I'm thinking of eg. Astruc's Evariste Galois, where Evariste is really almost furious, but like, not about conquest or love or anything, but math
![Very Happy :D](./images/smilies/icon_e_biggrin.gif)
Any other great examples?
Yeah, I guess I can explain myself a bit better. I'm more looking for intellectual "fury" than intellectual passion or interest, if that makes sense. Not sure A Beautiful Mind counts then.
I guess I get a bit more what you mean now, though the distinction between passion and fury is a bit difficult for me to grasp, perhaps?Zulawski wrote: ↑Thu Sep 08, 2022 3:44 pmYeah, I guess I can explain myself a bit better. I'm more looking for intellectual "fury" than intellectual passion or interest, if that makes sense. Not sure A Beautiful Mind counts then.
I guess my idea is that a lot of scientists, artists, philosophers, mathematicians, etc. are often portrayed as somber, gentle, you know, caring about truth and such but not being furious about it – unless it's got to do with Marxism, Socialism and revolution![]()
Could be, but not necessary. My best example, really, of the specific thing I'm after is the first half of Astruc's Evariste. Sure, there are tons of films about mad and maniacal scientists and artists, but often I think whatever energy is at display is about something material – getting recognized as a great painter, creating a working light-bulp before someone else does it. Perhaps that's why there are less portrayals of "maniacal mathematicians". My point is that often it seems like whenever a character is portrayed as being more concerned with thought, ideas, etc., than the material world, he/she is often portrayed as a dreamer, fragile, and often without much energy.
You mean maybe extroverted scientists, artists, philosophers, etc. instead of introverted?
Nah, Zanussi is exactly NOT what you're after.