Not sure if I've ever seen Fred MacMurray or Sylvia Sidney in colour before.
![Image](https://i.imgur.com/s6c22XC.jpg)
sylvia sidney worked right up until her death. she was in omen II, beetlejuice, mars attacks and god told me to (above)
Not sure if I've ever seen Fred MacMurray or Sylvia Sidney in colour before.
I guess we've all been in that boat at one time or another... I knew a woman in Mexico City that played keyboards for an alt. rock band called (trans) "I Didn't Come Yet," who was all "Since Jorge Negrete isn't available, there's zero chance I'll ever marry. Why settle?" I kept waiting for her band to embrace goth cheese and write a "Jorge Negrete's' Dead"... but it never happened.
There's also a Deanna short for the year, looks like it could have been a tryout, testing the waters before signing off on 3SG (and on Pigskin Parade as well, from the looks of it). I forget the title, but "1936 Durbin" should bring it forward on the youtube.
Thank you! Naturally, I couldn't resist giving a second plug for Deannaflip wrote: ↑Tue Sep 01, 2020 5:18 pmi named that, naturallyEvelyn Library P.I. wrote: ↑Tue Sep 01, 2020 3:29 pm Things I've liked that might need plugging and that haven't yet been named:
...
• Three Smart Girls (Henry Koster) -- Deanna's first feature, a perfect pick-me-up.
very interesting list btw!
Yup, seen that several times. It was a tryout, but at MGM. They had both Deanna and Judy Garland on contract, and they figured they only needed one teenybopper singer star, so the movie was a kind of training camp competition for who was going to make the final roster. (The title 'Every Sunday' may even be a pun on NFL football, but it's hard to know, and the NFL wasn't ubiquitously famous yet.) The story goes that after watching it the evil Louis B. Mayer made some characteristically awful demeaning remark regarding which gal to fire but didn't specify which girl he was referring his scorn too, leaving his staff to try to read his mind. They kept Judy, and Deanna went to Universal, where they gave her a feature and the rest was history. Up until 1939, you'd have to say that Universal had won that particular sweepstakes.Lencho of the Apes wrote: ↑Thu Sep 03, 2020 4:46 amThere's also a Deanna short for the year, looks like it could have been a tryout, testing the waters before signing off on 3SG (and on Pigskin Parade as well, from the looks of it). I forget the title, but "1936 Durbin" should bring it forward on the youtube.
Well, yeah, because it's all pink and juicy inside. I'm not helping matters any, am I? Oh, um... tuna = pitahaya, cactus fruit. Just in case...
ADBLOCKER!greg x wrote: ↑Thu Sep 03, 2020 8:01 am Wow, so nice Letterboxd has decided to render their site virtually unusable with the glut of ad overlays that reload on each new page view. Really a great way to get me to use the site. Of course that's just how we roll nowadays, even the computer's free cell and solitaire games have fucking ads.
i love dodsworthtwodeadmagpies wrote: ↑Sat Sep 05, 2020 4:53 pm oh was gonna have a 36 marathon but i chose dodsworth as my first film and now i'm a wreck and will watch television
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have been looking for awhile since it's a vecchiali fave but can't find anything with substwodeadmagpies wrote: ↑Sat Sep 05, 2020 6:56 pm assuming that because hardly anyone has logged it on letterboxd that victor tourjansky's la peur with gaby morlay & charles vanel is not available?
I noticed that you've seen and liked both Marius and Fanny on letterboxd but not Cesar, should be a no brainer even though it's kinda getting enough attention. Not enough attention for me tho.twodeadmagpies wrote: ↑Sun Sep 06, 2020 10:03 am
and i think greg has logged every single movie from 1936. it's not helpful. my watchlist went from 72 to 143, which is not possible. i'm going to need help whittling it down. please people, if you watch anything good, or want to shout about a film that's not getting enough attention that deserves it, don't feel shy
I'm envious of people for whom details like this routinely register; I only rarely pick up on them, and I feel so clever when I do... But yeah,that was very much a strategy here-- once you mentioned it, I saw Wyler working that contrast all over the place. He even inverts it toward the end,when the tables are turned, with Mrs. D. framed in isolation and Mr.D. immersed in the social whirl.twodeadmagpies wrote: ↑Sun Sep 06, 2020 10:03 am him against the unmoving, plain background and her against the varied flux of people
I liked it and all,but the tang of misogyny didn't make your nose itch? When Mrs.D. strays it' for petty, 'typical woman' reasons and when it happens to Mr F it's true!!!!love!!!!the real thing. I found myself thinking of Le Bonheur...
I'm going with the hardsubbed copy on youtube. Looks pretty clean at first glance.