SCFZ poll: Francis Ford Coppola

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kanafani
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Re: SCFZ poll: Francis Ford Coppola

Post by kanafani »

flip wrote: Fri Aug 16, 2019 2:40 pm
kanafani wrote: Tue Aug 13, 2019 11:16 am The Conversation
Apocalypse Now
bram stoker’s dracula
kanafani, you can pick our next director if you want!
OK let me do some research!
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kanafani
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Post by kanafani »

kanafani wrote: Fri Aug 16, 2019 3:25 pm
flip wrote: Fri Aug 16, 2019 2:40 pm
kanafani, you can pick our next director if you want!
OK let me do some research!
Research completed. David Lynch!
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john ryan
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Post by john ryan »

Seen 21

1. The Conversation
2. The Godfather
3. Twixt
4. One from the Heart
5. Rumble Fish
:lboxd:
connordenney
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Post by connordenney »

I've seen 5.

1. APOCALYPSE NOW (1979)
2. THE CONVERSATION (1974)
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flip
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Post by flip »

there was no support for a few of his 1960s films, and most of his 1990s output, but every film coppola made from 1969 through 1992 got a vote with the exception of the cotton club.

and we didn't vote one of the godfather films for #1:

results

1. The Conversation (1974) -- 40 pts
2. The Godfather (1972) -- 38 pts
3. The Godfather II (1974) -- 28 pts
4. Apocalypse Now (1979) -- 26 pts
5. Dracula (1992) -- 20 pts
6. Rumble Fish (1983) -- 16 pts
7. One From the Heart (1982) -- 15 pts
8. Twixt (2011) -- 11 pts
9. Tetro (2009) -- 10 pts
10. The Rain People (1969) -- 9 pts
11. Youth Without Youth (2007) -- 8 pts
12. Dementia 13 (1963) -- 4 pts
12. Peggy Sue Got Married (1986) -- 4 pts
14. Gardens of Stone (1987) -- 3 pts
15. The Outsiders (1983) -- 1 pt
15. Tucker: The Man and His Dream (1988) -- 1 pt
15. Captain EO (1986) -- 1 pt
15. The Godfather III (1990) -- 1 pt
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flip
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Post by flip »

Joks Trois
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Post by Joks Trois »

Tetro is damn underrated. Nice to see that get votes. Twixt was a misfire to me.

Coppola is still somewhat underrated to me when you look at his career as a whole. He is more of a polystylist, and a sensualist, than most of the New Hollywood directors, and that makes him harder to pigeonhole. He has big balls and takes real risks. Who else would have distributed Our Hitler in the US or blown almost their entire fortune on a huge gamble like One From The Heart?

Coppola's aesthetic sensibilities are more developed than his intellectual ones, and I find the problem with some of his work is the inability to successfully merge the two, especially in films like Tetro and Youth Without Youth, but Tetro is a great mood piece and it pulls me in every time I watch it.
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