SCFZ 10th Anniversary Poll: Ballots

[RogerTheMovieManiac]

Angel has:

Ala-Arriba! (José Leitao de Barros, 1942)

The 'é' in José is different to how I formatted it. Just flagging that, so that it is known.

Fixed.

Nice; we want every vote to count for that one!

[flip]

great to see the new ballots! i gather greenui and mr carmady still plan to post ballots, and i'm hoping karl will too -- is anyone else planning to participate? if not, i'll start tabulating when the new ballots i mentioned come in...

[RenaultR]

Okay. I’m sharing again with all five tiers:


1. L’Avventura (Antonioni, 1960)
2. Vertigo (Hitchcock, 1958)
3. Lola Montes (Ophuls, 1955)
4. Le Mepris (Godard, 1963)
5. La Dolce Vita (Fellini, 1960)
6. PlayTime (Tati, 1967)
7. Au Hasard Balthazar (Bresson, 1966)
8. Late Spring (Ozu, 1949)
9. Muriel (Resnais, 1963)
10. Stalker (Tarkovsky, 1979)
11. Rules of The Game (Renoir, 1939)
12. Memories of Underdevelopment (Alea, 1968)
13. Eyes Wide Shut (Kubrick, 1999)
14. Viridiana (Bunuel, 1961)
15. Love Streams (Cassavetes, 1984)
16. Cries and Whispers (Bergman, 1972)
17. Stroszek (Herzog, 1978)
18. Army of Shadows (Melville, 1969)
19. Mes Petites Amoureuses (Eustache, 1974)
20. La Jetee (Marker, 1962)

21. North By Northwest (Hitchcock, 1959)
22. Hiroshima, Mon Amour (Resnais, 1959)
23. Weekend (Godard, 1967)
24. Pickpocket (Bresson, 1959)
25. In A Lonely Place (N. Ray, 1951)
26. Tokyo Story (Ozu, 1953)
27. Beau Travail (Denis, 1999)
28. The Searchers (Ford, 1956)
29. Three Colors: Blue (Kieslowski, 1993)
30. Persona (Bergman, 1966)
31. We Won’t Grow Old Together (Pialat, 1972)
32. Ordet (Dreyer, 1955)
33. M (Lang, 1931
34. The 400 Blows (Truffaut, 1959)
35. Red Desert (Antonioni, 1964)
36. 8 ½ (Fellini, 1963)
37. That Obscure Object of Desire (Bunuel, 1977)
38. Les Rendez-Vous d’Anna (Akerman, 1978)
39. Mirror (Tarkovsky, 1975)
40. The Cranes Are Flying (Kalatozov, 1957)

41. A Man Escaped (Bresson, 1956)
42. My Darling Clementine (Ford, 1946)
43. Daisies (Chytilova, 1966)
44. Rear Window (Hitchcock, 1954)
45. 2 or 3 Things I know About Her (Godard, 1967)
46. Jules and Jim (Truffaut, 1962)
47. Werckmeister Harmonies (Tarr, 2000)
48. The Passenger (Antonioni, 1975)
49. Le Cercle Rouge (Melville, 1970)
50. Amarcord (Fellini, 1973)
51. Los Olvidados (Bunuel, 1951)
52. The Leopard (Visconti, 1963)
53. 2001: A Space Odyssey (Kubrick, 1968)
54. An Autumn Afternoon (Ozu, 1962)
55. High and Low (Kurosawa, 1963)
56. Passion of Joan of Arc (Dreyer, 1928)
57. Jeanne Dielman (Akerman, 1975)
58. Wild Strawberries (Bergman, 1957)
59. Ugetsu (Mizoguchi, 1954)
60. Journey to Italy (Rossellini, 1954)

61. Vivre Sa Vie (Godard, 1962)
62. La Gueule Ouverte (Pialat, 1974)
63. La Guerre est Finie (Resnais, 1964)
64. Celine and Julie Go Boating (Rivette, 1974)
65. Tokyo Twilight (Ozu, 1957)
66. Two-Lane Blacktop (Hellman, 1971)
67. Floating Clouds (Naruse, 1955)
68. Dersu Uzala (Kurosawa, 1974)
69. Dillinger Is Dead (Ferreri, 1969)
70. The Mother and The Whore (Eustache, 1974)
71. Investigation of a Citizen Above Suspicion (Petri, 1970)
72. The Red Shoes (P+P, 1946)
73. El Sur (Erice, 1983)
74. Belle de Jour (Bunuel, 1967)
75. The Conformist (Bertolucci, 1970)
76. Through A Glass Darkly (Bergman, 1961)
77. La Notte (Antonioni, 1961)
78. Citizen Kane (Welles, 1941)
79. The Earrings of Madame de… (Ophuls, 1953)
80. The Gospel According to Matthew (Pasolini, 1964)

81. Hovering Over the Water (Monteiro, 1986)
82. Millennium Mambo (HHH, 2001)
83. A Nos Amours (Pialat, 1983)
84. Winter Light (Bergman, 1963)
85. Four Nights of a Dreamer (Bresson, 1971)
86. Paths of Glory (Kubrick, 1957)
87. Le Samourai (Melville, 1967)
88. The Master (PTA, 2012)
89. Psycho (Hitchcock, 1960)
90. Ikiru (Kurosawa, 1952)
91. World of Apu (S. Ray, 1959)
92. L’Eclisse (Antonioni, 1962)
93. The Double Life of Veronique (Kieslowski, 1991)
94. The Soft Skin (Truffaut, 1964)
95. Last Year at Marienbad (Resnais, 1961)
96. Every Man for Himself (Godard, 1980)
97. Lost Highway (Lynch, 1997)
98. Letter from an Unknown Woman (Ophuls, 1948)
99. French Cancan (Renoir, 1955)
100. The Exterminating Angel (Bunuel, 1961)

[ofrene]

too obvious, messy, not fully satisfying list that wanna change a bit more(forget something?) but tired of doing.. one movie per one director and unranked

Sherlock, Jr. (Buster Keaton, 1924)
Sunrise: A Song of Two Humans (F. W. Murnau, 1927)
The Crowd (King Vidor, 1928)
The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
The Wind (Victor Sjostrom, 1928)
City Lights (Charlie Chaplin, 1931)
M (Fritz Lang, 1931)
Mr. Thank You (Hiroshi Shimizu, 1936)
Make Way for Tomorrow (Leo McCarey, 1937)
Humanity and Paper Balloons (Sadao Yamanaka, 1937)
Angel (Ernst Lubitsch, 1937)
The Rules of the Game (Jean Renoir, 1939)
His Girl Friday (Howard Hawks, 1940)
The Clock (Vincente Minnelli, 1945)
Stars in My Crown (Jacques Tourneur, 1950)
The Flowers of St. Francis (Roberto Rossellini, 1950)
The Young and the Damned (Luis Buñuel, 1950)
On Dangerous Ground (Nicholas Ray, 1951)
Early Summer (Yasujiro Ozu, 1951)
Lightning (Mikio Naruse, 1952)
The Sun Shines Bright (John Ford, 1953)
Sansho the Bailiff (Kenji Mizoguchi, 1954)
A Star Is Born (George Cukor, 1954)
The Night of the Hunter (Charles Laughton, 1955)
Pather Panchali (Satyajit Ray, 1955)
Lola Montes (Max Ophüls, 1955)
A Man Escaped (Robert Bresson, 1956)
Vertigo (Alfred Hitchcock, 1958)
Imitation of Life (Douglas Sirk, 1959)
Le Trou (Jacques Becker, 1960)
The Cloud-Capped Star (Ritwik Ghatak, 1960)
The Apartment (Billy Wilder, 1960)
Letter Never Sent (Mikhail Kalatozov, 1960)
La Jetee (Chris Marker, 1962)
Harakiri (Masaki Kobayashi, 1962)
High and Low (Akira Kurosawa, 1963)
Seisaku’s Wife (Yasuzo Masumura, 1965)
Chimes at Midnight (Orson Welles, 1965)
Seconds (John Frankenheimer, 1966)
The Young Girls of Rochefort (Jacques Demy, 1967)
Homebound (Lee Man-hee, 1967)
Playtime (Jacques Tati, 1967)
Diaries, Notes, and Sketches (Jonas Mekas, 1968)
Army of Shadows (Jean-Pierre Melville, 1969)
Two English Girls (Francois Truffaut, 1971)
Solaris (Andrei Tarkovsky, 1972)
Ludwig (Luchino Visconti, 1973)
The Spirit of the Beehive (Víctor Erice, 1973)
Celine and Julie Go Boating (Jacques Rivette, 1974)
A Woman Under the Influence (John Cassavetes, 1974)
The Godfather : Part 2 (Francis Ford Coppola, 1974)
Picnic at Hanging Rock (Peter Weir, 1975)
Mr. Klein (Joseph Losey, 1976)
News From Home (Chantal Akerman, 1976)
Mikey and Nicky (Elaine May, 1976)
The Ascent (Larisa Shepitko, 1977)
Sorcerer (William Friedkin, 1977)
In a Year with 13 Moons (Rainer Werner Fassbinder, 1978)
Doomed Love (Manoel de Oliveira, 1978)
Vengeance Is Mine (Shohei Imamura, 1979)
L'Enfant Secret (Philippe Garrel, 1979)
The Last Witness (Lee Doo-yong, 1980)
Heaven’s Gate (Michael Cimino, 1980)
Fanny and Alexander (Ingmar Bergman, 1982)
The 8 Diagram Pole Fighter (Lau Kar-leung, 1984)
Vagabond (Agnès Varda, 1985)
Running on Empty (Sidney Lumet, 1988)
Fly High, Run Far (Im Kwon-taek, 1991)
A Tale of Winter (Eric Rohmer, 1992)
Life, and Nothing More… (Abbas Kiarostami, 1992)
The Long Day Closes (Terence Davies, 1992)
Moving (Shinji Sōmai, 1993)
The Age of Innocence (Martin Scorsese, 1993)
A Perfect World (Clint Eastwood, 1993)
Smoking / No Smoking (Alain Resnais, 1993)
Satantango (Bela Tarr, 1994)
Goodbye South, Goodbye (Hou Hsiao-hsien, 1996)
Cure (Kiyoshi Kurosawa, 1997)
The Insider (Michael Mann, 1999)
Magnolia (Paul Thomas Anderson, 1999)
Yi Yi (Edward Yang, 2000)
Eureka (Shinji Aoyama, 2000)
In Vanda’s Room (Pedro Costa, 2000)
The Day I Became a Woman (Marziyeh Meshkiny, 2000)
A.I. Artificial Intelligence (Steven Spielberg, 2001)
The Best of Youth (Marco Tullio Giordana, 2003)
Goodbye, Dragon Inn (Tsai Ming-liang, 2003)
Throw Down (Johnnie To, 2004)
Wendy and Lucy (Kelly Reichardt, 2008)
Mysteries of Lisbon (Raúl Ruiz, 2010)
The Day He Arrives (Hong Sang-soo, 2011)
Holy Motors (Leos Carax, 2012)
’Til Madness Do Us Part (Wang Bing, 2013)
Boyhood (Richard Linklater, 2014)
From What is Before (Lav Diaz, 2014)
Phoenix (Christian Petzold, 2014)
Happy Hour (Ryusuke Hamaguchi, 2015)
In Jackson Heights (Frederick Wiseman, 2015)
Sennan Asbestos Disaster (Kazuo Hara, 2016)
Twin Peaks: The Return (David Lynch, 2017)

[cinesmith]

Unranked. I'm too bogged down to filter this anymore than I already have.

A Bigger Splash (Luca Guadagnino, 2015)
A Cottage On Dartmoor (Anthony Asquith, 1929)
A Heart in Winter (Claude Sautet, 1992)
A Stranger in Town (Roy Rowland, 1943)
Afterimage (Andrzej Wajda, 2016)
All The Mornings of the World (Alain Corneau, 1991)
Angel (Ernst Lubitsch, 1937)
Ariel (Aki Kaurismäki, 1988)
Beau Travail (Claire Denis, 1999)
Black Rose Mansion (Kinji Fukasaku, 1969)
Café Metropole (Edward H. Griffith, 1937)
Cash Calls Hell (Hideo Gosha, 1966)
Chance Meeting (Joseph Losey, 1959)
Christ Stopped at Eboli (Francesco Rosi, 1979)
Curling (Denis Côté, 2010)
Demon (Marcin Wrona, 2015)
Dogs Don't Wear Pants (J.P. Valkeapää, 2019)
Dolls (Takashi Kitano, 2002)
Double Door (Charles Vidor, 1934)
Edge of Darkness (Lewis Milestone, 1943)
Everybody's Fine (Giuseppe Tornatore,1990)
Handsome Antonio (Mauro Bolognini, 1960)
He Who Gets Slapped (Victor Sjostrom, 1924)
Here Comes Mr. Jordan (Alexander Hall, 1941)
Hôtel du Nord (Marcel Carné, 1938)
Hôtel Terminus (Marcel Ophuls, 1988)
Hunger (Steve McQueen, 2008)
In Darkness (Agnieszka Holland, 2010)
Is the Man Who Is Tall Happy? (Michel Gondry, 2013)
Jenny Lamour (Henri-Georges Clouzot, 1947)
Johnny in the Clouds (Anthony Asquith, 1945)
Kwaidan (Masaki Kobayashi, 1964)
Ladies of Leisure (Frank Capra, 1930)
Lamb (Valdimar Jóhannsson, 2021)
Last Breath (Richard da Costa, Alex Parkinson, 2019)
Liberté (Albert Serra, 2019)
Marshland (Alberto Rodríguez, 2014)
Merrily We Live (Norman Z. McLeod, 1938)
Metropolitan (Whit Stillman, 1989)
Miracles for Sale (Tod Browning, 1939)
Mr. Jones (Agnieszka Holland, 2019)
Mr. Klein (Joseph Losey, 1976)
My Man Godfrey (Gregory La Cava, 1936)
Mysteries of Lisbon (Raúl Ruiz, 2010)
Naked (Mike Leigh, 1993)
Numéro zéro (Jean Eustache, 1971)
Odds Against Tomorrow (Robert Wise, 1959)
On Dangerous Ground (Nicholas Ray, Ida Lupino, 1951)
On the Road Forever (Kenji Misumi, 1964)
Padre Padrone (Paolo Taviani, Vittorio Taviani, 1977)
Paracelsus (Georg Wilhelm Pabst, 1943)
Pee-wee's Big Adventure (Tim Burton, 1985)
Prague Nights (Jirí Brdecka, Milos Makovec, Evald Schorm, 1969)
Red Sorghum (Yimou Zhang, 1988)
Rembrandt's J'Accuse (Peter Greenaway, 2008)
Rome 11:00 (Giuseppe De Santis, 1952)
Satantango (Bela Tarr, 1994)
Schatten - Eine nächtliche Halluzination (Arthur Robinson, 1923)
Shower (Yang Zhang, 1999)
Smilin' Through (Sidney Franklin, 1932)
Stage Door (Gregory La Cava, 1937)
Survive Style 5+ (Gen Sekiguchi, 2004)
Tartuffe (F.W. Murnau, 1925)
Terraferma (Emanuele Crialese, 1991)
The Threepenny Opera (Georg Wilhelm Pabst, 1931)
The Ball at the Anjo House (Kozaburo Yoshimura, 1947)
The Bar (Álex de la Iglesia, 2017)
The Betrayal (Tokuzô Tanaka, 1966)
The Captain (Robert Schwentke, 2017)
The Chaser (Na Hong-jin, 2008)
The Elephant Man (David Lynch, 1981)
The Great Beauty (Paolo Sorrentino, 2013)
The Green Ray (Eric Rohmer, 1986)
The Haunted Castle (F.W. Murnau, 1921)
The Innocents (Jack Clayton, 1961)
The Last Days of Immanuel Kant (Philippe Collin, 1993)
The Law (Jules Dassin, 1959)
The Life and Death of Colonel Blimp (Michael Powell and Emeric Pressburger, 1943)
The Petrified Forest (Masahiro Shinoda, 1973)
The Sea Inside (Alejandro Amenábar, 2004)
The Suspended Step of the Stork (Theodoros Angelopoulos, 1991)
The Third Part of the Night (Andrzej Zulawski, 1971)
The Tin Drum (Volker Schlöndorff, 1979)
The Treatment (Hans Herbots, 2014)
The Twilight Samurai (Yôji Yamada, 2002)
The Unholy Three (Jack Conway, 1930)
The Wild Party (Harry Horner, 1956)
Theodora Goes Wild (Richard Boleslawski, 1936)
Time Indefinite (Ross McElwee, 1993)
To Live (Yimou Zhang, 1994)
Tokyo! (Leos Carax, Michel Gondry, Bong Joon-Ho, 2008)
Tokyo Sonata (Kiyoshi Kurosawa, 2008)
Trouble in Paradise (Ernst Lubitsch, 1932)
Under the Open Sky (Miwa Nishikawa, 2020)
Warm Water Under a Red Bridge (Shôhei Imamura, 2001)
Wittgenstein (1993, Derek Jarman)
Where is the Friend’s House (Abbas Kiarostami, 1987)
Without Anesthesia (Andrzej Wajda, 1978)
Woman in the Dunes (Hiroshi Teshigahara, 1964)
Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988)

[greennui]

I'll post my list soon

[rischka]

[greennui]

Not really that satisfied but ah well, gonna edit in directors as well.

Panorama de l’arrivée à Aix-les-Bains pris du train (temps de neige) 1896
The Flying Train 1902
Twice Lived 1912
Ingeborg Holm 1913
Twilight of a Woman’s Soul 1913
The Wind 1928
The River 1928
The Woman He Scorned 1929
Eternal Love 1929
Svengali 1931
Marius 1931
Wild Boys of the Road 1933
Everybody’s Woman 1934
The Kidnapping 1934
Swing Time 1936
My Man Godfrey 1936
César 1936
The Song of the Scarlet Flower 1938
The Rains Came 1939
The Great Sacrifice 1944
Port of Freedom 1944
Brief Encounter 1945
Panic 1946
Black Narcissus 1947
The Storm-Tamer 1947
Spring in a Small Town 1948
The Banquet 1948
The Red Shoes 1948
Such a Pretty Little Beach 1949
Suzaki Paradise: Red Light District 1956
The Forty-First 1956
The Tall T 1957
Violent Summer 1959
An Autumn Afternoon 1962
Bay of Angels 1963
The Fire Within 1963
Raven’s End 1963
Black Girl 1966
Elvira Madigan 1967
The Red and the White 1967
Two in the Shadow 1967
The Arch 1968
Model Shop 1969
The Color of Pomegranates 1969
Adelheid 1970
Earth Light 1970
The Nude Vampire 1970
Gods of the Plague 1970
Wake in Fright 1971
Four Nights of a Dreamer 1971
Du côté d’Orouët 1971
The Death of Maria Malibran 1972
Eight Hours Don’t Make a Day 1972
The Other Side of the Underneath 1972
The Iron Rose 1973
The Mother and the Whore 1973
Sensuela 1973
World on a Wire 1973
Lacombe, Lucien 1974
Penda’s Fen 1974
Edvard Munch 1974
Behindert 1974
Far From Home 1975
Manila in the Claws of Light 1975
Shivers 1975
Visa de censure n° X 1976
Desperate Living 1977
Brutal Ardour 1978
Silvestre 1981
The Fan 1982
Videodrome 1983
In the White City 1983
Merry Christmas, Mr. Lawrence 1983
City of Pirates 1983
First Name: Carmen 1983
Meantime 1983
Manoel’s Destinies 1984
Drowning by Numbers 1988
The Lair of the White Worm 1988
Nostos: The Return 1989
Blood 1989
Singapore Sling 1990
A Brighter Summer Day 1991
Van Gogh 1991
Simple Men 1992
The Last Dive 1992
The Remains of the Day 1993
The Bridges of Madison County 1995
Crash 1996
Voices Through Time 1996
The Blackout 1997
Nightfall 1999
A.I. Artificial Intelligence 2001
On the Occasion of Remembering the Turning Gate 2002
Friday Night 2002
Springtime in a Small Town 2002
Cleopatra 2007
At Sea 2007
0.5 mm 2014
Transit 2018

[flip]

i think i'll get started tabulating this some time today or tomorrow, which means i won't be accepting any edits to already-posted ballots, unless they're made in the next 5-6 hours. but i'll still be able to factor in new ballots, so if anyone hasn't voted yet, there's still time!

would be great to hear from mr carmady about whether he still plans to participate.

[oOgiandujaOo]

great to have your ballots, shara and oOgiandujaOo, lots of scfz favorites on there, along with several titles that are unfamiliar to me that i'll have to investigate...

Preliminarily, I've sent the mail a job to bring me Plympton's The Tune (courtesy of wba's recco)

Wow, that's great!
I didn't like THE TUNE at all as a young Plympton enthusiast. But some 20 years of life experience (as well as thousands of movies later), I think it's easily his most inspired work.

I also love the soundtrack, which I own on CD:
https://www.youtube.com/watch?v=u_Pd2QKgb6c

EDIT: Speaking of which: there's quite a number of films in my Top 100, which I didn't care about AT ALL when I saw them for the first time (mostly as a young cinephile in love with Tarkovsky, Eustache, Angelopoulos, Antonioni, Bresson, etc.).
Some I even actively disliked.
But time and especially a deep dive into the rabbit hole that is film history, have broadened my taste in ways I would NEVER have thought possible...
The wonders of cinephilia...

I watched the restored version of the Tune tonight, a whole lot of fun

The bit where the two guys find increasingly inventive ways to damage each others faces, the cause of which is a disagreement over the direction of Mr Mega's office, reminded me to not get into arguments on the internet!

The duet of "Be my only love" is so moving.

Have already seen a lot of comments saying this is his worst movie. Well gee whiz, if that's true, which I doubt, I need to see more.

Lots of rewatch value in catching all the little details.

[MrCarmady]

i think i'll get started tabulating this some time today or tomorrow, which means i won't be accepting any edits to already-posted ballots, unless they're made in the next 5-6 hours. but i'll still be able to factor in new ballots, so if anyone hasn't voted yet, there's still time!

would be great to hear from mr carmady about whether he still plans to participate.

sorry flip, have had a hectic few days but will submit a ballot before the weekend, thanks for being patient!

[wba]

great to have your ballots, shara and oOgiandujaOo, lots of scfz favorites on there, along with several titles that are unfamiliar to me that i'll have to investigate...

Preliminarily, I've sent the mail a job to bring me Plympton's The Tune (courtesy of wba's recco)

Wow, that's great!
I didn't like THE TUNE at all as a young Plympton enthusiast. But some 20 years of life experience (as well as thousands of movies later), I think it's easily his most inspired work.

I also love the soundtrack, which I own on CD:
https://www.youtube.com/watch?v=u_Pd2QKgb6c

EDIT: Speaking of which: there's quite a number of films in my Top 100, which I didn't care about AT ALL when I saw them for the first time (mostly as a young cinephile in love with Tarkovsky, Eustache, Angelopoulos, Antonioni, Bresson, etc.).
Some I even actively disliked.
But time and especially a deep dive into the rabbit hole that is film history, have broadened my taste in ways I would NEVER have thought possible...
The wonders of cinephilia...

I watched the restored version of the Tune tonight, a whole lot of fun

The bit where the two guys find increasingly inventive ways to damage each others faces, the cause of which is a disagreement over the direction of Mr Mega's office, reminded me to not get into arguments on the internet!

The duet of "Be my only love" is so moving.

Have already seen a lot of comments saying this is his worst movie. Well gee whiz, if that's true, which I doubt, I need to see more.

Lots of rewatch value in catching all the little details.

Great to read how you enjoyed it. When I was a young Plympton enthusiast I also thought it was his worst movie. But nowadays I'm of the opinion it is by far his best. But I can understand what might irritate people about the film.
Plympton has also directed many other great films. A true auteur and a workaholic, it seems.

[oOgiandujaOo]

Great to read how you enjoyed it. When I was a young Plympton enthusiast I also thought it was his worst movie. But nowadays I'm of the opinion it is by far his best. But I can understand what might irritate people about the film.
Plympton has also directed many other great films. A true auteur and a workaholic, it seems.

I'm not sure why it's taken me so long to get to his work, I remember being 18 and seeing the trailer for Tartan video on one of their VHSs where they have the sequence of the Wise One's heads and thinking, wow, who did that?

[flip]

Not really that satisfied but ah well, gonna edit in directors as well.

i took care of adding the directors, so you don't need to do that

[wba]

Great to read how you enjoyed it. When I was a young Plympton enthusiast I also thought it was his worst movie. But nowadays I'm of the opinion it is by far his best. But I can understand what might irritate people about the film.
Plympton has also directed many other great films. A true auteur and a workaholic, it seems.

I'm not sure why it's taken me so long to get to his work, I remember being 18 and seeing the trailer for Tartan video on one of their VHSs where they have the sequence of the Wise One's heads and thinking, wow, who did that?

Good things come to those who wait.
Just watched my first Michel Deville last month, my first film by Jean-Pierre Mocky this month, and re-watched (after 20 years...) the one single film I've seen by Marcel L'Herbier last week. ^^
There's just too many great filmmakers out there.

[flip]

i have tallied all the ballots posted so far. if anyone wants to edit their ballot, i suppose that's possible, but you'd need to make a new post explaining the edits you want (don't change the original ballot).

i know there are some scfz regulars who have not posted a ballot -- there is still time! i'm waiting for one ballot from mr carmady, but will accept any that come in before his (or even slightly later). if anyone needs more time, just let me know.

[oOgiandujaOo]

The Good Heart (Dagur Kari, 2009)

I saw this one this afternoon Angel, what a beautiful film, very old fashioned and elegant.

Another chance to use this icon given it's a bar movie!



I'll see if I can check out a few others from your list.

[Angel]

The Good Heart (Dagur Kari, 2009)

I saw this one this afternoon Angel, what a beautiful film, very old fashioned and elegant.

Another chance to use this icon given it's a bar movie!



I'll see if I can check out a few others from your list.

And foulmouthed too!

[flip]

not sure if i should wait for mr carmady (who said he'd post a ballot by friday, three days ago). the rest of the results are tabulated. i guess i'll wait until tomorrow to see if anyone else is interested in participating, and if i don't hear anything, i'll announce the final list!

[oOgiandujaOo]

I have left myself in your's and Gregg Araki's hands for 1hr 25m with Smiley Face.

you may need to agree with me and former scfz'er adam (was that his name? the philosophy prof who hasn't been around for years, actually i think it was aaron) that anna faris is a comedic genius to really enjoy that film, but it's her finest work imo, though probably a love it or hate it kind of movie

I actually feel completely disoriented after that like I was the one who ate the cupcakes. I have to go out and get a choc-ice now and some non-alcoholic beer now!

[greennui]

Not really that satisfied but ah well, gonna edit in directors as well.

i took care of adding the directors, so you don't need to do that

Thanksss

[---]

all this smiley face talk got to me so wifey and i decided to get high as god's ass and rewatch it and i am IN on the smiley face championing and if possible

i would like to REMOVE

Reality Bites (Ben Stiller, 1994)

from my fifth tier and REPLACE it with

Smiley Face (Gregg Araki, 2007)

[flip]

all this smiley face talk got to me so wifey and i decided to get high as god's ass and rewatch it and i am IN on the smiley face championing and if possible

i would like to REMOVE

Reality Bites (Ben Stiller, 1994)

from my fifth tier and REPLACE it with

Smiley Face (Gregg Araki, 2007)

done! still don't think it will be close to the top 100, but it's ahead of gone with the wind and lawrence of arabia now, which makes me happy

[Evelyn Library P.I.]

done! still don't think it will be close to the top 100, but it's ahead of gone with the wind and lawrence of arabia now, which makes me happy

[wba]

but it's ahead of gone with the wind and lawrence of arabia now, which makes me happy

Two wonderful films which I love re-watching, and which wouldn't make it onto a list of my 2000 favorite films.

[MrCarmady]

sorry! completely understand if it's too late to submit (school has been crazy) but here's my ballot, for posterity at least:

unranked:

Trois couleurs: rouge (Kieslowski, 1994)
Moonlighting (Skolimowski, 1982)
It's Such a Beautiful Day (Hertzfeldt, 2012)
Amadeus (Forman, 1984)
Once Upon a Time in America (Leone, 1984)
Le rayon vert (Rohmer, 1984)
Voci nel tempo (Piavoli, 1996)
Morvern Callar (Ramsay, 2002)
F for Fake (Welles, 1974)
The Age of Innocence (Scorsese, 1993)

Rear Window (Hitchcock, 1954)
Goldfinger (Hamilton, 1964)
American Psycho (Harmon, 2000)
The Heart of the World (Maddin, 2000)
Do lok tin si (Wong, 1995)
Lost in Translation (Coppola, 2003)
Shichinin no Samurai (Kurosawa, 1954)
The Thin Red Line (Malick, 1998)
The Shop Around the Corner (Lubitsch, 1940)
It's a Wonderful Life (Capra, 1946)

The Best Years of Our Lives (Wyler, 1946)
Night and the City (Dassin, 1950)
The Apartment (Wilder, 1960)
The Big Lebowski (Coen, 1998)
Airplane! (Zucker, 1980)
The Meaning of Life (Jones, 1983)
Playtime (Tati, 1967)
Il conformista (Bertolucci, 1970)
L'armee des ombres (Melville, 1969)
Sånger från andra våningen (Andersson, 2000)

Verdens verste menneske (Trier, 2021)
Unforgiven (Eastwood, 1992)
Mujeres al borde de un ataque de nervios (Almodovar, 1988)
Old Joy (Reichardt, 2006)
Z (Costa-Gavras, 1969)
Uncut Gems (Safdie, 2019)
Baisers volés (Truffaut, 1968)
Hannah and Her Sisters (Allen, 1986)
Toivon tuolla puolen (Kaurismaki, 2017)
Unfaithfully Yours (Sturges, 1948)

Chinatown (Polanski, 1974)
Before Sunrise (Linklater, 1995)
Rumble Fish (Coppola, 1983)
Profondo rosso (Argento, 1975)
Duck Amuck (Jones, 1953)
Lady Bird (Gerwig, 2017)
After Life (Koreeda, 1998)
Hot Fuzz (Wright, 2007)
Blade Runner 2049 (Villeneuve, 2017)
Happy Here and Now (Almereyda, 2002)

Modern Romance (Brooks, 1981)
Housekeeping (Forsyth, 1987)
A Separation (Farhadi, 2011)
Another Round (Vinterberg, 2020)
The Umbrellas of Cherbourg (Demy, 1964)
Mother (Bong, 2009)
Der Himmel uber Berlin (Wenders, 1987)
Barcelona (Stillman, 1994)
Amateur (Hartley, 1994)
Kamome Diner (Ogigami, 2006)

21 Up (Apted, 1977)
Written on the Wind (Sirk, 1956)
Comingled Containers (Brakhage, 1996)
Face to Face (Sollima, 1967)
Sweet Smell of Success (Mackendrick, 1957)
Clueless (Heckerling, 1995)
Menilmontant (Kirsanoff, 1926)
The General (Keaton, 1926)
Coeur fidele (Epstein, 1923)
Pigs and Battleships (Imamura, 1961)

Kazdy den odvahu (Schorm, 1964)
Elvira Madigan (Widerberg, 1967)
Winter Kills (Richert, 1979)
Sorcerer (Friedkin, 1977)
La rose de fer (Rollin, 1973)
What Have They Done To Your Daughters? (Dallamano, 1974)
Your Vice Is a Locked Room and Only I Have the Key (Martino, 1972)
Wild At Heart (Lynch, 1990)
McCabe & Mrs. Miller (Altman, 1971)
Hoop Dreams (James, 1994)

The Phantom of Liberty (Bunuel, 1974)
The Game (Fincher, 1997)
Kicking and Screaming (Baumbach, 1995)
Adventureland (Mottola, 2009)
Lawrence of Arabia (Lean, 1962)
In jenen Tagen (Käutner, 1947)
Paris Is Burning (Livingston, 1990)
Transit (Petzold, 2018)
Pociag (Kawalerowicz, 1959)
Il posto (Olmi, 1961)

Bonjour Tristesse (Preminger, 1958)
La dolce vita (Fellini, 1960)
L'eclisse (Antonioni, 1962)
À nos amours (Pialat, 1983)
La haine (Kassovitz, 1995)
Broadcast News (Brooks, 1987)
Trudno byt bogom (German, 2013)
The Naked Spur (Mann, 1953)
Girlfriends (Weill, 1978)
Please Give (Holofcener, 2010)

[flip]

sorry!

i managed to include your votes in the final results (though if you could follow the instructions next time -- english titles, no accented characters, full director names -- i'd appreciate it!)

[flip]

so the tabulation is now done -- a few summary details:

• 1596 different films got at least one vote
• 144 different directors got votes for 3 or more of their films
• three directors got votes for 10 or more of their films -- i'll reveal the names soon, but if anyone would find it fun to guess, now is the time!
• the #1 film is seven points ahead of #2 (a top-tier vote only awarded six points, so #1 was essentially two ballots ahead of #2). the #2 and #3 films were close, but #3 was seven points ahead of #4. so we have a clear #1, and a clear top three. if anyone wants to guess the films, now is the time!

i'll probably post some info about directors with multiple films later today, and the final results some time over the weekend

[wba]

10 or more of their films?
Sounds incredible!!!

Lubitsch, maybe?

[St. Gloede]

Blind guess: Rohmer? Maybe Godard and Bergman. Possibly Kurosawa or Ford, though knowing this forum, maybe Rivette?