 1938)
Fools in the Mountains (Edith Carlmar, 1957)
N.Y., N.Y. (Francis Thompson, 1957)
Side/Walk/Shuttle (Ernie Gehr, 1992)
Torch Singer (Alexander Hall/George Somnes, 1933)
Love Letter (Seijun Suzuki, 1958)
The Travelling Ruffian (Masahiro Makino, 1958)
Rabbit in the Pit (Roger Fritz, 1968)
The Return ( Andrey Zvyagintsev, 2003)
The Kid with a Bike ( Jean-Pierre Dardenne, Luc Dardenne, 2011)
In the House (François Ozon, 2012)
Casino Royale (Martin Campbell, 2006)
Park Row (Samuel Fuller, 1952)
Patterns (Fielder Cook, 1956)
Two Weeks in Another Town (Vincente Minnelli 1962)
The Stunt Man (Richard Rush, 1980)
Three O'Clock High (Phil Joanou, 1987)
Path Of Cessation (Robert Fulton, 1974)
The Saga Of Khayal (Kumar Shahani, 1989)
27 Down (Awtar Krishna Kaul, 1974)
Twilight (Gyorgy Feher, 1990)
Night Awake (Sandy Ding, 2016)
Cartesius (Roberto Rossellini, 1974)
The Traveller (Paul Naschy, 1979)
Andy Warhol Screen Tests (Andy Warhol, 1965)
Near Death (Frederick Wiseman, 1989)
Burning (Lee Chang-dong, 2018)
Loveless (Andrey Zvyagintsev, 2017)
Heli (Amat Escalante, 2013)
Margie (Henry King, 1946)
The Maggie (Alexander Mackendrick, 1954)
Libel (Anthony Asquith, 1959)
The Mongols (Parviz Kimiavi, 1973)
The Wonderful Country (Robert Parrish, 1959)
Filantropica (Nae Caranfil, 2002)
Rosalie and Leontine Go to the Theatre (Romeo Bosetti, 1911)
Sylvia Scarlett (George Cukor, 1935)
I Love Melvin (Don Weis, 1953)
You Are On Indian Land (Michael Mitchell and Mort Ransen, 1969)
Silk Tatters (Gina Telaroli, 2015)
Chase a Crooked Shadow (Michael Anderson, 1958)
Nathalie Granger (Marguerite Duras, 1972)
Holiday Inn (Mark Sandrich, 1942)
Fantastic Night (Marcel L'Herbier, 1942)
Moon in the Gutter (Jean-Jacques Beineix, 1983)
Rain Clouds Over Wushan (Zhang Ming, 1995)
Ditirambo (Gonzalo Suarez, 1969)
Kali Salwaar (Fareeda Mehta, 2002)
The Elegant Life of Mr. Everyman (Kichachi Okamoto, 1963)
Heroic Purgatory (Yoshishige Yoshisda, 1970)
Film Portrait (Jerome Hill, 1972)
Helas pour moi (Jean-Luc Godard, 1993)
Diary of a Lover (Sohrab Shahid Saless, 1977)
The Red Thread (Carl Brown, 1994)
Flamenco (Edgar Neville, 1952)
A Light in the Fog (Panahbarkhoda Rezaee, 2008)
Over the Years (Nikolaus Geyrhalter, 2015)
Seisaku's Wife (Yasuzo Masumura, 1965)
Fly High Run Far (Im Kwon-taek, 1991)
Smoking / No Smoking (Alain Resnais, 1993)
Utsav (Girish Karnad, 1984)
The Whole Shootin' Match (Eagle Pennell, 1978)
Nomad (Patrick Tam, 1982)
Vapor Trail (Clark) (John Gianvito, 2010)
Omar Gatlato (Merzak Allouache, 1976)
The Sky Turns (Mercedes Alvarez, 2004)
Simone Barbes or Virtue (Marie-Claude Treilhou, 1980)
Housekeeping (Bill Forsyth, 1987)
Chow Hound (Chuck Jones, 1951)
The Parson's Widow (Carl Theodor Dreyer, 1920)
Begone Dull Care (Norman McLaren/Evelyn Lambart, 1949)
The Little Girl Who Sold the Sun (Djibril Diop Mambety 1999)
Interkosmos (Jim Finn 2006)
Pournami (Prabhu Deva 2006)
The Fake (Yeon Sang-ho 2013)
Fase (Thierry De Mey 2002)
The Mad Fox (Tomu Uchida, 1962)
Una Donna Libera (Vittorio Cottafavi, 1954)
Inca Light (Robert Fulton, 1972)
I by Day, You by Night (Ludwig Berger, 1932)
Nobody's Calling (Kazmierz Kutz, 1960)
The Lady with the Dog (Iosif Kheifits, 1960)
Manly Times (Eduard Sachariev, 1977)
The Constant Factor (Krzysztof Zanussi, 1980)
Me, Grandma, Iliko and Ilarion (Tengiz Abuladze, 1962)
The Bill Douglas Trilogy (Bill Douglas, 1972-1978)
Losing Ground (Kathleen Collins, 1982)
Magnet of Doom (Jean-Pierre Melville, 1963)
The Quince Tree Sun (Victor Erice, 1992)
Om Shanti Om (Farah Khan, 2007)

5.6 pts
Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)

5.2 pts
2012 (Takashi Makino, 2013) **

5 pts
Shanghai Blues (Tsui Hark, 1984) **
The Last Days of Disco (Whit Stillman, 1998) **
Happy Together (Wong Kar Wai, 1997) ***
The Bridges of Madison County (Clint Eastwood, 1995) **
La Region Centrale (Michael Snow, 1971) **
US Go Home (Claire Denis, 1994) **
The Texas Chain Saw Massacre (Tobe Hooper, 1974) **
Winter Light (Ingmar Bergman, 1963) ***
Taxi Driver (Martin Scorsese, 1976) **
Paris, Texas ( Wim Wenders, 1984) ***
Head-On (Fatih Akin, 2004) **
Written on the Wind (Douglas Sirk, 1956) **
Band Baaja Baarat (Maneesh Sharma, 2010) **
Happiness (Aleksandr Medvedkin, 1935) **
The Brick and the Mirror (Ebrahim Golestan, 1965) **
Harakiri (Masaki Kobayashi, 1962) **
To Our Loves (Maurice Pialat, 1983) **
Remorques (Jean Gremillon, 1941) **
Guide (Vijay Anand, 1965) **
Starship Troopers (Paul Verhoeven, 1997) **
Red Desert (Michelangelo Antonioni, 1964) ***
Ms. 45 (Abel Ferrara, 1981) **
A Day In The Country (Jean Renoir, 1936) **
Whiplash (Damien Chazelle, 2014) **
Death in Venice ( Luchino Visconti,1971) **
Thoovanathumbikal (P Padmarajan, 1987) **
North by Northwest (Alfred Hitchcock, 1959) **
The Wages of Fear (Henri-Georges Clouzot, 1953) **
The Palm Beach Story (Preston Sturges, 1941) **
Fort Apache (John Ford, 1948) **
Great Freedom No. 7 (Helmut Kautner, 1944) **
The Gold Rush (Charlie Chaplin, 1924) **
Do The Right Thing (Spike Lee, 1989) **
Fargo (Coen brothers, 1996)
Network (Sidney Lumet, 1976)
Boogie Nights (Paul Thomas Anderson, 1997)
Magnolia (Paul Thomas Anderson, 1999)
The Great Beauty (Paolo Sorrentino, 2013)
El Dorado (Marcel L'Herbier, 1921)
Whirlpool of Fate (Jean Renoir, 1925)
The Seashell and the Clergyman (Germaine Dulac, 1928)
Finis Terrae (Jean Epstein, 1929)
The Lighthouse Keepers (Jean Gremillon, 1929)
Asphalt (Joe May, 1929)
The Pearl (Henri d'Ursel, 1929)
Spring in a Small Town (Fei Mu, 1948)
Violent Summer (Valerio Zurlini, 1959)
Manila in the Claws of Light (Lino Brocka, 1975)
Drowning by Numbers (Peter Greenaway, 1988)
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
Disintegration Loop 1.1. (William Basinski, 2001)
La Libertad (Lisandro Alonso, 2001)
Rocco and His Brothers (Luchino Visconti, 1960)
Donovan’s Reef (John Ford, 1963)
Red Psalm (Miklos Jancso, 1972)
Blackhat (Michael Mann, 2015)
Police Story (Jackie Chan, 1985)
Western (Valeska Grisebach, 2017)
The Nightingale (Jennifer Kent, 2018)
The Merchant of Four Seasons (Rainer Werner Fassbinder, 1971)
In the Beginning (Xavier Giannoli, 2009)
Ploy (Pen-Ek Ratanaruang, 2007)
The Magnificent Ambersons (Orson Welles, 1942)
The Long Voyage Home (John Ford, 1940)
Halloween (John Carpenter, 1978)
October (Ten Days that Shook the World) (Sergei Eisenstein, 1928)
The Act of Seeing with One’s Own Eyes (Stan Brakhage, 1971)
Star Wars: Episode III – Revenge of the Sith (George Lucas, 2005)
In the Mood for Love (Wong Kar-Wai, 2000)
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2003)
The Good Fairy (William Wyler, 1935)
Woman on the Run (Norman Foster, 1950)
Ride the Pink Horse (Robert Montgomery, 1947)
Leaving Jerusalem by Railway (Alexandre Promio, 1897)
Black and Tan (Dudley Murphy, 1929)
Hold Your Man (Sam Wood, 1933)
Midnight Mary (William Wellman, 1933)
Mirages of Paris (Fyodor Otsep, 1933)
I’ll Give a Million (Mario Camerini, 1935)
Hideko the Bus Conductress (Mikio Naruse, 1941)
Four Steps in the Clouds (Alessandro Blasetti, 1942)
No Down Payment (Martin Ritt, 1957)
Forbidden Love: The Unashamed Stories of Lesbian Lives (Lynne Fernie and Aerlyn Weissman, 1992)
They Live by Night (Nicholas Ray, 1948)
Good Morning (Yasujiro Ozu, 1959)
You Take Care Now (Ann Marie Fleming, 1989)
Slacker (Richard Linklater, 1991)
The Cabinet of Dr. Caligari (Robert Wiene, 1920)
Melancholia (Lars von Trier, 2011)
The Last Dive (Joao Cesar Monteiro, 1992)
Melodies of a Street Organ (Kira Muratova, 2009)
La guerre d’Algerie (Jean-Marie Straub 2014)
Brand Upon the Brain! A Remembrance in 12 Chapters (Guy Maddin, 2006)
Eden and After (Alain Robbe-Grillet, 1970)
All That Jazz (Bob Fosse, 1979)
The Turin Horse (Bela Tarr, 2011)
All That Heaven Allows (Douglas Sirk, 1955)
Black Harvest (Robin Anderson & Bob Connolly, 1992)
Hoop Dreams (Steve James, 1994)
Combat de boxe (Charles Dekeukeleire, 1927)
Hindle Wakes (Maurice Elvey, 1927)
Autumn in the Water (Sogo Ishii, 1995)
Fauborg St Martin (Jean-Claude Guiguet, 1986)
Goliath and the Dragon (Vittorio Cottafavi, 1960)
Lola Montes (Max Ophuls, 1955)
That Obscure Object of Desire (Luis Bunuel, 1977)
The Wind Will Carry Us (Abbas Kiarostami, 1999)
Beau Travail (Claire Denis, 1999)
Stemple Pass (James Benning, 2012)
Welfare (Frederick Wiseman, 1975)
Out 1: Noli me tangere (Jacques Rivette,1971)
Bay of Angels (Jacques Demy,1963)
In the Cut (Jane Campion, 2003)
Jackie (Pablo Larrain, 2016)
Morvern Callar (Lynne Ramsay, 2002)
Fanny and Alexander (Ingmar Bergman, 1982)
One Froggy Evening (Chuck Jones, 1955)
All About Lily Chou-Chou (Shunji Iwai, 2001)
Summer's Tail (Cheng Wen-tang, 2007)
Kontroll (Nimrod Antal, 2003)
The Dark Knight (Christopher Nolan, 2008)
Fallen Angels (Wong Kar-wai, 1995)
2046 (Wong Kar-wai, 2004)
A Chinese Ghost Story (Chung Siu-tung, 1987)
End of Evangelion (Hideaki Anno, 1997)

4.6 pts
Boyhood (Richard Linklater, 2014)
The Royal Tenenbaums (Wes Anderson, 2001)
Cassia (Paulo Henrique Fontenelle, 2014)
Good Manners (Juliana Rojas, Marco Dutra, 2018)
The Visit (M. Night Shyamalan, 2015)
Arising From The Surface (Mani Kaul, 1980)
Eros + Massacre (Yoshishige Yoshida, 1969)
Thalapathi (Mani Ratnam, 1991)
Anantaram (Adoor Gopalakrishnan, 1987)
Youth Without Youth (Francis Ford Coppola, 2007)
Salo, Or The 120 Days Of Sodom (Pier Paolo Pasolini, 1975)
Come and Go (Joao Cesar Monteiro, 2003)
The Water Magician (Kenji Mizoguchi, 1933)
Boy (Nagisa Oshima, 1969)

4.2 pts
Blue (Derek Jarman, 1993) **

4 pts
Brutal Ardour (Manuel Huerga, 1978) **
Pudhupettai (Selvaraghavan, 2006) **
Osaka Elegy (Kenji Mizoguchi, 1936) **
The Prowler (Joseph Losey, 1951) **
His Girl Friday (Howard Hawks, 1940) **
In the City of Sylvia (Jose Luis Guerin, 2007) **
The Hypothesis of the Stolen Painting (Raul Ruiz, 1978) **
Cockfighter (Monte Hellman, 1974) **
Bhoothakkannadi (AK Lohithadas, 1997) **
Make Way for Tomorrow (Leo McCarey (1937) **
The Sweet Smell of Succes (Alexander Mackendrick, 1957) **
Les Rendez-vous d’Anna (Chantal Akerman, 1978) **
Iruvar (Mani Ratnam, 1997) **
Au Hasard Balthazar (Robert Bresson, 1966) **
Some Like It Hot (Billy Wilder, 1959) **
Carol (Todd Haynes, 2015) **
Zodiac (David Fincher, 2007)
The Best Years of Our Lives (William Wyler, 1946)
American Gigolo (Paul Schrader, 1980)
Hintertreppe (Leopold Jessner/Paul Leni, 1921)
Blind Husbands (Erich von Stroheim, 1919)
The Indian Tomb 1: The Mission of the Yogi (Joe May, 1921)
The Indian Tomb 2: The Tiger of Bengal (Joe May, 1921)
Coeur Fidele (Jean Epstein, 1923)
The Fall of the House of Usher (Jean Epstein, 1928)
Zvenigora (Alexandr Dovzhenko, 1928)
Spies (Fritz Lang, 1928)
Days of Being Wild (Wong Kar-Wai, 1990)
Lacombe, Lucien (Louis Malle, 1974)
Port of Shadows (Marcel Carne, 1938)
Ossessione (Luchino Visconti, 1943)
Five Easy Pieces (Bob Rafelson, 1970)
Knight of Cups (Terrence Malick, 2015)
The Taking of Power by Louis XIV (Roberto Rossellini, 1966)
My Neighbors the Yamadas (Isao Takahata, 1999)
Keane (Lodge Kerrigan, 2004)
Bright Star (Jane Campion, 2009)
First Reformed (Paul Schrader, 2017)
The Secret of the Grain (Abdellatif Kechiche, 2007)
Free Zone (Amos Gitai, 2005)
The Sound of Music (Robert Wise, 1965)
Pirosmani (Giorgi Shengelaya, 1969)
Blue Planet (Franco Piavoli, 1981)
Night Sun (Paolo Taviani, Vittorio Taviani, 1990)
At the First Breath of Wind (Franco Piavoli, 2002)
Birdsong (Albert Serra, 2008)
WALL-E (Andrew Stanton, 2008)
Black Narcissus (Michael Powell / Emeric Pressburger, 1947)
Sweet Sweetback’s Baadasssss Song (Melvin Van Peebles, 1971)
Faust (F.W. Murnau, 1926)
Carrie (Brian De Palma, 1976)
The Girl with the Dragon Tattoo (David Fincher, 2011)
Hostel: Part II (Eli Roth, 2007)
Day for Night (Francois Truffaut, 1973)
Singin' in the Rain (Stanley Donen, Gene Kelly, 1952)
The Burmese Harp (Kon Ichikawa, 1956)
Ballad of Tara (Bahram Beizai, 1979)
The Lonedale Operator (D.W. Griffith, 1911)
I’ll Be Seeing You (William Dieterle, 1944)
A Diary for Timothy (Humphrey Jennings, 1945)
The Man from Planet X (Edgar G. Ulmer, 1951)
All the World’s Memory (Alain Resnais, 1956)
Offering (Claudio Caldini, 1978)
Illusions (Julie Dash, 1982)
From the Journals of Jean Seberg (Mark Rappaport, 1995)
Alone. Life Wastes Andy Hardy (Martin Arnold, 1998)
The Grand Bizarre (Jodie Mack, 2018)
Pauline at the Beach (Eric Rohmer, 1983)
Amarcord (Federico Fellini, 1973)
Yojimbo (Akira Kurosawa, 1961)
Origins of the 21st Century (Jean-Luc Godard, 2000)
Kwaidan (Masaki Kobayashi, 1964)
Shadows in Paradise (Aki Kaurismäki, 1986)
Naked (Mike Leigh, 1993)
Oslo, August 31st (Jaochim Trier, 2011)
Spellbound (Alfred Hitchcock, 1945)
L'immortelle (Alain Robbe-Grillet, 1963)
Les Enfants Terribles (Jean-Pierre Melville, 1950)
Heart of Glass (Werner Herzog, 1976)
Noroit (Jacques Rivette, 1976)
Coup d’etat (Yoshishige Yoshida, 1973)
The House in the Woods (Maurice Pialat, 1971)
In a Year with 13 Moons (Rainer Werner Fassbinder, 1978)
Daddy, Father Frost is Dead (Evgeny Yufit, 1991)
The Passion of Joan of Arc (Carl Th. Dreyer, 1928)
Careful (Guy Maddin, 1992)
Diary of a Country Priest (Robert Bresson, 1951)
First Name Carmen (Jean-Luc Godard, 1983)
Belle de jour (Luis Bunuel, 1967)
Oedipus Rex (Pier Paolo Pasolini, 1967)
Metropolis (Fritz Lang, 1927)
Film Ist. A Girl & a Gun (Gustav Deutsch, 2009)
The Outrageous Baron Munchausen (Karel Zeman, 1962)
Misery Loves Company (Carl Brown, 1993)
The Autobiography of Nicolae Ceausescu (Andrei Ujica, 2010)
Main Street (Juan Antonio Bardem,1956)
Real Life (Albert Brooks, 1979)
Kabhie Kabhie (Yash Chopra, 1976)
L’intrus (Claire Denis, 2004)
Flammes (Adolfo Arrieta, 1978)
Lovers are Wet (Tatsumi Kumashiro, 1973)
Mouna Ragam (Mani Ratnam, 1986)
Sparrow (Johnnie To, 2008)
Summer Vacation 1999 (Shusuke Kanedo, 1988)
Une Femme Mariée (Jean-Luc Godard, 1964)
French Cancan (Jean Renoir, 1955)
Full Moon in Paris (Eric Rohmer, 1984)
Through a Glass Darkly (Ingmar Bergman, 1961)
The Master (PT Anderson, 2012)
Platform (Jia Zhangke, 2000)
Melo (Alain Resnais, 1986)
Killer of Sheep (Charles Burnett, 1978)
Colossal Youth (Pedro Costa, 2006)
Millennium Mambo (Hou Hsiao-Hsien, 2001)
Kaagaz Ke Phool (Guru Dutt, 1959)
Where is the Friend's Home (Abbas Kiarostami, 1987)
Garm Hava (M.S. Sathyu, 1973)
The Pope's Toilet (Cesar Charlone, 2007)
The World (Jia Zhangke, 2004)
Beeswax (Andrew Bujalski, 2009)
Kannathil Muthamittal (Mani Ratnam, 2002)
Fat Girl (Catherine Breillat, 2001)
The Saddest Music in the World (Guy Maddin, 2003)
The Fits (Anna Rose Holmer, 2015)
A Hard Day's Night (Richard Lester, 1964)
Heart of the World (Guy Maddin, 2000)
Mothlight (Stan Brakhage, 1963)
Duck Amuck (Chuck Jones, 1953)
Amelie (Jean-Pierre Jeunet, 2001)
Rebecca (Alfred Hitchcock, 1940)
A Tale of Two Sisters (Kim Jee-woon, 2003)
Take Care of My Cat (Jeong Jae-eun, 2001)
My Right to Ravage Myself (Jeon Soo-il, 2003)
Cracking Up (Jerry Lewis, 1983)
Flowers of Shanghai (Hou Hsiao-hsien, 1998)
I Knew her Well (Antonio Pietrangeli, 1965)
Iguana (Monte Hellman, 1988)
Peppermint Frappe (Carlos Saura, 1967)
A Poem is a Naked Person (Les Blank, 1974)
Prince of Darkness (John Carpenter, 1987)
Remember my Name (Alan Rudolph, 1978)
Sherman's March (Ross McElwee, 1985)
Some call it Loving (James B Harris, 1973)
Two for the Road (Stanley Donen, 1967)
Vengeance (Chang Cheh, 1970)
Yeelen (Souleymane Cisse, 1987)

3.2 pts
Rosemary’s Baby (Roman Polanski, 1968)
Sem Essa, Aranha (Rogério Sganzerla, 1970)
Minnie and Moskowitz (John Cassavetes, 1971)
Ganja & Hess (Bill Gunn, 1973)
Annie Hall (Woody Allen, 1977)
Opening Night (John Cassavetes, 1977)
E.T. the Extra-Terrestrial (Steven Spielberg, 1982)
White Dog (Samuel Fuller, 1982)
Twenty Years Later (Eduardo Coutinho, 1984)
Grave of the Fireflies (Isao Takahata, 1988)
A Corner In Wheat (D.W. Griffith, 1909)
The Music Room (Satyajit Ray, 1958)
Our Century (Artavazd Peleshian, 1983)
Padatik (Mrinal Sen, 1973)
The Moon (Takashi Ito, 1994)
Nainsukh (Amit Dutta, 2010)
Window Water Baby Moving (Stan Brakhage, 1959)
Warsaw Bridge (Pere Portabella, 1990)
Vanaprastham (Shaji.N.Karun, 1999)
Splatter: Naked Blood (Hisayasu Sato, 1996)
Ville Marie (Alexandre Larose, 2009)
Wild Grass (Alain Resnais, 2009)
Humanity and Paper Balloons (Sadao Yamanaka, 1937)
Gebo and the Shadow (Manoel de Oliveira, 2012)
Hahaha (Hong Sang-soo, 2010)
Turumba (Kidlat Tahimik, 1981)
When the Tenth Month Comes (Dang Nhat Minh, 1984)
Tras-os-Montes (Margarida Cordeiro, António Reis, 1976)
Lodz Symphony (Peter Hutton, 1993)
The Battle Front for the Liberation of Japan – Summer in Sanrizuka (Shinsuke Ogawa, 1968)
Goodbye CP (Kazuo Hara, 1972)
Garrincha: Hero of the Jungle (Joaquim Pedro de Andrade, 1962)
A.K.A. Serial Killer (Masao Adachi, 1969)
India: Matri Bhumi (Roberto Rossellini, 1959)

3 pts
Kitaab (Gulzar, 1977) **
Nowhere (Gregg Araki, 1997) **
Possession (Andrzej Zulawski, 1981) **
Innocence (Lucile Hadzihalilovic, 2004) **
Bandini (Bimal Roy, 1963) **
Van Gogh (Maurice Pialat, 1991) **
Querelle (Rainer Werner Fassbinder, 1982) **
The Conversation (Francis Ford Coppola, 1974) **
Moonrise Kingdom (Wes Anderson, 2012) **
Koyaanisqatsi (Godfrey Reggio, 1982)
Watchmen (Zack Snyder, 2009)
The Killers (Robert Siodmak, 1946)
JFK (Oliver Stone, 1991)
Goodfellas (Martin Scorsese, 1990)
Fail-Safe (Sidney Lumet, 1964)
The Diving Bell and the Butterfly (Julian Schnabel, 2007)
Jackie Brown (Quentin Tarantino, 1997)
L'Atlantide (Jacques Feyder, 1920)
Variety (EA Dupont, 1925)
Seventh Heaven (Frank Borzage, 1927)
The Little Match Girl (Jean Renoir, 1928)
The Dance of the Paroxysms (Jorge Brum do Canto, 1929)
The Manxman (Alfred Hitchcock, 1929)
The New Babylon (Grigori Kozintsev/Leonid Trauberg, 1929)
Diary of a Lost Girl (GW Pabst, 1929)
People on Sunday (Robert Siodmak/Edgar G Ulmer, 1930)
Gods of the Plague (Rainer Werner Fassbinder, 1970)
Such a Pretty Little Beach (Yves Allegret, 1949)
The Arch (Tang Shu Shuen, 1968)
In the White City (Alain Tanner, 1983)
My Own Private Idaho (Gus Van Sant, 1991)
Cluny Brown (Ernst Lubitsch, 1946)
There Once Was A Singing Blackbird (Otar Iosseliani, 1970)
Stella Dallas (King Vidor, 1937)
Blissfully Yours (Apichatpong Weerasethakul, 2002)
Serial Mom (John Waters, 1994)
Time Regained (Raul Ruiz, 1999)
The Vertical Ray of the Sun (Tran Anh Hung, 2000)
Summer Palace (Lou Ye, 2006)
The Endless Summer (Bruce Brown, 1966)
11 x 14 (James Benning, 1977)
The Satin Slipper (Manoel de Oliveira, 1985)
Pippi Longstocking (Michael Schaack, Clive A. Smith, 1997)
The Iron Giant (Brad Bird, 1999)
Lost in Translation (Sofia Coppola, 2003)
Bluebeard (Catherine Breillat, 2009)
Docks of Hamburg (Erich Waschneck, 1928)
Anna and Elizabeth (Frank Wisbar, 1932)
Rough Diamond (Humberto Mauro, 1933)
Police Officer (Tomu Uchida, 1933)
Swing Time (George Stevens, 1936)
Condottieri (Luis Trenker/Werner Klingler, 1937)
Michelangelo (Curt Oertel, 1938)
Manon (Henri-Georges Clouzot, 1949)
Merry-Go-Round (Zoltan Fabri, 1956)
The Girl from Flanders (Helmut Kautner, 1956)
Kisses (Yasuzo Masumura, 1957)
Monpti (Helmut Kautner, 1957)
Moderato cantabile (Peter Brook, 1960)
The Taste of Violence (Robert Hossein, 1961)
She and He (Susumu Hani, 1963)
Flora on the Sand (Ko Nakahira, Japan 1964)
Das Madchen mit dem Mini (Paul Milan, 1965)
The Nest of the Cuckoo Birds (Bert Williams, 1965)
Carmen from Kawachi (Seijun Suzuki, 1966)
Vulkan der hollischen Triebe (Peter Hauser, 1967)
Hang 'em High (Ted Post, 1968)
Nanami: The Inferno of First Love (Susumu Hani, 1968)
The Griller (George Moorse, 1968)
Aido: Slave of Love (Susumu Hani, 1969)
Running in Madness, Dying in Love (Koji Wakamatsu, 1969)
Road to Salina (Georges Lautner, 1970)
The Pacifist (Miklos Jancso, 1970)
Waterloo (Sergey Bondarchuk, 1970)
Le Mans (Lee H. Katzin, 1971)
Female Prisoner Scorpion: Beast Stable (Shunya Ito, 1973)
Secret Chronicle: She Beast Market (Noboru Tanaka, 1974)
Wife to Be Sacrificed (Masaru Konuma, 1974)
The Story of Sin (Walerian Borowczyk, 1975)
Monika und die Sechzehnjahrigen (Charly Steinberger, 1975)
Shuffle (Sogo Ishii, 1981)
Second Sight (Dominik Graf, 1982)
Breathless (Jim McBride, 1983)
Staying Alive (Sylvester Stallone, 1983)
The Man from Majorca (Bo Widerberg, 1984)
Reckless (James Foley, 1984)
Alpha City (Eckhart Schmidt, 1985)
American Flyers (John Badham, 1985)
Phenomena (Dario Argento, 1985)
The Red Spectacles (Mamoru Oshii, 1987)
Top Model (Joe D'Amato, 1988)
As Tears Go By (Wong Kar-Wai, 1988)
The Tune (Bill Plympton, 1992)
Birth (Jonathan Glazer, 2004)
Beats Being Dead (Christian Petzold, 2011)
Last Tango in Paris (Bernardo Bertolucci, 1972)
1900 (Bernardo Bertolucci, 1976)
The Damned ( Luchino Visconti, 1969)
The Decameron (Pier Paolo Pasolini,1971)
The Last Picture Show (Peter Bogdanovich, 1971)
The Wild Bunch (Sam Peckinpah,1969)
Straw Dogs (Sam Peckinpah, 1971)
The Getaway (Sam Peckinpah,1972)
Papillon ( Franklin J. Schaffner, 1973)
Planet of the Apes (Franklin J. Schaffner, 1968)
The Good, the Bad and the Ugly (Sergio Leone, 1966)
Blue Velvet (David Lynch, 1986)
Maurice (James Ivory,1987)
Pulp Fiction (Quentin Tarantino, 1994)
That Most Important Thing: Love ( Andrzej Zulawski, 1975)
A Sunday in the Country (Bertrand Tavernier, 1984)
Cabaret (Bob Fosse,1972)
Jaws (Steven Spielberg, 1975)
Schindler's List (Steven Spielberg,1993)
Kiss of the Spider Woman (Hector Babenco, 1985)
One Flew Over the Cuckoo's Nest (Milos Forman,1975)
Oldboy (Chan-wook Park, 2003)
Chinatown (Roman Polanski, 1974)
Le Cercle Rouge (Jean-Pierre Melville,1970)
Unforgiven (Clint Eastwood, 1992)
Poetry (Lee Chang-dong, 2010)
RoboCop (Paul Verhoeven, 1987)
Léon: The Professional ( Luc Besson, 1994)
All About My Mother (Pedro Almodovar, 1999)
Napoleon (Abel Gance, 1927)
The Last Command (Josef von Sternberg, 1928)
I Am a Fugitive from a Chain Gang (Mervyn LeRoy, 1932)
Midnight (Mitchell Leisen, 1939)
Ace in the Hole (Billy Wilder, 1951)
It's Always Fair Weather (Stanley Donen, Gene Kelly 1955)
Paths of Glory (Stanley Kubrick, 1957)
The Big Country (William Wyler, 1958)
For a Few Dollars More (Sergio Leone, 1965)
The Great Silence (Sergio Corbucci, 1968)
Deep End (Jerzy Skolimowski, 1970)
The Sting (George Roy Hill, 1973)
The Long Goodbye (Robert Altman, 1973)
California Split (Robert Altman, 1974)
The Taking of Pelham One Two Three (Joseph Sargent, 1974)
Night Moves (Arthur Penn, 1974)
The Bad News Bears (Michael Ritchie, 1976)
The Tenant (Roman Polanski, 1976)
Blue Collar (Paul Schrader 1978)
Time After Time (Nicholas Meyer, 1979)
Breaking Away (Peter Yates, 1979)
The King of Comedy (Martin Scorsese, 1982)
Beverly Hills Cop (Martin Brest, 1984)
Back to the Future (Robert Zemeckis, 1985)
After Hours (Martin Scorsese, 1985)
Big Trouble in Little China (John Carpenter, 1986)
White of the Eye (Donald Cammell, 1987)
Die Hard (John McTiernan, 1988)
They Live (John Carpenter, 1988)
Midnight Run (Martin Brest, 1988)
Miracle Mile (Steve De Jarnatt, 1988)
Class of 1999 (Mark L. Lester, 1990)
Total Recall (Paul Verhoeven, 1990)
Groundhog Day (Harold Ramis, 1993)
Femme Fatale (Brian De Palma (2002)
Tomorrow's Promise (Edward Owens 1967)
Love Must Love (Myron Ort 1968)
The Wind Is Driving Him Towards the Open Sea (David Brooks 1968)
The Fall (Peter Whitehead 1969)
Okeanos (Myron Ort 1972)
Horizons (Larry Gottheim 1973)
The Birth of a Nation (Klaus Wyborny 1973)
Print Generation (J.J. Murphy 1974)
White Heart (Daniel Barnett 1975)
Fiction (Thanasis Rentzis 1977)
Floorshow (Richard Myers 1978)
Old Redwood Series (Myron Ort 1979)
19th Century Georgian Chronicle (Aleksandre Rekhviashvilli 1979)
The Sky on Location (Babette Mangolte 1982)
Amerika (Al Razutis 1983)
Capitale-paysage (Michel Nedjar 1983)
Dhrupad (Mani Kaul 1983)
That Has Been (Niki Hamlyn 1984)
Orinoco, New World (Diego Rísquez 1984)
At the Edge of Darkness (Klaus Wyborny 1986)
Habeas Corpus (Jorge Acha 1986)
Magdalena Viraga (Nina Menkes 1987)
Consolations (R. Bruce Elder 1988)
Les antiquités de Rome (Jean-Claude Rousseau 1989)
Feldberg (Michael Pilz 1990)
The Man From Island West (Ming-Chuan Huang 1990)
Libera me (Alain Cavalier 1993)
These Hands (M'mbugu-Schelling 1993)
A Depression in the Bay of Bengal (Mark Lapore 1996)
Afriques: Comment ça va avec la douleur? (Raymond Depardon 1996)
A Burning Star (Kenji Onishi 1996)
The Five Bad Elements (Mark Lapore 1998)
Histoire(s) du cinéma (Jean-Luc Godard 1998)
Silvercup (Jim Jennings 1998)
God’s Wedding (Joao César Monteiro 1999)
Spin (Hannes Schupbach 2001)
Wot the Ancient Sod (Diane Kitchen 2001)
Soviets Plus Electricity (Nicolas Rey 2001)
The Ground (Robert Beavers 2001)
Regarding Penelope’s Wake (Michele Smith 2002)
Goff in the Desert (Heinz Emigholz 2003)
The Orientalist (Michele Smith 2004)
Falten (Hannes Schupbach 2005)
Bellavista (Peter Schreiner 2006)
The Wars (Oscar van Alphen 2006)
Drifter (Timoleon Wilkins 2010)
Moonrise (Frank Borzage, 1948)
The Exorcist III (William Peter Blatty, 1990)
The Third Part of the Night (Andrzej Zulawski, 1971)
A Quiet Place in the Country (Elio Petri, 1968)
Zombie Flesh Eaters (Lucio Fulci, 1979)
Kanal (Andrzej Wajda, 1957)
The Lady Eve (Preston Sturges, 1941)
Public Housing (Frederick Wiseman, 1997)
Heroes for Sale (William Wellman, 1933)
Remember the Night (Mitchell Leisen, 1940)
I've Always Loved You (Frank Borzage, 1946)
Los Olvidados (Luis Bunuel, 1950)
The Long Gray Line (John Ford, 1955)
Princess Yang Kwei Fei (Kenji Mizoguchi, 1955)
Great Day in the Morning (Jacques Tourneur, 1956)
Rock-A-Bye Baby (Frank Tashlin, 1958)
Breakfast at Tiffany's (Blake Edwards, 1961)
They All Laughed (Peter Bogdanovich, 1981)
The Terrorizers (Edward Yang, 1986)
Daughter of the Nile (Hou Hsiao Hsien, 1987)
My Neighbor Totoro (Hayao Miyazaki, 1988)
Nazar (Mani Kaul, 1990)
To Sleep With Anger (Charles Burnett, 1990)
Celine (Jean-Claude Brisseau, 1992)
Cure (Kiyoshi Kurosawa, 1997)
No Love Juice: Rustling in Bed (Yuji Tajiri, 1999)
The Yards (James Gray, 2000)
Through the Forest (Jean-Paul Civeyrac, 2005)
Still Life (Jia Zhangke, 2006)
Night and Day (Hong Sang-soo, 2008)
Aayirathil Oruvan (Selvaraghavan, 2010)
Like Someone in Love (Abbas Kiarostami, 2012)
The Grandmaster (Wong Kar Wai, 2013)
The Parrot and the Swan (Alejo Moguillansky, 2013)
Forget Me Not (Kei Horie, 2015)
Kaatru Veliyidai (Mani Ratnam, 2017)
Cache (Michael Haneke, 2005)
The Leopard (Luchino Visconti, 1963)
Whistle and I'll Come to You (Jonathan Miller, 1968)
The Tale of the Fox (Ladislas and Irene Starewicz, 1937)
London (Garrison Keillor, 1994)
The Emigrants (Jan Troell, 1971)
The Child (Jean-Pierre and Luc Dardenne, 2005)
The Crazy Stranger (Tony Gatlif, 1997)
My Winnipeg (Guy Maddin, 2007)
Withnail & I (Bruce Robinson, 1987)
Happy-Go-Lucky (Mike Leigh, 2008)
Videodrome (David Cronenberg, 1983)
Macario (Roberto Gavaldon, 1960)
To Die For (Gus Van Sant, 1995)
Repulsion (Roman Polanski, 1965)
Edward and Caroline (Jacques Becker, 1951)
Red River (Howard Hawks, 1948)
Hearts of Darkness: A Filmmaker's Apocalypse (Eleanor Coppola, 1991)
Summer Hours (Olivier Assayas, 2008)
Liebelei (Max Ophuls, 1933)
Kes (Ken Loach, 1969)
Metropolitan (Whit Stillman, 1990)
The Man Who Fell to Earth (Nicolas Roeg, 1976)
Naked Childhood (Maurice Pialat, 1968)
Ripley's Game (Liliana Cavani, 2002)
Dr. Mabuse the Gambler (Fritz Lang, 1922)
By the Law (Lev Kuleshov, 1926)
Ladies of Leisure (Frank Capra, 1930)
Night Nurse (William Wellman, 1931)
Holiday (George Cukor, 1938)
The Strawberry Blonde (Raoul Walsh, 1941)
A Hen in the Wind (Yasujiro Ozu, 1948)
The Heiress (William Wyler, 1949)
Devil's Doorway (Anthony Mann, 1950)
The Browning Version (Anthony Asquith, 1951)
Pather Panchali (Satyajit Ray, 1955)
Anatomy of a Murder (Otto Preminger, 1959)
Wild River (Elia Kazan, 1960)
The Birds (Alfred Hitchcock, 1963)
Woman in the Dunes (Hiroshi Teshigahara, 1964)
Petulia (Richard Lester, 1968)
Double Suicide (Masahiro Shinoda, 1969)
The Landlord (Hal Ashby, 1970)
Sunday Bloody Sunday (John Schlesinger, 1971)
Autumn Sonata (Ingmar Bergman, 1978)
S.O.B. (Blake Edwards, 1981)
Something Wild (Jonathan Demme, 1986)
And Life Goes On (Abbas Kiarostami, 1992)
Dead Man (Jim Jarmusch, 1995)
Inquietude (Manoel de Oliveira, 1998)
Rushmore (Wes Anderson, 1998)
Belfast, Maine (Frederick, Wiseman, 1999)
Demonlover (Olivier Assayas, 2002)
Entertainment (Rick Alverson, 2015)
American Honey (Andrea Arnold, 2016)
Moonlight (Barry Jenkins, 2016)
Innocent Sorcerers (Andrzej Wajda, 1960)
Ratcatcher (Lynne Ramsay, 1999)
Rosetta (Dardenne Brothers, 1999)
Spring Parade (Henry Koster, 1940)
Elegia (Zoltan Huszarik, 1965)
Ulzana’s Raid (Robert Aldrich, 1972)
Man from Del Rio (Harry Horner, 1956)
Cinderella (Georges Melies, 1899)
Dante’s Inferno (Francesco Bertolini and Adolfo Padovan, 1911)
The Oyster Princess (Ernst Lubitsch, 1919)
The Miracle of Morgan’s Creek (Preston Sturges, 1944)
Bitter Rice (Giuseppe De Santis, 1949)
Under Capricorn (Alfred Hitchcock, 1949)
Bell, Book and Candle (Richard Quine, 1958)
Cairo Station (Youssef Chahine, 1958)
The Whip and the Body (Mario Bava, 1963)
Le Samouraï (Jean-Pierre Melville, 1967)
The Unknown (Tod Browning, 1927)
Muscle Beach (Joseph Strick/Irving Lerner, 1948)
Requiem for a Heavyweight (Ralph Nelson, 1962)
Only God Forgives (Nicolas Winding Refn, 2013)
The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972)
Blade Runner (Ridley Scott, 1982)
The Cook the Thief His Wife and Her Lover (Peter Greenaway, 1989)
Nosferatu the Vampyre (Werner Herzog, 1979)
Benilde, or the Virgin Mother (Manoel de Oliveira, 1975)
Hard to be a God (Aleksey German, 2013)
Lancelot du Lac (Robert Bresson, 1974)
Artemis’ Knee (Jean-Marie Straub, 2008)
Rosa de Areia (Antonio Reis, 1989)
Defying Everybody (Yury Ilienko, 1973)
Ran (Akira Kurosawa, 1985)
Battleship Potemkin (Sergei Eisenstein, 1925)
The Piano Teacher (Michael Haneke, 2001)
Fitzcarraldo (Werner Herzog, 1982)
The Panic in Needle Park (Jerry Schatzberg, 1971)
The Bad Sleep Well (Akira Kurosawa, 1960)
Nashville (Robert Altman, 1977)
Dogville (Lars von Trier, 2003)
Irma Vep (Olivier Assayas, 1996)
Horse Money (Pedro Costa, 2014)
Mother Dao, the Turtlelike (Vincent Monnikendam, 1995)
A Simple Event (Sohrab Shahid Saless, 1974)
The Thing (John Carpenter, 1982)
Canoa (Felipe Cazals, 1976)
Family Life (Ken Loach, 1971)
The Crowd (King Vidor, 1928)
Angel (Ernst Lubitsch, 1937)
Lola Montes (Max Ophüls, 1955)
Tokyo Twilight (Yasujiro Ozu, 1957)
High and Low (Akira Kurosawa, 1963)
Two English Girls (François Truffaut, 1971)
The Spirit of the Beehive (Víctor Erice, 1973)
Mikey and Nicky (Elaine May, 1976)
Mr. Klein (Joseph Losey, 1976)
L'Enfant Secret (Larisa Shepitko, 1979)
Eureka (Shinji Aoyama, 2000)
The Day I Became a Woman (Marziyeh Meshkiny, 2000)
In Vanda's Room (Pedro Costa, 2001)
The Best of Youth (Marco Tullio Giordana, 2003)
The Beaches of Agnes (Agnes Varda, 2008)
Wendy and Lucy (Kelly Reichardt, 2008)
The Blade (Tsui Hark, 1995)
Chupke Chupke (Hrishikesh Mukherjee, 1975)
Guna (Santhana Barathi, 1991)
His Highness Abdullah (Sibi Malayil, 1990)
A Night in Nude (Takashi Ishii, 1993)
A Scene at the Sea (Takeshi Kitano, 1991)
Titli (Rituparno Ghosh, 2002)
2 or 3 Things I Know About Her (Jean-Luc Godard, 1967)
Jules and Jim (Francois Truffaut, 1962)
Late Spring (Yasujiro Ozu, 1949)
Last Chants for a Slow Dance (Jon Jost, 1977)
The House Is Black (Forugh Farrokhzad, 1963)
Street of Shame (Kenji Mizoguchi, 1956)
The Sun Shines Bright (John Ford, 1953)
Land Without Bread (Luis Bunuel, 1933)
The Hole (Tsai Ming-Liang, 1998)
Don't Go Breaking My Heart 2 (Johnnie To, 2014)
36 Chowringhee Lane (Aparna Sen, 1981)
Miss Oyu (Kenji Mizoguchi, 1951)
Man of the Story (Adoor Gopalakrishnan, 1995)
The Castaways of Turtle Island (Jacques Rozier, 1976)
Deewaar (Yash Chopra, 1975)
The Young Pope (Paolo Sorrentino, 2016)
The WItch (Robert Eggers, 2015)
L'iceberg ( Dominique Abel, Fiona Gordon, 2005)
Wu Yen (Johnnie To, Wai Ka-Fai, 2001)
Bahubali (S.S. Rajamouli, 2015)
Police, Adjective ( Corneliu Porumboiu, 2009)
Saint Young Men (Noriko Takao, 2013)
Shara (Naomi Kawase, 2003)
Forgetting Vietnam (Trinh T. Minh-ha, 2016)
Four Diamonds (Ute Aurand, 2016)
Memory Exercises (Paz Encina, 2016)
Fountains of Paris (Stephen Broomer, 2018)
Fox and His Friends (Rainer Werner Fassbinder, 1975)
Sidewinder’s Delta (Pat O’Neill, 1976)
Music of the Spheres (Jordan Belson, 1977)
Creation (Stan Brakhage, 1979)
Champ provencal (Rose Lowder, 1979)
Five Element Ninjas (Chang Cheh, 1982)
Royal Warriors (David Chung, 1986
The Death of Empedocles (Daniele Huillet, Jean-Marie Straub, 1987)
Sathya (Suresh Krissna, 1988)
Remains to be Seen (Phil Solomon, 1989)
Cipher (Tsuneo Tominaga, 1989)
In the Mouth of Madness (John Carpenter, 1994
Incognito (Julie Dash, 1999)
Work Done (Robert Beavers, 2000)
Christabel (James Fotopoulos, 2001)
PTU (Johnnie To, 2003)
Two Wrenching Departures (Ken Jacobs, 2006)
Retribution (Kiyoshi Kurosawa, 2006)
Observando el cielo (Jeanne Liotta, 2007)
A Loft (Ken Jacobs, 2011)
Flirtation Walk (Frank Borzage, 1934)
Two Alone (Elliott Nugent, 1934)
A Hero of Tokyo (Hiroshi Shimizu, 1935)
They Drive by Night (Raoul Walsh, 1940)
A Canterbury Tale (Michael Powell, Emeric Pressburger, 1944)
Gallant Journey (William Wellman, 1946)
Deep Valley (Jean Negulesco, 1947)
Good News (Charles Walters, 1947)
Surrender (Allan Dwan, 1950)
Summer Stock (Charles Walters, 1950)
Monkey Business (Howard Hawks, 1952)
Castle of the Banned Lovers (Ricardo Freda, 1956)
The Blue Sky Maiden (Yasuzo Masumura, 1957)
Party Girl (Nicholas Ray, 1958)
Edo Girl Detective (Tadashi Sawashima, 1958)
The Hound of the Baskervilles (Terence Fisher, 1959)
Breathing (Robert Breer, 1963)
Galaxie (Gregory J. Markopoulos, 1966)
In Marin County (Peter Hutton, 1970)
Inherent Vice (PT Anderson, 2014)
It's A Wonderful Life (Frank Capra. 1946)
Lambchops (Murray Roth, 1929)
Sweeney Todd The Demon Barber of Fleet Street (Tim Burton, 2007)
The Adventures of Baron Munchausen (Terry Gilliam ,1988)
Topsy Turvy (Mike Leigh, 1999)
Intolerance (DW Griffith, 1916)
Mandala (Im Kwon-taek, 1981)
La Otra (Roberto Gavaldon, 1946)
Hitokiri (Hideo Gosha, 1969)
Rouge (Stanley Kwan, 1987)
El (Luis Bunuel, 1953)
The Cameraman (Buster Keaton/Edward Sedgwick, 1928)
Rue de l’Estrapade (Jacques Becker, 1953)
The Outlaw and his Wife (Victor Sjostrom, 1918)
Pom Poko (Isao Takahata, 1994)
A Good Lad (Boris Barnet, 1943)
Panique (Julien Duvivier, 1946)
Francisca (Manoel de Oliviera, 1981)
Mr Shosuke Ohara (Hiroshi Shimizu, 1949)
Kummatty (Govindan Aravindan, 1979)
Ticket of No Return (Ulrike Ottinger, 1979)
Floating Weeds (Yasujiro Ozu, 1959)
Nest of the Gentry (Andrei Konchalovsky, 1969)
When a Woman Ascends the Stairs (Mikio Naruse, 1960)
Mother (Mikio Naruse, 1952)
A Fugitive from the Past (Tomu Uchida, 1965)
A Distant Cry from Spring (Yoji Yamada, 1980)
Farewell, Home Sweet Home (Otar Iosseliani, 1999)
Ashes and Diamonds (Andrzej Wajda, 1958)
Moana (Robert Flaherty, 1926)
Epitome (Kaneto Shindo, 1953)
Larks on a String (Jiri Menzel, 1969)
L’Age d’Or (Luis Bunuel, 1930)
Through the Olive Trees (Abbas Kiarostami, 1994)
The Student Prince in Old Heidelberg (Ernst Lubitsch, 1927)
Bicycle Thieves (Vittorio De Sica, 1948)
The Travelling Players (Theo Angelopoulos, 1975)
The Big City (Satyajit Ray, 1963)
La Grande Illusion (Jean Renoir, 1937)
The 39 Steps (Alfred Hitchcock, 1935)
The Seventh Seal (Ingmar Bergman, 1957)
The Death of Yazdgerd (Bahram Beizai, 1982)
Wings (Larisa Shepitko, 1966)

2 pts
Ugetsu (Kenji Mizoguchi, 1953) **
Walkabout (Nicholas Roeg, 1971) **
Friday Night (Claire Denis, 2002) **
The Emperor's New Groove (Mark Dindal, 2000) **
Hard Eight (Paul Thomas Anderson, 1996)
Cloud Atlas (The Wachowskis, 2012)
From Here to Eternity (Fred Zinnemann, 1953)
The Favourite (Yorgos Lanthimos, 2018)
Scarface (Brian De Palma, 1983)
The Bridge on the River Kwai (David Lean, 1957)
The Man Who Wasn't There (Coen brothers, 2001)
The Great Dictator (Charlie Chaplin, 1940)
The Smiling Madame Beudet (Germaine Dulac, 1923)
The Marriage Circle (Ernest Lubitsch, 1924)
Underground (Anthony Asquith, 1928)
Street Angel (Frank Borzage, 1928)
L'Argent (Marcel L'Herbier, 1928)
The Sixth Sense (Eusebio Fernández Ardavín/Nemesio Sobrevila, 1929)
Daphnis and Chloe (Orestis Laskos, 1930)
Ariel (Aki Kaurismäki, 1988)
Touki Bouki (Djibril Diop Mambety, 1973)
Meantime (Mike Leigh, 1983)
Baby Face (Alfred E. Green, 1933)
O Sangue (Pedro Costa, 1989)
The Remains of the Day (James Ivory, 1993)
The Set-Up (Robert Wise, 1949)
Girlfriends (Claudia Weill, 1978)
Why Don’t You Play in Hell? (Sion Sono, 2013)
Vengeance (Johnnie To, 2009)
Secrets & Lies (Mike Leigh, 1996)
The Barbarian Invasions (Denys Arcand, 2003)
One, Two, Three (Billy Wilder, 1961)
To Have and Have Not (Howard Hawks, 1944)
Prospero’s Books (Peter Greenaway, 1991)
The Fallen Idol (Carol Reed, 1948)
The Red and the White (Miklos Jancso, 1967)
Apocalypse Now (Francis Ford Coppola, 1979)
A Lake (Phillipe Grandrieux, 2008)
Monsieur Lazhar (Phillipe Falardeau, 2011)
School on Fire (Ringo Lam, 1988)
Looking For Langston (Isaac Julien, 1989)
La Belle Noiseuse (Jacques Rivette, 1991)
Crooklyn (Spike Lee, 1994)
Lost Higway (David Lynch, 1997)
Central Station (Walter Salles, 1998)
Punch-Drunk Love (Paul Thomas Anderson, 2002)
Speed Racer (Lana Wachowski, Lilly Wachowski, 2008)
Sinfonia da Necropole (Juliana Rojas, 2014)
Chi-Raq (Spike Lee, 2015)
Get Out (Jordan Peele, 2017)
Good Time (Benny Safdie, Josh Safdie, 2017)
Altiplano (Malena Szlam, 2018)
The Dwelling (Girish Kasaravalli, 1991)
Moons Pool (Gunvor Nelson, 1973)
The Seventh Continent (Michael Haneke, 1989)
The Naked Island (Kaneto Shindo, 1960)
Cosmopolis (David Cronenberg, 2012)
Chants (Martine Rousset, 1995)
Live And Die In L.A (William Friedkin, 1985)
Deep Red (Dario Argento, 1975)
A Touch Of Zen (King Hu, 1971)
Arrebato (Ivan Zulueta, 1979)
Pasolini (Abel Ferrara, 2014)
Throw Away Your Books, Rally In The Streets (Shuji Terayama, 1971)
Vanilla Sky (Cameron Crowe, 2001)
The Swimmer (Frank Perry, 1968)
The Incredible Shrinking Man (Jack Arnold, 1957)
Shanghai Express (Josef von Sternberg, 1932)
The Black Cat (Edgar G. Ulmer, 1934)
The Murderers Are Among Us (Wolfgang Staudte, 1946)
Pickup on South Street (Samuel Fuller, 1953)
Red Sorghum (Zhang Yimou, 1987)
The Ballad of Narayama (Keisuke Kinoshita, 1958)
Aguirre, the Wrath of God (Werner Herzog, 1972)
The Illusionist (Sylvain Chomet, 2010)
The White Meadows (Mohammad Rasoulof, 2009)
Reality (Quentin Dupieux, 2014)
Showdown (RG Springsteen, 1963)
The Burglar (Paul Wendkos, 1957)
Valley of the Bees (Frantisek Vlacil, 1968)
Electra, My Love (Miklos Jancso, 1974)
The Freshman (Fred C. Newmeyer and Sam Taylor, 1925)
Gold Diggers of 1933 (Mervyn LeRoy, 1933)
Now, Voyager (Irving Rapper, 1942)
Monsieur Verdoux (Charlie Chaplin, 1947)
The Big Day (Jacques Tati, 1949)
The Naked Spur (Anthony Mann, 1953)
Black Girl (Ousmane Sembene, 1966)
The Friends of Eddie Coyle (Peter Yates, 1973)
Downhill Racer (Michael Ritchie, 1969)
Cool Hand Luke (Stuart Rosenberg, 1967)
Il Sorpasso (Dino Risi, 1962)
Faust (Aleksandr Sokurov, 2011)
Walking the Streets of Moscow (Georgiy Daneliya, 1964)
Dancer in the Dark (Lars von Trier, 2000)
Paris Belongs to Us (Jacques Rivette, 1961)
The Kingdom (Lars von Trier, 1997)
Cleo from 5 to 7 (Agnes Varda, 1962)
Wanda Gosciminska – A Textile Worker (Wojciech Wizniewski, 1975)
25th Fireman’s Street (Istvan Szabo, 1973)
Salome (Carmelo Bene, 1972)
Triptych (Ali Khamraev, 1977)
It has to be lived once and dreamed twice (Rainer Kohlberger, 2019)
Poem (Akia Jissoji, 1972)
American Postcard (Gabor Body, 1975)
A Zed and Two Noughts (Peter Greenaway, 1985)
A Page of Madness (Teinosuke Kinugasa, 1926)
The Red Fish (José Antonio Nieves Conde, 1955)
Dirty Ho (Lau Kar-leung, 1976)
My Memories of Old Beijing (Wu Yigong, 1983)
Postman (He Jianjun, 1995)
Winter Vacation (Li Hongqi, 2010)
The Cruise (Marek Piwowski, 1970)
Jagte Raho (Sombhu Mitra, Amit Maitra, 1956)
Kabhi Haan Kabhi Naa (Kundan Shah, 1994)
Report to Mother (John Abraham, 1986)
The Phantom of Liberty (Luis Bunuel, 1974)
Je t'aime, je t'aime (Alain Resnais, 1968)
Rebels of the Neon God (Tsai Ming-liang, 1992)
The White Ribbon (Michael Haneke, 2009)
Scarecrow (Jerry Schatzberg, 1973)
The Blue Angel (Josef von Sternberg, 1930)
One from the Heart (Francis Ford Coppola, 1981)
The Fear (Kostas Manoussakis, 1966)
The Fabulous World of Jules Verne (Karel Zeman, 1958)
Twisted Pair (Neil Breen, 2018)
The Holy Innocents (Mario Camus, 1984)
Phase IV (Saul Bass, 1974)
Aspern (Eduardo de Gregorio, 1982)
Die Katze (Dominik Graf, 1988)
Dooratwa (Buddhadeb Dasgupta, 1981)
Goopy Gyne Bagha Byne (Satyajit Ray, 1969)
Imsai Arasan 23am Pulikesi (Chimbu Devan, 2006)
Sahib Bibi Aur Ghulam (Abrar Alvi, 1962)
Pickpocket (Robert Bresson, 1959)
The Phantom Thread (PT Anderson, 2017)
The Gospel According to Matthew (Pier Paolo Pasolini, 1964)
The Exterminating Angel (Luis Bunuel, 1962)
The Big Trail (Raoul Walsh, 1930)
Les Vampires (Louis Feuillade, 1915)
Sazen Tange and the Pot Worth a Million Ryo (Sadao Yamanaka, 1935)
Why Violet (Radwan El-Kashef, 1993)
Go Go Tales (Abel Ferrara,2007)
D'Est (Chantal Akerman,1993)
Our Beloved Month of August (Miguel Gomes,2008)
A Dangerous Method (David Cronenberg, 2011)
Our Little Sister (Hirokazu Kore-eda, 2015)
Offside (Jafar Panahi, 2006)
I Am Love (Luca Guadagnino, 2009)
Pistol Opera (Seijun Suzuki, 2001)
Waiting for Happiness (Abderrahmane Sissako, 2002)
Stagecoach (John Ford 1939)
Monty Python And The Holy Grail (Terry Jones/Terry Gilliam, 1975)
Pinocchio (Hamilton Luske/Ben Sharpsteen et al, 1940)
The Lord Of The Rings (Peter Jackson, 2003)
Unknown Pleasures (Jia Zhangke, 2002)
Suzhou River (Lou Ye, 2000)
Touch of Evil (Orson Welles, 1958)
Baby Driver (Edgar Wright, 2017)
A Separation (Asghar Farhadi, 2011)
Rear Window (Alfred Hitchcock, 1954)
Scott Pilgrim vs the World (Edgar Wright, 2010)
The Big Sleep (Howard Hawks, 1946)
Inception (Christopher Nolan, 2010)
Invisible Waves (Pen-Ek Ratanaruang, 2006)
Still Walking (Hirokazu Kore-eda, 2008)
Singapore Dreaming (Colin Goh/Yen Yen Woo, 2006)
Blue Spring (Toshiaki Toyoda, 2001)
Love Letter (Shunji Iwai, 1995)
9 Souls (Toshiaki Toyoda, 2003)
Kung Fu Hustle (Stephen Chow, 2004)
V for Vendetta (James McTeigue, 2005)
House (Nobuhiko Obayashi, 1977)
Youth of the Beast (Seijun Suzuki, 1963)
Survive Style 5+ (Gen Sekiguchi, 2004)
Guardians of the Galaxy (James Gunn, 2014)
Bitter Moon (Roman Polanski, 1992)
Heaven's Gate (Michael Cimino, 1980)
The Homesman (Tommy Lee Jones, 2014)
Husbands (John Cassavetes, 1970)
The Makioka Sisters (Kon Ichikawa, 1983)
Medium Cool (Haskell Wexler, 1969)
Sleepaway Camp (Robert Hiltzik, 1983)
Trances (Ahmed el-Maanouni, 1981)

1 pt
Munich (Steven Spielberg, 2005)
The Thin Red Line (Terrence Malick, 1998)
The Naked Kiss (Samuel Fuller, 1964)
Sling Blade (Billy Bob Thornton, 1996)
The Pawnbroker (Sidney Lumet, 1964)
Winter Sleep (Nuri Bilge Ceylan, 2014)
The Big Lebowski (Coen brothers, 1998)
The Odd Couple (Gene Saks, 1968)
Until They Get Me (Frank Borzage, 1917)
The Swallow and the Titmouse (André Antoine, 1920)
L'Homme du Large (Marcel L'Herbier, 1920)
Erotikon (Mauritz Stiller, 1920)
The Great White Silence (Herbert Ponting, 1924)
L'Inhumaine (Marcel L'Herbier, 1924)
The Late Mathias Pascal (Marcel L'Herbier, 1925)
The Ingmar Inheritance (Gustaf Molander, 1925)
Emak-Bakia (Man Ray, 1925)
Picadilly (EA Dupont, 1929)
La Ceremonie (Claude Chabrol, 1995)
Marius (Alexander Korda, 1931)
Le tempestaire (Jean Epstein, 1947)
Mahler (Ken Russell, 1974)
The Fan (Eckhard Schmidt, 1982)
Fascination (Jean Rollin, 1979)
Visa de censure n° X (Pierre Clementi, 1967)
The Gleaners & I (Agnes Varda, 2000)
Toni Erdmann (Maren Ade, 2016)
Brief Encounter (David Lean, 1945)
Foxtrot (Samuel Maoz, 2017)
The Addiction (Abel Ferrara, 1995)
The Asphalt Jungle (John Huston, 1950)
Atlantic City (Louis Malle, 1980)
Cold War (Pawel Pawlikowski, 2018)
Stealing Beauty (Bernardo Bertolucci, 1996)
Utopia (Sohrab Shahid Saless, 1983)
Wizards (Ralph Bakshi, 1977)
Forbidden Planet (Fred M. Wilcox, 1956)
The Ravishing of Frank N. Stein (Georges Schwizgebel, 1982)
Alpine Fire (Fredi M. Murer, 1985)
Mulan (Tony Bancroft, Barry Cook, 1998)
The Parent Trap (Nancy Meyers, 1998)
Way Down East (D.W. Griffith, 1920)
The Great Gatsby (Baz Luhrmann, 2013)
Inglorious Basterds (Quentin Tarantino, 2009)
Vengeance Is Mine (Shohei Imamura, 1979)
Opera (Dario Argento, 1987)
Alexander Nevsky (Sergei Eisenstein, 1939)
The Man Who Shot Liberty Valance (John Ford, 1962)
The Testament of Doctor Mabuse (Fritz Lang, 1933)
One Week (Buster Keaton, 1920)
It Rains in My Village (Aleksandar Petrovic, 1968)
The Devils (Ken Russell, 1971)
Cries and Whispers (Ingmar Bergman, 1972)
Sanam (Rafi Pitts, 2000)
Suddenly, One Day (Mrinal Sen, 1989)
The Asthenic Syndrome (Kira Muratova, 1989)
The Wishing Tree (Tenghiz Abuladze, 1976)
Spring for the Thirsty (Yuri Ilyenko, 1965)
Mutum (Sandra Kogut, 2007)
Le Collier Perdu de la Colombe (Nacer Khemir, 1991)
Water, Wind, Dust (Amir Naderi, 1989)
Smiley Face (Gregg Araki, 2007)
The Lady from Shanghai (Orson Welles, 1947)
Clueless (Amy Heckerling, 1995)
A Cottage on Dartmoor (Anthony Asquith, 1929)
The Private Life of a Cat (Alexander Hammid/Maya Deren, 1944)
Young Torless (Volker Schlondorff, 1966)
Synecdoche, New York (Charlie Kaufman, 2008)
Under the Roofs of Paris (Rene Clair, 1930)
Forbidden Games (Rene Clement, 1952)
The Hustler (Robert Rossen, 1961)
Man with a Movie Camera (Dziga Vertov, 1929)
Diva (Jean-Jacques Beineix, 1981)
Nosferatu: A Symphony of Terror (Friedrich Wilhelm Murnau, 1922)
Vampyr (Carl Theodor Dreyer, 1932)
The Baby of Macon (Peter Greenaway, 1993)
And Then There was Light (Otar Iosseliani, 1989)
The Lion has Seven Heads (Glauber Rocha, 1970)
Duvidha (Mani Kaul, 1973)
Fate (Zeki Demirkubuz, 2001)
Confessions Among Actresses (Yoshishige Yoshida, 1971)
Pastoral: To Die in the Country (Shuji Terayama, 1974)
Allegory (Kostas Sfikas, 1986)
Et Cetera (Ashish Avikunthak, 1997)
Sweet Love Remembered (Bruce Elder, 1980)
Teorema (Pier Paolo Pasolini, 1968)
Z (Constantin Costa-Gavras, 1969)
Wise Blood (John Huston, 1979)
A Face in the Crowd (Elia Kazan, 1957)
Persona (Ingmar Bergman, 1966)
There Will be Blood (Paul Thomas Anderson, 2007)
Before Sunrise (Richard Linklater, 1995)
Juvenile Court (Frederick Wiseman, 1973)
Little Fugitive (Morris Engel & Ray Ashley, 1953)
Yanco (Servando Gonzalez, 1961)
Blow Out (Brain de Palma, 1981)
Paper Moon (Peter Bogdanovich, 1973)
The Pearl (Emilio Fernandez, 1947)
Destiny's Son (Kenji Misumi, 1962)
And Quiet Rolls the Dawn (Mrinal Sen, 1979)
Amar Akbar Anthony (Manmohan Desai, 1977)
Fatso! (Rajit Kapoot, 2012)
Ghulami (JP Dutta, 1985)
Saagar (Rohit Shetty, 1985)
Teesri Kasam (Basu Bhattacharya, 1967)
Tere Ghar Ke Samne (Vijay Anand, 1963)
Mes Petits Amoureuses (Jean Eustache, 1974)
Taipei Story (Ed Yang, 1985)
Vivre Sa Vie (Jean-Luc Godard, 1962)
Mahjong (Edward Yang, 1996)
The Three-Sided Mirror (Jean Epstein, 1927)
Cuadecuc, Vampir (Pere Portabella, 1971)
Stars in My Crown (Jacques Tourneur, 1950)
Regular Lovers (Philippe Garrel, 2005)
Old Joy (Kelly Reichardt, 2006)
Subarnarekha (Ritwik Ghatak, 1965)
Senso (Luchino Visconti,1954)
Chitchor (Basu Chatterjee,1976)
Ghattashraddha (Girish Kasaravalli,1977)
Saaransh (Mahesh Bhatt,1974)
Domino (Tony Scott, 2005)
The Duchess of Langeais (Jacques Rivette, 2007)
Water Lilies (Celine Sciamma, 2007)
Wool 100% (Mai Tominaga, 2006)
Liverpool (Lisandro Alonso, 2008)
The Romance of Astrea and Celadon (Eric Rohmer, 2007)
Mister Lonely (Harmony Korine, 2007)
Lourdes (Jessica Hausner, 2009)
Shin Godzilla (Hideaki Anno, 2016)
Goliyon Ki Raasleela Ram-Leela (Sanjay Leela Bhansali, 2013)
The Rabbit Of Seville (Chuck Jones, 1950)
Twentieth Century (Howard Hawks, 1934)
Big Business (James Horne/Leo McCarey, 1929)
Eraserhead (David Lynch, 1977)
The Incredibles (Brad Bird, 2004)
The Battle Of The Century (Clyde Bruckman, 1927)
Fantasia (Walt Disney et al, 1940)
Dinner At Eight (George Cukor, 1933)

[pabs]

Thanks flip! I find this poll starter-list really helpful coz it potentially unearths many obscure and otherwise overlooked treasures.

After all, if it featured on a SCFZer's list of the 100 best films ever made, it means it'll probably have at least something going for it, right?!

Each one of these films belongs in someone's top 100 films of all time!

[wba]

Yeah, very impressive list!

[...]

Wait just one minute. The Parent Trap got a vote and it was the 1998 version? Over the '61?? I'm taken aback by this. That cast in the '61 version is fabu, how did the later one beat it?

[wba]

I just noticed that LOURDES (2009) got a vote! Fantastic!

[pabs]

It's a fun list to search, either randomly, or using a key word (e.g, director's name) or a year. Many hours of discoveries and surprises.

Using FIREFOX's Edit>>Find in this page tool, I discovered that nine Bergmans were voted for.

[---]

<3 omg thanks flip. so much to look through. we've got such an interested and varied group here!

[pabs]

My eyes fell on one strange title a few seconds ago... What the hell is The Ravishing of Frank N. Stein??

I can't wait to find out.

[Silga]

If I'm not mistaken, Kanafani did some stats analysis based on the same poll from last year.

[Silga]

I just noticed that LOURDES (2009) got a vote! Fantastic!

I wasn't a big fan of Lourdes, but liked another film from Jessica Hausner - Amour Fou (2014).

[flip]

Yeah, I really got the feeling this year that SCFZ's tastes have become a lot more diverse than in past years. That's all good, but some of the films and directors SCFZ used to highlight in these polls didn't do that well this year (Hong Sang-soo for example only got two votes, and Zeki Demirkubuz just one, and films like Extraordinary Stories dropped out of the top 200). I used to feel that these top 100 lists had a certain aesthetic orientation, a certain kind of personality that was recognizably SCFZ, and that's harder to identify this year.

There's lots of data I didn't collect from the poll results, but could have - if anyone wants to work out which directors got votes for the most different films, say, you could use the list above to do that.

[flip]

I should add that I wasn't too careful counting the number of ballots featuring each film, so those asterisks next to the film title will probably occasionally be off by one. I was more careful with the point tally.

[pabs]

Now this'll be interesting for the purpose of comparison!

These are all the 1965 films that appeared on people's top 100 list:

1. Shadows of Forgotten Ancestors 16 pts
2. Le Bonheur 13.2 pts
3. Chimes at Midnight 10 pts
Alphaville 10 pts

5. Pierrot le fou 7 pts

6. Andy Warhol Screen Tests 6 pts
Seisaku's Wife 6 pts

8. The Brick and the Mirror 5 pts
Guide 5 pts

10. The Sound of Music 4 pts
I Knew her Well 4 pts

12. Das Madchen mit dem Mini 3 pts
The Nest of the Cuckoo Birds 3 pts
For a Few Dollars More 3 pts
Repulsion 3 pts
Elegia 3 pts
A Fugitive from the Past 3 pts

18. Spring for the Thirsty 1 pt
Subarnarekha 1 pt

[kanafani]

If I'm not mistaken, Kanafani did some stats analysis based on the same poll from last year.

I was lazy this year and did not ask people to create individual letterboxd ballots. I can only analyze this long list if someone create a letterboxd list out of it.

[liquidnature]

Wait just one minute. The Parent Trap got a vote and it was the 1998 version? Over the '61?? I'm taken aback by this. That cast in the '61 version is fabu, how did the later one beat it?

I'm the culprit. Some other controversial votes from my top 50: Titanic, WALL-E, Pippi Longstocking (1997), The Iron Giant, Mulan, The Emperor's New Groove. These are all a combination of what I think is actual quality and nostalgia (I saw most if not all of these theatrically as a child).

My eyes fell on one strange title a few seconds ago... What the hell is The Ravishing of Frank N. Stein??

I can't wait to find out.

An amazing animated short from the great Swiss animator Georges Schwizgebel, think you'll dig his films.

[mesnalty]

The Emperor's New Groove is by far the best Disney flick from my lifetime, great pick.

[wba]

I just noticed that LOURDES (2009) got a vote! Fantastic!

I wasn't a big fan of Lourdes, but liked another film from Jessica Hausner - Amour Fou (2014).

I was just bowled over by Lourdes, and totally fell in love with that film. Especially that ending!!! Saw it at the cinema in Germany back in 2009, but haven't seen another Hausner.
I absolutely NEED to see all her other stuff, cause her directing was imo adorbale/venerable (don't know the right English word for the German "anbetungswürdig").
Somehow I also missed Amour Fou on the big screen, when it was released.

[wba]

The Emperor's New Groove is by far the best Disney flick from my lifetime, great pick.

I am also a fan of The Emperor's New Groove. Though it's not a favorite of mine, it's imo the best Disney (or Pixar) film I've seen from the last 30 years.

[DT.]

The Emperor's New Groove is by far the best Disney flick from my lifetime, great pick.

I am also a fan of The Emperor's New Groove. Though it's not a favorite of mine, it's imo the best Disney (or Pixar) film I've seen from the last 30 years.

I think it was my very first favourite film. Need to revisit it sometime.